Directed by Richard Linklater.
2011. Rated PG-13, 99 minutes.
Cast:
Shirley MacLaine
Brady Coleman
Richard Robichaux
Rick Dial
Brandon Smith
Larry Jack Dotson
Merrilee McCommas
Mathew Greer
Locals say assistant funeral director Bernie Tiede was the
most popular man in Carthage, Texas. This was at least in part due to how great a
mortician he was. They say he made the remains of their loved ones look
wonderful. Another reason was that he was the most genuinely nice person in
town. He was so beloved that no one in town blamed him or wanted to convict him
even after he confessed to a murder. This is a retelling of just how this came
to be. Amazingly, this is based on a true story.
The movie mixes and matches genres in a way that could be
confusing, at first. It’s part documentary as some of the people who knew the
real Bernie play themselves and speak candidly about what occurred. This is
interspersed with scenes using actors. Aside from Jack Black in the lead, there’s
Shirley MacLaine as Marjorie, one of the many widows Bernie befriends, and
Matthew McConaughey as Danny “Bucks”, the District Attorney trying to make sure
Bernie does the time for his crime. Eventually, it turns into courtroom drama.
Through it all runs a current of dark comedy making it even more unbelievable
that this really happened. Stylistically, it’s very reminiscent of
Waiting for Guffman. Thankfully, all the different strands
mesh easily, helping us settle into a groove and roll with the punches.
For a film such as Bernie success
hinges on the believability of its cast. Not surprisingly, MacLaine and
McConaughey nail their roles. McConaughey in particular feels completely
natural as the normally self-serving DA who is not given enough credit for
wanting to do the right thing even though the people with power to re-elect him
appear to be completely against him. They tell him so every chance they get.
Thankfully Jack Black reels himself in enough to keep Bernie from becoming a
complete joke of a person. That’s not necessarily an easy thing to do
considering Bernie is quirky and effeminate, two qualities that could easily be
overblown along the lines of Robin Williams in The
Birdcage. Black plays him as an odd bird, to be sure, but one we can
still identify with and even understand why people like him.
Once our main characters are established as real people, the movie has one more
task. It has to make us in the audience like Bernie at least half as much as
the people of Carthage. Granted, we don’t get all smitten with him like they
do, but it succeeds. Actually, showing the killing goes a long way in this. It’s
filmed in a way that we don’t see him as some heartless monster, at least up to
that point. Combined with the generally ill disposition of his victim and the
situation he’s found himself in, it plants the idea in our heads that we might
have done the same thing. It also makes us skeptical of what the actual charges
are against him. We’re sympathetic toward him, at first, but as time moves on
and his actions become more and more egregious we’re not so sure about things.
And that’s precisely where the movie wants you to be.
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