Showing posts with label Martin Landau. Show all posts
Showing posts with label Martin Landau. Show all posts
Tuesday, February 24, 2015
Monday, October 28, 2013
Frankenweenie
Directed by Tim Burton.
2012. Rated PG, 87 minutes.
Cast:
Charlie Tahan
Atticus Shaffer
James Hiroyuki Liao
Conchata Ferrell
Tom Kenny
Victor Frankenstein (Tahan) doesn't have many friends other than
Sparky, his dog. Victor’s father notices this and urges his son to get our
there with the other kids. Specifically, he gets the boy to participate in a
baseball game. Not wanting to be left out, Sparky chases the ball into the
street and is killed when hit by a car. Inspired by what he learned in science
class, Victor successfully resurrects the dog. Initially, this is unbeknownst
to anyone else. When word gets out, all the kids want to bring something back
to life in hopes of winning the upcoming science fair. Of course, things don’t
go as well for them as they did for Victor.
The journey director Tim Burton takes us on is one steeped
in nostalgia, paying homage to horror’s glorious past every step of the way.
While Victor himself is a rather typical looking Burton creation, the rest of
the kids look like classic monster movie characters. One kid resembles Igor,
another Frankenstein’s monster, and so on. The science teacher is a dead ringer
for the legendary Vincent Price. There are many instances we’ll note as
inspired by those old pictures and the entire thing is shown in a traditional
black and white.
Simply incorporating elements from great movies is not
enough to make this film any good. Fortunately, Burton tells us a wonderful
story. It functions as a tale about a boy and his dog and as a horror flick. In
true Burton fashion, the boy is a loner and a bit of an outcast. This is
displayed by a brilliant inversion of the way the director usually presents
things. In movies such as Edward Scissorhands, Batman, and
as recently as Dark Shadows, the protagonist is not only clearly
different from those around him, but to us, also. Whether it’s a physical
deformity, ghastly colored skin, or just running around in a costume, we saw
something strange about them. Here, the hero looks more like us than anyone
else in the movie. The other characters are the more gothic creations. Since
they are the majority, Victor still comes across as the oddball. However, like
other leads in the Burton canon, he’s an oddball by nature, not some stubborn
contrarianism. He also has a good heart. Misguided as it may have been, he
brought Sparky back to life out of love for the dog. He tries to stop others
from doing similar things because he knows there is great potential danger.
Victor is easy to root for.
Like the best of Burton, several genres convene seamlessly.
Dark comedy and horror blend into a deliciously macabre family flick. Whether
we’re laughing, noticing something lifted from an eighty year old movie or
staring slack-jawed at all the mayhem of the finale, it doesn’t detract from
the overall experience. It’s something the director was unsuccessful doing in
the aforementioned Dark Shadows. There, his switches in
mode are jarring and leave us wondering what we are supposed to be watching. In
Frankenweenie, it all goes down smoothly.
Friday, February 22, 2013
Ed Wood
Directed by Tim Burton.
1994. Rated R, 127 minutes.
Cast:
Martin Landau
Sarah Jessica Parker
Jeffrey Jones
Patricia Arquette
Lisa Marie
George “The Animal” Steele
Vincent D’Onofrio
Mike Starr
Max Casella
Brent Hinkley
Ed Wood, here played by Johnny Depp, is widely considered
one of, if not the worst director of all-time. This biopic follows him from the
time shortly before he makes his first feature, Glen or
Glenda through the completion and premier of his magnum opus of bad
filmmaking, Plan 9 from Outer Space.
Let’s face it, Ed Wood was an abject failure in his chosen
profession. He was also socially awkward, a fact exacerbated by the less
tolerant era during which he lived. Even the end of this movie tells us Mr.
Wood eventually descended into alcoholism. The template is there for a dead
serious biopic. Luckily for us, our director for this feature, Tim Burton, is
both skilled and quirky. The former keeps the story moving briskly and in an
engaging manner. He gives us a fun film highlighting the subject’s passion for
making movies. We know that he’s bad at his job, but we also know he loves what
he’s doing and genuinely believes he’s making masterpieces.
Burton’s quirkiness lead him to some brilliant choices. The
most easily recognizable is that we’re watching a black and white picture. It
snugly fits the world these people inhabit. Ever the purveyor of palatable
weirdness, Burton’s handling of this collection of misfits is also perfectly
done. He makes them fun without making fun of them. To that end, he gets
wonderfully odd performances from Johnny Depp, Bill Murray (Bunny Breckinridge)
and Patricia Arquette (Kathy O’Hara). He also uses Sarah Jessica Parker
(Dolores Fuller) as a conduit for the audience, first wide-eyed in amazement of
Ed’s ambition and eventually our sober voice of reason. Her final outburst
reveals a painful truth to Ed that he unsurprisingly ignores. That he is
undeterred is a testament to his love for his craft and belief in himself.
The part of the movie that touches us most is the relationship between Wood and the legendary Bela Lugosi (Landau). They form a peculiar friendship. It seems to be based initially on Wood’s hero worship of the once great star then on his exploiting Lugosi and Lugosi’s willingness to be exploited. Wood is the only director who will have the rapidly declining legend. By this time, he’s more than happy to be in any production so that he can support his drug habit. By the end, we’re not sure who used who more but we realize they actually do care for one another.
When it’s all said and done Mr. Burton’s film is a tip of
the cap from one filmmaker to another, a loving tribute to a man who gave
everything to tell the stories he wanted to tell. Admiration permeates the
movie. It’s evident that Burton understands Wood’s movies are a mess but he
can’t help but respect the man’s drive. When the credits begin to roll, we’re
in the same boat.
MY SCORE: 9/10
Subscribe to:
Posts (Atom)