The Roommate

Directed by Christian E. Christiansen.

2011. Rated PG-13, 91 minutes.
Cast:
Leighton Meester
Minka Kelly
Cam Gigandet
Aly Michalka
Danneel Ackles
Billy Zane
Frances Fisher

Tomas Arana
Lauren Alfano

Although a college student, Sara (Kelly) is pretty dense. She’s the last co-ed on campus to realize that her new roommate Rebecca (Meester) is a few assignments short of a syllabus, if you know what I mean. Within thirty seconds of the two meeting, Rebecca becomes obsessed with Sara. Actually, obsessed is putting it mildly. She also becomes violent against anyone who spends any time with Sara. As you might imagine, Rebecca isn’t very popular.

For the next 90 minutes or so, we get a very tame and much dumber version of Single White Female. That movie is bolstered by a gutsy, decidedly adult tone even if it is merely a riff on Fatal Attraction. Bridget Fonda is sufficiently suspicious and eventually afraid of her roomy, as we are. It lacks much restraint and goes for gold whenever possible. The best thing it has is a skillful and deliciously over the top performance from Jennifer Jason Leigh in the psycho chick role. All of these things add up to a guilty pleasure. On the other hand, The Roommate is a watered down, stupid PG-13 rated mess inhabited by non-descript actors giving bland performances. This assessement excludes Billy Zane as the faux-chic, ultra-sleazy fashion design instructor. He's far from bland. Then again, hasn’t Billy Zane become a warning sign that you’re watching a bad movie?

Anyhoo, stupidity isn’t inherent is the premise of The Roommate. We’ve been thrilled by plenty of these types of movies. Stupidity comes from the handling of that premise. Having one character not realize something about another often works. It doesn’t work when the unknowing character is completely oblivious to even the most obvious signals. That’s just plain frustrating. Speaking of stupid, there’s Sara’s binge-drinking buddy Tracy (Michalka). I won’t say exactly what happens to her but it’s an uninspired take on a certain iconic scene in the classic Psycho. Yes, compared to that and most other films that label themselves “horror” and/or “thriller” Tracy’s ordeal is quite tame. The stupid part is she has a choice between two actions that most of us would take, or a third choice that only the most timid among us would even entertain. Of course, she shows all the backbone of a jellyfish then mostly disappears from the movie. I wouldn’t be surprised if the bigger girls aren’t still taking her lunch money.

If there is one daring thing The Roommate does it’s that it takes the lesbian subtext of SWF and pushes it to the forefront. Even this is botched, though. It’s not necessary to the plot or done with any other meaningful purpose. It’s simply there to try and recapture our attention with the most risqué thing the restrictive PG-13 rating will allow, a few seconds of a two pretty girls kissing. By the way, neither of which is Minka Kelly, so don’t get your hopes up. If anything, this serves as a reminder that this is a mostly a bloodless, sexless affair that can’t even manage to excite us horndog guys in the audience or scare anyone who has ever had a sibling or friend jump out at them and scream “boo!”

The Roommate is fairly unwatchable. It’s not good in any way, shape or form. It also lacks the balls to go all out and become a so bad it’s awesome experience. Instead, it just grates on you with its idiocy and predictability. We don’t like our heroine as much as we just can’t believe how dumb she is. As for our villain, Meester gives a game effort in the role but doesn’t seem like someone we can’t handle. Here’s an idea: skip this, find a copy of SWF and watch that, instead.

The Lincoln Lawyer

Directed by Brad Furman.
2011. Rated R, 118 minutes.
Cast:
Matthew McConaughey
Marisa Tomei
Ryan Phillippe
William H. Macy
Frances Fisher
Josh Lucas
John Leguizamo
Michael Pena
Bob Gunton
Laurence Mason
Trace Adkins
Bryan Cranston

Mick (McConaughey) is a defense attorney with a street hustler’s swag. He uses the backseat of his Lincoln for an office. His big break seems to have come when he’s hand-picked by real estate empire heir Louis Roulet (Phillippe) to defend him against sexual assault charges. The girl he allegedly assaulted is a prostitute. There is video evidence of her approaching him at a bar and offering her services. This should be a walk in the park for a savvy guy like Mick, right? You should already know things are never that easy. Soon, our hero comes to the realization that his client might be guilty and even has ulterior motives beyond getting acquitted.

Though our protagonist is a lawyer, this is no courtroom drama. This is a procedural. We watch Mick prepare for the case. We also watch him agonize over the mess he’s gotten himself into and try to strategize his way out. Even with very little in terms of action, it’s riveting stuff. It’s a sharply written tale that refuses to be a mystery. It’s not at all a whodunit. We know precisely who did. Still, there are several questions. What’s our hero going to do about this? How does he do the right thing without breaking any rules himself? Is that even possible? Most importantly, if it’s possible will it work?

Also in the mix is the on again, off again romance between Mick and prosecutor Maggie (Tomei). She gladly passes this case along once she finds out that Mick is on the other side. However, there is one cas she can’t pass on. They have a daughter together. She has custody while Mick usually gets her on Saturdays. Once in a while they’ll all go for ice cream together. Mom and dad refuse to be a traditional family, though. Apparently, they’ve already tried with disasterous results, save for the birth of their little girl. For them, the occasional night of passion will do. Don’t worry, this will eventually figure into the case.

Matthew McConaughey is unquestionably the star of the show. He lights up the screen with a performance that sizzles. It’s one of his best and a jolting reminder of what he can do when he’s not constantly forcing his pretty smile on us in some lame rom-com or pretending to be an action hero. He takes material that’s already good and makes it even better. There is certainly some excellent talent in the cast. They all turn in solid work. However, they’re really just along for the ride he’s taking us on. It is a very fun ride with just a bit of a twist at the end.