Showing posts with label Aziz Ansari. Show all posts
Showing posts with label Aziz Ansari. Show all posts

Monday, February 10, 2014

Epic

Directed by Chris Wedge.
2013. Rated PG, 102 minutes.
Cast:
Pitbull
Steven Tyler
Blake Anderson
Jim Conroy
John DiMaggio

For the first time in quite a while, Mary Katherine (Seyfried), MK for short, visits her father Professor Bomba (Sudeikis). Her mom has passed away so she understandably wants to spend some time bonding with dad. Unfortunately, dad is totally pre-occupied with his work. For years, he's been trying to prove the existence of an advanced civilization of tiny people located somewhere in the forest around his house. He believes them to be the engine of the ecosystem. He is actually right. We know this because we meet Ronin (Farrell) and his misguided ward Nod (Hutcherson), two Leaf Men, or soldiers, tasked with defending Queen Tara from their rivals, the evil Boggins. Today is when she must choose the pod that will continue to make things grow in the event of her death. The Boggins are after her because they want nothing more than rot and decay. Of course, MK thinks her father nuts. Tired of him neglecting her, she storms out into the woods and bada-boom, bada-bing, she is shrank down to about two inches tall and finds herself in the middle of the war in the forest.

Much of our focus is on the adventure to save the chosen pod, as well as the fish out of water aspects of the tale. Both bring a nice balance of action and comedy that keeps things moving along nicely. Though the jokes are on the obvious side, they work well enough. The action fares better. It is certainly close to what we think of when we hear the word swashbuckling. Just imagine what action scenes in Robin Hood might look like if we replaced horses with birds. There are also some very cool visuals employed during this. the scene where a bunch of bad guys come bursting from beneath the bark of a tree is an amazing sight. Visually, as a whole, the movie works quite well. Lots of flowers and other things you would find in the forest are rendered as somewhat humanoid beings. The scenery is occasionally a bit off as it appears the animators weren't always sure what should look photo-realistic and what should not. Still, it's definitely not enough to be a problem.


Less successfully handled are the emotional aspect of things. The relationship between MK and her dad works okay, but nothing happens that even the kids won't see coming. The same goes for the love story between MK and Nod. It hits every note precisely when we expect it to. More disappointing than either of those story lines is that the movie makes a big deal early on that MK's mom has died and so has Nod's dad yet does nothing with these facts. It approaches them as if there is some exploration of the matter about to take place. Instead, it's merely a ploy to give our lovebirds something in common. Again, none of these are major demerits. They are small dings in the armor that younger viewers will likely ignore, but start to pile up on us old folks.

What the youngsters won't ignore is all the hero/villain stuff. At this, Epic succeeds. The message of it is all a bit heavy-handed, but easy to root for. A lush, green forest is full of life while a gray and brown one is not. They will also like the lovably goofy Nod. Juxtaposed with him is the straight-laced Ronin. More than liking him, he's the one character we actually feel for. We understand he's got just a little bigger stake in the game than the rest. His nemesis Mandrake (Waltz) makes for a pretty good villain. He's properly dark and menacing and seems genuinely prepared to take over the world. The voicing of him by Waltz is very effective in getting this point across. Still, it's the good vs. evil angle that will carry the day for many of the kids watching. With a fairly sizable element of revenge factoring in on both sides we feel how personal things have become without anyone ever saying this explicitly. The other things fill out the movie and are solid enough to stand up and keep things enjoyable. I found it very entertaining and well done.


MY SCORE: 7/10

Friday, January 3, 2014

30 Minutes or Less

Directed by Ruben Fleischer.
2011. Rated R, 83 minutes.
Cast:
Dilshad Vadsaria
Bianca Kajlich
Fred Ward
Brett Gelman


Dwayne (McBride) isn't nearly as smart as he thinks. To boot, he is a slacker at odds with his wealthy dad (Ward). Really, he’s just waiting for the old man to die so he can inherit everything. When he lets this bit of info slip to Juicy (Kajlich), the stripper giving him a lap-dance, she tells him she knows someone who could expedite the process for a hundred grand. Of course, he doesn’t have that kind of money. With his sidekick Travis (Swardson), who happens to be good at making explosives, he decides to kidnap someone and force them to rob a bank for him. This is where Nick (Eisenberg) comes in. He’s a pizza delivery guy with problems of his own. He just had a fight with his best friend Chet (Ansari) and he’s attracted to Chet’s sister Kate (Vadsaria), but won’t tell her. He is also the unlucky chap who makes a delivery to Dwayne and Travis. He is quickly knocked out when he gets there. When he wakes up he finds he has a bomb strapped to his chest and is told he will rob a bank today, or else he’s going to go boom. In case you aren’t quite sure, this is a comedy.

