The story of the love affair between this particular movie and
myself really begins a couple years before it was even released. In 1983, I
became enamored with a group called Run-DMC beginning with their song “Here We
Go.” Over the next year and a half I learned just about every word of both their
debut self-titled album and their sophomore effort, “King of Rock.” I took the
title song of the second album as my personal anthem.
Late summer, or early fall of 1985, I began seeing TV ads
for a movie starring my heroes called Krush Groove. Yes!
Not only was Run-DMC starring, but other hip hop legends such as Kurtis Blow,
The Fat Boys, Dr. Jekyll & Mr. Hyde, and even Prince’s latest ‘it’ girl,
Sheila E. There was also this young rapper I’d just started listening to.
Perhaps you’ve heard of this guy. He calls himself LL Cool J. Even though they weren't in the commercials, I'd be remiss if I failed to mention that the Beastie Boys and New Edition also appear. Needless to say,
seeing this movie the day it hit theaters was priority number one. I started
putting the word in with Mom, right away. In the way fourteen year olds often
tend to, I let her know I would literally keel over and die if I didn’t see this
movie as soon as it came out. Repeatedly.
Lo and behold, when opening night came Mom had to work third
shift. She was a corrections officer at Riiker’s Island on rotating shifts in
those days. There was no way she was going to take my siblings and I, plus my
best friend and his little brother to the movies before having to pull an
all-nighter at one of the nation’s most notorious prisons.
Thankfully, she planned ahead.
At the time, a friend of Mom’s was having some trouble
getting on her feet so she was staying with us. Mom asked her to drag us all to
the theater that night so that I wouldn’t die. At least, I think that’s why.
Anyhoo, we arrived at Sunrise Theater, on Sunrise Highway of course, to find a
line wrapped around the building for Krush Groove. At this
point, our guardian for the evening asked me what I thought was the single
dumbest question in the history of mankind. She said “Wow, look at this line.
You guys sure you wanna stay?”
“You’re joking, right?” At least, that’s what I was
thinking. I can’t remember exactly what I said, but I’m sure it was along the
lines of “Hell yeah!” Okay, maybe not. The point is we stayed. We got in to the
show we were trying to get into. Shortly after the movie started, so did the
rock-rap hybrid “King of Rock.” Life was good.
The actual plot of Krush Groove is
loosely based on the early days of Def Jam Recordings, the company founded by
Russell Simmons that put him on the path to becoming a multi-media mogul. For the
uninformed, he is the real life brother of Joseph Simmons, AKA Run of Run-DMC.
He was actually the main character of the movie. Curiously, but wisely, he did
not play himself as all the artists did, including his business partner Rick
Rubin. Russell was played by Blair Underwood. There’s sibling rivalry, loan sharks, a love triangle, and of course, plenty of hip hop involved.
There was also plenty of comic relief whenever The Fat Boys
were on the screen. Their show-stopping music video plopped into the middle of
the film for “All You Can Eat” is just hilarious. Actually, just about
everything they did had me in stitches. They were such an effective part of the
movie, their performance earned them a collective multi-picture deal.
Unfortunately, they only made one more movie, the flop
Disorderlies where they co-starred alongside Ralph
Bellamy.
Recently, during one of those rare times when there was not a “new to
us” movie lying around the house, my family and I were trying to decide on a
movie to watch. The proverbial light bulb came on over my head as I thought ‘hey,
my wife and daughters love movies with lots of music and my son is a rap fan so
let’s watch Krush Groove!’ When I said it out loud, I got
mixed reactions but they agreed to watch.
Personally, I’ve seen it probably a couple dozen times since
that night in 1985. My wife has seen it quite a bit also, but hadn’t watched it
in a while. Of course, it was all brand new to our young’uns. As I suspected
they had a grand time watching it. Granted, part of their fun was laughing at
80s fashion, but they still enjoyed the movie. They recognized some of the
songs from my playing them around the house when I get in a nostalgic mood, so
that was a plus.
Looking at it with my now more critical eye, I can much more easily
see its flaws. For one, letting all of these artists play themselves was
clearly a ploy to capitalize on their success in the musical arena. For the
most part, they’re horrible actors. There are also a few plot holes to be
found. Additionally, I am a little bit of a hip hop historian and this movie
takes serious liberties with the facts even though most of the people involved
know them much better than I. That said it is still lively and entertaining.
Helping tremendously with this is the fact that the stuff with The Fat Boys
still works. I still laugh. My kids also laughed. More importantly, they
laughed in the right spots.
This movie also has one of my favorite cameos of all time.
One scene shows the guys sitting around the office and auditioning acts. Just
as they decide they are done for the day, a young man and his two buddies push
their way in the door. It’s that LL guy. He says “Box!” One of his boys turns
on the boom-box and he launches into the first verse from “I Can’t Live Without
My Radio,” one of his earliest hits. Then he disappears from the movie just as
fast as he showed up. To this day, it’s an intense and exciting forty-five
seconds or so of film. Of course, he went on to an incredibly long and
successful career in rap and later parlayed that into more longevity and
success as an actor. Think about this: he starred in In the
House, a sitcom that ran for four seasons, almost twenty years ago
and has worked steadily as an actor ever since. I’ve always been a big fan of
his, but must admit I will always harbor just a bit of hate for him. It’s not
really his fault, per se, and she’ll never admit this, but I suspect my wife
would seriously consider leaving me for him if presented with the opportunity. Damn
you, James Todd Smith. Damn you.
The true testament to the fact that this movie still works
is the way my kids reacted when it was over. When I put it in the DVD player,
they thought they were doing me a favor by tolerating “one of dad’s old people
movies.” By the time it was over, they were humming “All You Can Eat,” and
talking about their favorite parts. They asked me to explain much of the 80s
slang that permeates the dialogue. The wife and I reminisced on the good ol’
days. And all of us marveled at how much muscle Mr. LL has packed on since then. However,
I really got my biggest confirmation that I’d introduced them to the right
movie a few months later. I was at the computer banging out a post for this
blog while my girls were in the next room trying to figure out what they wanted
to watch. Without me saying a word, they picked Krush
Groove.
