The Magnificent Seven (2016)

Jurassic World

Escape Plan

Directed by Mikael Hafstrom.

2013. Rated R, 115 minutes.

Cast:

Sylvester Stallone

Arnold Schwarzenegger

Jim Caviezel

Faran Tahir

Vincent D'Onofrio

Amy Ryan

Vinnie Jones

Sam Neill

Curtis "50 Cent" Jackson

Caitriona Balfe

We meet Ray Breslin (Stallone) just in time to see him escape from a maximum security prison. Then we find out that this is his job. He runs a company that literally puts max security institutions to the test. The people who run these places hire him to go inside undercover as a prisoner and try to break out. He always does. It's made him a legend in "the industry." Yeah, apparently there is an industry and he is a legend in it. Um, yeah. It's an industry built on a pretty poor business model, if you ask me. Our boy Ray has three other employees, but none of them ever go inside even though jobs take months, maybe even a year to complete. On top of that, its dependent of the institutions that hire him, presumably all part of the public sector, having to come up with a couple million bucks to pay him. Since this is a movie, I suppose we have to let all that slide. Anyhoo, the CIA soon comes calling with an extra special job for our hero. They want him to break out of a place that's not only maximum security, but so "top secret" that they won't even tell him where it is. The inmates there are so dangerous none of them has been afforded due process. Various governments from around the world just snatched them off the streets and shipped them here. These guys are not allowed any contact with the outside world whatsoever. Ray will be treated accordingly.

As action flick set-ups go, this one is totally ludicrous, but interesting. Once we hear what this job entails, our wheels immediately start turning. Where could they be taking him? How is his team going to help him? Lastly, with such bad guys around, will Ray even survive long enough to try an escape? Okay, we know the answer to that last one. Still, we ask the question. That's good. It helps us get engaged in the movie. This isn't The Godfather, or anything, but we're interested. It helps tremendously that throughout the movie, the story manages to maintain a sense of impossibility to the task at hand. We really do feel for our hero when he finds out where he is.

Another thing that helps keep us entertained is Sly's larger than life co-star, Arnold Schwarzenegger. While never known as a great thespian, Arnie's been a movie star for most of my life. For those of us who grew up during the 80s and 90s, having him in a movie with Stallone is something we clamored for, but never thought we would actually see. That it comes all these years later adds to the film's charm. Back then, the debate among action lovin' boys was over which was better. If you argued in Schwarzenegger's favor, you certainly weren't celebrating his acting skills. So, what is it about him that made him such a huge star? There were plenty of other big brawny dudes out there saving the world. What sets him apart is his amazing screen presence. It is on full display in Escape Plan. He simply dominates the screen, no matter who else is on it, Stallone included. He's also completely comfortable in his own skin, nowadays, which has made him a better actor. He says everything with a hint of humor and understands that's how it should be. He delivers one of those bound to be underappreciated performances. I really enjoyed him here, but I know people will dismiss his work because of who he is.

As the movie goes on, however, it gets mired in action flick cliches. Of course, there's an evil warden, rival factions, and money-grubbin' turncoats. All of them go through pretty standard storylines. There is alos the predictable hand wringing of Sly's cohorts as they work feverishly from the outside to help their boss. By working feverishly, I mean verbally accosting the one person we know is guilty, over and over again. This portion of film includes a bland performance by Amy Ryan and a poor one from 50 Cent. What's worse is that as clear as it is what's going on just based on the events occurring, someone will always be along to explain it to you. Additionally, there's the problem of trying to make a bunch of guys labeled as the most dangerous in the world into a lovable band of misfits. We're told repeatedly how bad these people were in the outside world, therefore, it's hard to build up much sympathy for them.

Overall, Escape Plan is fun as it plucks along. The action, while not exceptionally frequent, works. Among the treats is the long awaited fight scene between Arnie and Sly. It's at least twenty-five years late, but I'll take it. Kudos to Stallone, by the way, for looking less like a botox monster than he has recently. He performs exactly like we'd expect so no surprises, there. The rest of the cast? A number of the performances are hammy, but work within the framework of the movie. Plus, Schwarzenegger is a blast to watch. On the downside, it wastes the good will it builds early in the picture by failing to escape genre restrictions.

MY SCORE: 5.5/10

Sinister

Directed by Scott Derrickson.

2012. Rated R, 110 minutes.

Cast:

Ethan Hawke

Juliet Rylance

James Ransone

Vincent D’Onofrio

Michael Hall D’Addario

Clare Foley

Fred Thompson

Nick King

Ellison (Hawke) is a true crime writer looking for his next best-seller. About a decade earlier, his magnum opus, “Kentucky Blood,” was not only a best-seller, it captured the national spotlight, earning him fame, wealth, and notoriety. He likes to work close to the scene of the crime he’s researching. This time, unbeknownst to his family, he moves them in to the actual house where it all went down. It being the hanging of four people out of the family of five that lived there. The fifth, the family’s youngest daughter, is still missing and the perpetrator has not been caught. Shortly after settling in, he finds a box of films and a projector in the attic which actually shows the crime, along with several other killings. Pretty soon things are going bump in the night and Ellison is freaking out.

