The Dellies - 2012 Best Director

And now we've reached the last award. Sort of. As I've said before, I will do a best and worst movie list, both this weekend. For now, we'll tackle the people who have painstakingly brought their vision to life in the form of these pictures. Click on the titles of my nominees to read my full reviews.

2012 - Best Director

The Real Nominees: Michael Haneke (Amour), Ang Lee (Life of Pi), David O. Russell (Silver Linings Playbook), Steven Spielberg (Lincoln), Benh Zeitlin (Beasts of the Southern Wild)

My Nominees:

Ben Affleck, Argo

It’s a masterwork crafted by Affleck, the director. For me, each of his three efforts from the special chair has been brilliant. He may have made his name as an actor and dater of starlets, but it seems his true calling is behind the camera.

Paul Thomas Anderson, The Master

Paul Thomas Anderson directs his movie in a manner that makes it difficult to look away from. The shots are beautiful and Hoffman and Phoenix command the screen. Many of their scenes together are scintillating. The director brings this out with excellent story-telling skills.

Ang Lee, Life of Pi

Including this one, I've only seen five of the twelve full-length features directed by Ang Lee. Until now, I’ve only liked one, Crouching Tiger, Hidden Dragon. If you shared my point of view, you’d understand why I wasn't really buying into the hype surrounding Life of Pi. However, I’ll admit that Mr. Lee has crafted a winner with this one.

Quentin Tarantino, Django Unchained

Nothing is so effective in the movie than at several points when we merely think something heinous is about to happen. This is when we’re intrinsically drawn to the edge of our seat while simultaneously trying to sink backwards into the thing. It is at these moments when Django is at its best.

Benh Zeitlin, Beasts of the Southern Wild

By the end, we've been through more than enough ups and downs with this family to become fully vested in them. When life throws yet another thing at them, we duck. Beasts of the Southern Wild is just a wonderfully done film.


Honorable Mention:
Kathryn Bigelow, Zero Dark Thirty
Stephen Chbosky, The Perks of Being a Wallflower
Ben Lewin, The Sessions
Sam Mendes, Skyfall
Steven Spielberg, Lincoln
David O. Russell, Silver Linings Playbook


The Real Winner: Ang Lee, Life of Pi

And My Winner Is...

Quentin Tarantino, Django Unchained

Taking another cue from the Blaxploitation era, director Quentin Tarantino wraps this tale about the barbaric ways of slavery in spaghetti western garb. To drive it forward, we get a screenplay chock full of sharp, often funny, often stinging dialogue. Django Unchained continues the director’s tradition of creating great tension through words. This one has more action between conversations than his normal fare, but the relationship between the two dynamics remains the same. Dialogue, complete with dramatic pauses, creates tension, action releases it.

Click here to see all of The Dellies!

Life of Pi

Directed by Ang Lee.

2012. Rated PG-13, 127 minutes.

Cast:

Suraj Sharma

Irrfan Khan

Ayush Tandon

Gautam Belur

Rafe Spall

Tabu

Adil Hussain

Gérard Depardieu

James Saito

Pi, played by Irrfan Khan as an adult, has a story that will make you believe in God. At least, that’s what the (unnamed) writer (Spall) has been told. He’s sought out Pi to hear this tale for himself. It details the events of Pi’s survival of a shipwreck all alone on a lifeboat. Well, he’s all alone except for a zebra, a hyena, and most dangerously, a none too friendly tiger name Richard Parker.

The shipwreck happens when Pi is fifteen years old, then played by Suraj Sharma. Before this we get his life story up to that point. It’s a wonderful setup for what’s to follow. Relationships between he and his family, particularly his father, are established. Enveloped within this framework is the boy’s relationship with the tiger. There is both humor and pathos at work here, and very effectively at that. We feel we really know this young man and understand the thirst of his spirit.

