Showing posts with label Silver Linings Playbook. Show all posts
Showing posts with label Silver Linings Playbook. Show all posts
Monday, February 25, 2013
Congrats to the Winners!
Just finished watching the Oscars. Congrats to all the winners, especially Argo, taking home the honors for Best Picture. You can read my review of it here.
Movies I've reviewed that received at least one nomination this year (alphabetically):
Django Unchained
Flight
Mirror Mirror
Moonrise Kingdom
ParaNorman
Silver Linings Playbook
Snow White and the Huntsman
Ted
In the coming weeks, I should get to a bunch more nominees, particularly from the Best Picture category. Stay tuned!
Friday, February 8, 2013
Silver Linings Playbook
Directed by David O. Russell.
2012. Rated R, 122 minutes.
Cast:
Jacki Weaver
Chris Tucker
John Ortiz
Julia Stiles
Anupam Kher
Shea Whigham
Paul Herman
Dash Mihok
Brea Bee
We meet Pat Solitano Jr. (Cooper) as his mother Delores (Weaver) is picking him up from a mental healthcare facility. After a brief hiccup involving Paul’s buddy Danny (Tucker), they drive to their home in Philadelphia where they surprise his dad, Pat Sr. (De Niro). In short order, we learn Pat Jr. was sent away after a series of delusions culminated in a violent attack of the man his wife Nikki (Bee) was having an affair with. We also learn that he is obsessed with winning back her love despite the fact she’s moved away and has a restraining order out on him. Pat Jr. working extremely hard to prove himself worthy of her love while dealing with his demons ensues.
Through his unfiltered speech, therapy sessions and his family’s handling of him, Pat’s mental condition is thoroughly explored. In particular, we see the possible seeds of his problems through his father’s behavior. Pat Sr. is superstitious to a point of ridiculousness, even to his son. It’s part of what is evidently OCD. During the games played by his beloved Philadelphia Eagles remote controls have to be held a certain way, people have to sit in certain spots, etc. We know he’s prone to violent outbursts because we’re told he’s been banned from the stadium where the Eagles play after having been kicked out several times for beating people up. To show us this, the legendary De Niro gives one of his best performances in years. He’s fully a man stressed over his new line of business (basically, betting on Eagles’ games), exasperated by what’s become of his son’s life and beholden to his own artificial devices for creating luck. His interactions with Pat Jr. often turn confrontational.
Caught between the two is Delores. In the role of a mother supportive of both her men, sometimes to a fault she totally recognizes, Jacki Weaver does an excellent job conveying her character’s raggedness from being pulled to and fro. She tries to do right by everyone and often winds up little more than an enabler.
Yes, the acting across the board is top-notch. If you need further evidence, every actor mentioned in this review, with the exception of Chris Tucker and Brea Bee, has earned an Oscar nomination for their work in this film. Truth told, Tucker is actually pretty good and Bee’s character has so little screen time she’s more a concept in Pat’s mind than an actual person. Aiding them mightily is the crisp dialogue, often improvised from what I’ve heard, and expert directing by David O. Russell. He’s made a cottage industry for himself of movies about contentious, not quite sane people. After all, his last movie was another wonderful flick full of folk who communicate at elevated decibels, The Fighter. This one inserts more comedy, but not of a crass or exploitive type. Laughs come from more true to life situations.
While we enjoy watching Silver Linings Playbook, we can’t help but spot the ending from very early on in the proceedings. That’s because at its core this is a date-movie, an unabashed romance. It does nothing if not march relentlessly toward the big kiss. Even this is preceded by our hero chasing down his true love after a wise elder tells him to go after her. This is pretty standard chick-flick stuff, but in David O. Russell’s capable hands it is far better than most of its ilk.
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