Most of the movie consists of us, along with Dwayne and Chet, following Nick around as he decides what to do and figures out how to go about doing it, with Chet’s help, naturally. On both sides of this coin, we get lots of bickering between two guys. There is less where Dwayne and Travis is concerned as the former is mostly in charge. If you boil down all the yelling they do it equals one guy coming up with an idea and the other calling him stupid. Eventually, a course of action is agreed upon which doesn’t go as planned and the cycle starts over. This repetition lends itself to the theory of diminishing returns. The jokes yield fewer and fewer laughs as the movie goes on because they really haven’t changed since the beginning. The only real variation being how inventive the guys get with their swear words, of which there are more than enough.


To the movie’s credit, the plot hurtles forward with a kinetic energy. It rarely slows down, knowing it has to jam everything into an hour and a half. Those brief occasions are to set up our romance, but that’s about it. Most exposition is taken care of during those shouting matches I referenced. The rest of the film is made up of some form of action. Though they lack any real tension, they are occasionally entertaining.

More than any other genre, whether or not we like a comedy depends on how we feel about its stars. You either find certain people funny or you do not. I like Eisenberg okay, but can’t say I think he’s hilarious. I am also lukewarm on Danny McBride. Generally speaking, Ansari and Swardson both annoy me far more than make me laugh. When you add all that up, you get a movie that I believe has some funny moments, but mostly falls flat. The other aspects, like the story and action, are also rather hit-or-miss. Give it an additional demerit for reducing Michael Peña to a total stereotype. Now rewrite sentences three through six of this paragraph to better reflect how you feel about this movie’s stars.

MY SCORE: 5/10

Tuesday, September 28, 2010

Funny People


Directed by Judd Apatow.
2009. Rated R, 153 minutes.
Cast:
Adam Sandler
Seth Rogen
Leslie Mann
Eric Bana
Jonah Hill
Jason Schwartzman
Aubrey Plaza
Aziz Ansari
RZA
Torsten Voges

Justin Long

Plot: Comedian/movie star George Simmons (Sandler) hires still wet behind the ears comic Ira (Rogen) to write material for him. He’s also just found out he’s dying. Bromance ensues.

The Good: For director Apatow, this is pretty easily his most mature and complex work. The same can be said for Seth Rogen and possibly for Sandler, as well. Despite it being about comedians, it isn’t necessarily the funniest movie for any of them. Believe it, or not, that’s a good thing. Instead of spending time being outrageous and crass simply for the sake of it, we actually get character and relationship development. As a result, we’re more interested in what happens to them. Adam Sandler gives his bravest performance, parodying himself.

The Bad: Its way too long. As usual, Apatow is sorely in need of an independent thinking editor. Two and a half hour comedies tend to drag and this is no exception. There’s no doubt in my mind, it could get to its point about 30 minutes quicker. However, if the movie could use more of anything, it is George’s relationship with his own father. It’s talked about and built up as if it’s coming to some dramatic climax, but it never does.

The Ugly: Ira (Rogen) going ballistic on Daisy (Plaza) for cheating on him. You have to see it to understand.

Recommendation: Given the track records of nearly everyone involved, this is a movie bound to disappoint many and surprise others. If you’re looking for a gross-out comedy built on a foundation of four-letter words, look elsewhere. There are plenty of cuss words but they seem organic to the conversations, not just there for effect like in Apatow’s other work. It’s an involving piece of work that a lot of people just won’t like.

The Opposite View: Betsy Sharkey, Los Angeles Times

What the Internet Says: 6.8/10 on imdb.com (9/28/10), 68% on rottentomatoes.com, 60/100 on metacritic.com


MY SCORE: 7.5/10