As per the standard in such flicks, one adult is losing his mind, the other is mostly oblivious for much of the movie, and the kids are affected in various ways. In this case, the oblivious adult is wife/mom Tracy (Rylance). Son Trevor (D’Addario) experiences an increase in his “night terrors,” which means he wakes up in odd places screaming his head off and not knowing how he got there. The daughter eventually sees stuff. Most of our time is spent with dad as watches the films, hears something, goes to investigate, and tries to get help from either the local deputy (Ransone), or Professor Jonas (D’Onofrio) from the local university. Rinse. Repeat.

Despite its repetitive nature, Sinister manages to draw us in enough to keep us interested. Ethan Hawke’s performance helps quite a bit. His motivations are laid bare as is his increasing fragility. The man is clearly falling apart. However, he can’t help but dive deeper and deeper into this case. The case also has a bit of power over us, as well. The revelations come slow, but quick enough not to lose us. That said, reasoning is left unexplained and even undiscovered. This might be a potential turn-off for some, but I think it works.

The acts depicted in the films our hero watches are heinous, presented sans the over-stylization of most horror flicks. This gives them a real feel that holds up even though, or perhaps because, we’re visually spared the gory details. Again, Hawke does the work for us. Last second cutaways to his reactions work perfectly. In these moments, he is our conduit. He behaves as one might were we viewing something so despicable happening to real people and not actors. It’s an odd tactic for an R-rated horror movie, one that I usually rip movies for employing. Here, it works pretty well, maintaining the illusion that our protagonist is working on a “true” crime.

Where the movie ultimately falls short is in the most basic goal of horror. It’s entirely too hard to gauge how much danger this family is in. Cinematic logic dictates that they’re likely the next target of whoever the bad guy is. However, when things start to escalate, it doesn't always seem that way. We eventually discover why that is. Sorta. By that point, well, the movie is just about over. Until then, we can’t quite get fully vested in the welfare of these people.

All in all, Sinister is an interesting watch that does some interesting things. Though it is occasionally unsettling, it never gets all the way around to submerging deep enough in our heads to make it remarkable. We like the tone, the films within the film, Hawke’s reaction to them, and even the ending. However, it is also tedious and, for some, the unanswered questions will be unsatisfactory. And yes, we’re threatened with the possibility of a sequel. This is a decent watch, but I can live without another one.

MY SCORE: 6/10

Ed Wood

Directed by Tim Burton.

1994. Rated R, 127 minutes.

Cast:

Johnny Depp

Martin Landau

Sarah Jessica Parker

Bill Murray

Jeffrey Jones

Patricia Arquette

Lisa Marie

George “The Animal” Steele

Vincent D’Onofrio

Mike Starr

Max Casella

Brent Hinkley

Ed Wood, here played by Johnny Depp, is widely considered one of, if not the worst director of all-time. This biopic follows him from the time shortly before he makes his first feature, Glen or Glenda through the completion and premier of his magnum opus of bad filmmaking, Plan 9 from Outer Space.

Let’s face it, Ed Wood was an abject failure in his chosen profession. He was also socially awkward, a fact exacerbated by the less tolerant era during which he lived. Even the end of this movie tells us Mr. Wood eventually descended into alcoholism. The template is there for a dead serious biopic. Luckily for us, our director for this feature, Tim Burton, is both skilled and quirky. The former keeps the story moving briskly and in an engaging manner. He gives us a fun film highlighting the subject’s passion for making movies. We know that he’s bad at his job, but we also know he loves what he’s doing and genuinely believes he’s making masterpieces.

Burton’s quirkiness lead him to some brilliant choices. The most easily recognizable is that we’re watching a black and white picture. It snugly fits the world these people inhabit. Ever the purveyor of palatable weirdness, Burton’s handling of this collection of misfits is also perfectly done. He makes them fun without making fun of them. To that end, he gets wonderfully odd performances from Johnny Depp, Bill Murray (Bunny Breckinridge) and Patricia Arquette (Kathy O’Hara). He also uses Sarah Jessica Parker (Dolores Fuller) as a conduit for the audience, first wide-eyed in amazement of Ed’s ambition and eventually our sober voice of reason. Her final outburst reveals a painful truth to Ed that he unsurprisingly ignores. That he is undeterred is a testament to his love for his craft and belief in himself.

The part of the movie that touches us most is the relationship between Wood and the legendary Bela Lugosi (Landau). They form a peculiar friendship. It seems to be based initially on Wood’s hero worship of the once great star then on his exploiting Lugosi and Lugosi’s willingness to be exploited. Wood is the only director who will have the rapidly declining legend. By this time, he’s more than happy to be in any production so that he can support his drug habit. By the end, we’re not sure who used who more but we realize they actually do care for one another.

When it’s all said and done Mr. Burton’s film is a tip of the cap from one filmmaker to another, a loving tribute to a man who gave everything to tell the stories he wanted to tell. Admiration permeates the movie. It’s evident that Burton understands Wood’s movies are a mess but he can’t help but respect the man’s drive. When the credits begin to roll, we’re in the same boat.

MY SCORE: 9/10