Showing posts with label Jean Smart. Show all posts
Showing posts with label Jean Smart. Show all posts

Sunday, November 17, 2013

Hope Springs

Directed by David Frankel.
2012. Rated PG-13, 100 minutes.
Cast:
Ben Rappaport
Marin Ireland
Brett Rice
Mimi Rogers
Ann Harada


Kay (Streep) has been married to Arnold (Jones) for thirty-one years. For at least the last four, every day has been exactly the same. They eat a quick breakfast before going off to their separate jobs, and a quick dinner when they return home. He then proceeds to fall asleep watching The Golf Channel while she cleans the dishes. When she’s done, she wakes him and he retires to the guest room. She sleeps in the master bedroom. Needless to say, the sparks are no longer flying. In an effort to change this, Kay makes reservations for the two to spend a week in Maine where they will see Dr. Feld (Carell), a famous marriage counselor. Even though he doesn't see anything wrong with their relationship, Arnold reluctantly goes along. By the way, he is also a grumpy penny-pincher whose favorite activity is complaining. A very tough week for the couple ensues.

The best thing that can be said about Hope Springs is that Meryl Streep and Tommy Lee Jones really feel like two people who have been together for three plus decades. They each inhabit their characters fully and let us understand who these people are. We get to know them as thoroughly as they should know each other, but don’t. It helps that we have all known couple like this. They have been together so long, they don’t know anything else. Some of us are that couple. In them, we recognize our own hopes and fears of what marriage will be like once the nest empties.

Right away, Kay is established as the more sympathetic figure. It is easy to see that her frustrations are not only born of her husband’s cluelessness, but of his comfortableness with the way things are. For him, sleeping in separate beds and barely talking to his wife beyond greetings and salutations are merely facts of life. That’s simply the way it is. Of course she desires a deeper connection, both physically and emotionally. She just needs help communicating this. We feel her pain.


To the movie’s credit, it doesn't just attack the problem from one angle. Eventually, we get into why things have gotten this way from Arnold’s point of view. It’s fitting that it takes a good portion of the movie to get to this because he is not a guy given to expressing any feelings that make him appear vulnerable. He’s the proverbial turnip we’re trying to draw blood from. This works wonderfully as we begin to sympathize with him more and more as the film progresses.

Though billed as a rom-com, Hope Springs is much more “dramedy” than anything else. There is lots of angst, some hurt feelings and tears shed. The focus is really on this authentic feeling marriage and whether it can be fixed, not on a succession of jokes. We do get some laughs. Most of them come from Arnold’s incessant grumbling. He is our dad, or grand-dad, and nothing is ever quite good enough or cheap enough for him. Kay is our mother, or grandmother. She’s sweet as pie and struggles to keep it together when she’s upset. We love her to death, but she rarely makes us laugh. The only other character of consequence is Dr. Feld. Steve Carell plays the role surprisingly straight.

This is a movie that hits a lot of right notes and has two marvelous performances. In the end, it comes across as more lightweight than it actually is. Therefore, almost no one will rank this among the best from either actor. That’s a shame because while I don’t think this is a truly great movie, I think they are both great in it. I also fear there is probably a clear line of demarcation separating those who will enjoy it and those who will not. I’d set that line at about age thirty-five and having been in at least one long-term monogamous relationship. In other words, use another Meryl Streep vehicle, It’s Complicated, as a guide. If that’s not your cup of tea, don’t sip from this one, either.


MY SCORE: 7/10

Thursday, September 2, 2010

Youth in Revolt


Directed by Miguel Arteta.
2010. Rated R, 90 minutes.
Cast:
Michael Cera
Portia Doubleday
Jean Smart
Fred Willard
Zach Galifianakis
Ray Liotta
M. Emmet Walsh
Steve Buscemi
Justin Long


Nick Twisp (Cera) is a frustrated 16 year old virgin who’s only joy in life seems to be that his best friend has even less luck with the ladies than he does. That is, until he meets Sheeny (Doubleday), his one true love, thanks to some shady dealings by his mom’s boyfriend that causes the dysfunctional trio to go into hiding in a trailer park. Jean Smart and Zach Galifianakis play the mom and bf, respectively.

A few days later Nick learns he and his makeshift family will return to their home, thus separating him from Sheeny. Before he leaves, the lovebirds decide the only way for them to be together…well, it will apparently take a great deal of effort and involve Nick behaving very badly. The important part is this results in Nick creating Francois Dillinger, his own imaginary alter-ego (also played by Cera). When thinking of Francois, think a subdued version of Eddie Murphy’s Buddy Love from The Nutty Professor but visualize Cera with a thin mustache, wearing a tight white smoking jacket and of course, smoking.

From there, the movie shifts into another gear as Nick tries desperately to be reunited with the girl of his dreams, on multiple occasions. However, even as it does it sticks to its guns and the whole movie has a Steven Wright-esque deadpan delivery. This wouldn’t be such a bad thing if it were funnier. Actually, there are pockets where it is hilarious, but they’re few and far between. Most of the time, the jokes don’t hit the mark. And the whole alter-ego thing is a waste. We could have the exact same without him.

Nick’s relationships with his divorced parents are a blown opportunity. They could’ve had some wonderful developments or been mined even further, reaching new comic depths, or both. Sadly, they’re neither. Both his mother and father (Buscemi) are given great templates with which to start but hardly enough metal to fill the molds. It’s too bad because Smart turns in a great performance.

YIR wants to be witty and clever but it isn’t on an often enough basis. I’ve seen dozens of movies about teenage boys risking life and limb to get laid. This one fits snugly in the middle of the pack without the ability to separate itself.

The Opposite View: Rick Groen, The Globe and Mail (Toronto)

What the Internet Says: 6.8/10 on imdb.com (9/2/10), 68% on rottentomatoes.com, 63/100 on metacritic.com

MY SCORE: 6/10