Directed by Jeff Nichols.
2013. Rated PG-13, 130 minutes.
Cast:
Tye Sheridan
Jacob Lofland
Ray McKinnon
Joe Don Baker
Bestest buddies Ellis (Sheridan) and Neckbone (Lofland) are
a pair of fourteen year olds who spend most of their summer days exploring
their surroundings when they’re not working with someone in their families. On
a small island near their homes, the boys discover a boat lodged in a tree.
They surmise it got that way due to the recent flooding in the area. With no
one around, they claim it as their own. However, they quickly learn that
someone has beat them to the punch. Someone has actually been living in the
boat. That person is the scraggly looking and aptly name Mud (McConaughey). He
appears to be practically coated in a layer of the stuff. Immediately, he
begins bartering with the boys to bring him things from the mainland.
Eventually, this evolves into running errands pertaining to the girlfriend he
says he is waiting for. Meanwhile, we see that Ellis’ houme is not all that
stable as his mom and dad appear to be on the verge of breaking up. For him,
hard lessons in life and love ensue.
We like Ellis right away. He is adventurous, sure of
himself, curious as all get out, and yet, still very naïve about the way
relationships between men and wome work. He thinks it’s all black and white.
Even when he’s shown it is not, he clings to his most romantic notions. This is
the part of him we like most. It’s the part we want to protect. It is also the
part that makes us want to shake him enough for him to realize things are not
so simple. Tye Sheridan gives a wonderful performance to bring all of this
across. He never feels too old nor too young. He feels fourteen.
We are not quite as fond of Ellis’ trusty sidekick Neckbone.
It’s just a bit tougher to figure him out. As bits and pieces of his story are
revealed, we certainly empathize with him. This stems from the fact that we
realize his guardian, his Uncle Galen (Shannon), has very questionable
parenting skills.
In that light, it almost becomes easy to see why two
seemingly head strong young boys would become enamored with Mud, the homeless
guy they bump into. He’s a man by all outward appearances, but he shares many
of their same ideals. Mud is a hopelessly romantic man-child hiding from
something. Of course, we eventually find out what that is, but even then his
problems are revealed to be multi-faceted. We want to hate him, not so much for
any harm he’s caused as for his potential to do so. However, his romanticism is
so strong we can’t help but feel sorry for the guy. He doesn’t charm us like a
number of McConaughey’s other characters. Instead, he comes off desperate and
pathetic. This may be what draws the boys to him. Even though Mud is ultimately
pulling their strings, he does it in such a way the boys at least feel like
they have some measure of control over their interactions with him.
What we are and are not able to control is ultimately the
dilemma most of the characters deal with, both emotionally and situationally.
This is at the root of nearly every struggle. It is certainly that way with
Mud, Ellis, and Ellis’ dad Senior (played wonderfully by Ray McKinnon). It’s
interesting to note that the person who seems most in control is Ellis’ mom
(Paulson), one of only two adult females in the cast. Arguably, she is the only
one. As the movie progresses, she seizes more and more control of her own life.
On the other hand, there is Juniper (Witherspoon), the object
of Mud’s desire. She is a complete and perfect mess. What it is that she and
Mud see in each other is essentially the same thing. They each look at the
other as the one that has already and will continue to save them. Starting with
these two and permeating the rest of the movie are these delusions of the
heroism of oneself and of others. Even the relationship between Ellis and
Neckbone is affected by this.
By the time we get to the end, all the various strands are
swirling about but pulled together in a hail of bullets. My first thought was
that this is taking the easy way out of a story that spends lots of effort to
complicate itself. It even sets up what at first glance is your run of the mill
happy ending. Studying it a bit more in depth makes me thing the movie ends on
an incredibly dark note. True, the main characters are all smiles and the sun
in shining when the end credits roll. Still, I’m left with the sinking feeling
that I’m merely seeing how the next repetition of a pair of vicious cycles
starts. Worse yet, one of these cycles is the same as the other, just at an
earlier stage. Therefore, Mud is a movie that allows you
to believe everything is neatly tied in a bow, if that’s what you want, but
also makes clear the possibility of a not-so-bright future.
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