When we get to Pi adrift on the ocean trying to figure out how to survive both the elements and his company, Sharma takes over the movie. If you’re going to be the only person on the screen for long stretches of time, you’d better be a compelling personality. He is indeed that. He’s also aided by Richard Parker. The dynamics of their circumstances is tremendously watchable and maintains a certain charm throughout.

Also charming are the visuals. Richard Parker is certainly included as he is mostly cgi. He, and the rest of what we see is splendid. There is never a moment when we doubt that our hero is face to face with this magnificent beast. The danger he represents is certainly palpable. This helps the movie turn a difficult trick. Despite our knowledge that the older version of the young man we’re watching is narrating, we still feel that his life is at risk. At least, it’s at risk enough to keep us engaged. The rest of the film is wonderful looking, as well. The storm scenes are especially spectacular as is the island scene, with ridiculously lush greens and meerkats as far as the eye can see.

Visuals alone do not make a great movie, Zack Snyder. They work best when in support of an intriguing story. Things work this way in Life of Pi. We’re often drawn to the edge of our seat. Then, at the end, our brain gets challenged a bit. Is what we've seen the truth or just a colorful metaphor? Does it really matter which? What proof does it offer of God’s existence? We can have fun with all of those questions after we've had fun watching Pi navigate difficult waters.

Including this one, I've only seen five of the twelve full-length features directed by Ang Lee. Until now, I’ve only liked one, Crouching Tiger, Hidden Dragon, but I contend that it’s overrated. Even more overrated is Brokeback Mountain. It won Best Picture, but I don’t even think it was the best LGBT picture that year. Transamerica was a far superior movie and Mysterious Skin was ten times better than them both. Taking Woodstock was a ball of “meh” and don’t even get me started on that giant sleeping pill Hulk. If you shared my point of view, you’d understand why I wasn't really buying into the hype surrounding Life of Pi. However, I’ll admit that Mr. Lee has crafted a winner with this one.

Taking Woodstock

Directed by Ang Lee.
2009. Rated R, 121 minutes.
Cast:
Demetri Martin
Imelda Staunton
Dan Fogler
Henry Goodman
Jonathan Groff
Eugene Levy
Jeffrey Dean Morgan
Emile Hirsch
Liev Schreiber
Paul Dano

Plot: Elliot Tiber (Martin) is desperately trying to save his parents’ motel from being foreclosed upon. When a nearby town pulls the plug on “a hippie music festival” he calls the organizers to see if they want to move the event to his town. “Inspired” by the true story of Woodstock.

The Good: Visually, it’s an interesting movie. It’s not interesting in a big special fx blockbuster way, but there’s so much going on your eyes willingly dart around the screen trying to take as much of it in as possible. It effectively captures the feel of Woodstock as thousands of people seem to be incessantly milling around. More importantly, we get three interesting stories of self-discovery. To that end, the way Elliot’s relationship with his parents plays out is very well done. Overall, the movie is at its best when it goes for the stoner vibe. That aspect supplies us with the best humor.

The Bad: It can’t seem to decide what it wants to be. It tries to be a straight comedy but unless Elliot’s mom (Staunton) is on screen it’s not quite funny enough. At other times, it tries for gut-wrenching melodrama. However, it never quite succeeds at that, either. Without the ability to commit to any style in particular, it’s not effective enough at any one of them. Finally, the music that makes Woodstock legendary is strangely absent.

The Ugly: Liev Schreiber in a dress is disturbing on a Patrick Swayze & Wesley Snipes in To Wong Foo level.

Recommendation: TW is a movie with some interesting parts but they never seem to work all together. As a result, it’s a terribly uneven watch. There are stretches of flatness interspersed with a few moments of greatness.

The Opposite View: Joe Williams, St. Louis Post-Dispatch

What the Internet Says: 6.8/10 on imdb.com (6/3/10), 48% on rottentomatoes.com, 55/100 on metacritic.com


MY SCORE: 5/10