Wreck-it Ralph

Directed by Rich Moore.

2012. Rated PG, 108 minutes.

Cast:

John C. Reilly

Sarah Silverman

Jane Lynch

Jack McBrayer

Alan Tudyk

Ed O’Neill

Dennis Haysbert

Rachael Harris

Mindy Kaling

Skylar Astin

Adam Carolla

Wreck-it Ralph (Reilly) is the bad guy in the video game “Fix-it Felix Jr.” To paraphrase another character, this doesn’t necessarily make him a bad guy. Still, Fix-it Felix Jr. is the game’s hero. At the end of a long shift, when the arcade closes, Felix and the other good guys hang out in their plush apartments having parties and generally schmoozing. Meanwhile, Ralph lives all alone on a pile of bricks, using a tree stump for a pillow. This has been going on for thirty years and he would like it to change. That means finding a way to win a medal, which only good guys can do. Ralph ventures from game to game in the arcade to break that rule and claim his prize.

As any movie based on a video game universe should be, Wreck-it Ralph is driven by sights and sounds. Brilliant colors and crisp noise keep our eyes dancing and our ears perked. There are also plenty of familiar characters from actual old school games who make cameos, so older viewers may experience some serious nostalgia. Even the main characters owe a debt to the game “Donkey Kong” for their existence. These characters, and the ones we’re introduced to for the first time, feel like an honest fleshing out of their pixilated counterparts. I have but one minor complaint about the visuals. There isn’t quite as much difference as I hoped to see between current-gen characters and those from games of a bygone era. However, that’s completely understandable. It would be kind of hard to sell a kids movie where most of the principals are jagged and blurry. I guess that makes it a “me” problem.

Thankfully, there’s more to this movie than being pretty and loud. It eventually becomes a redemption tale. That much is expected. What’s not is the complexity of the redeeming and how many actually go through it. It’s not at all hard to follow so don’t worry about that. It’s not preachy, either, so no need to worry there. The story is told in a manner that works on the surface and still works after a little digging. Don’t dig too much, mind you, but a little is okay.

We Need to Talk About Kevin

Directed by Lynne Ramsay.

2011. Rated R, 112 minutes.

Cast:

Tilda Swinton

Ezra Miller

John C. Reilly

Jasper Newell

Ashley Gerasimovich

Siobhan Fallon

Alex Manette

James Chen

The last sixteen years have been a living hell for Eva (Swinton). Things don’t appear to be getting better. She spends most of her days agonizing over what has happened during that time which culminates with her teenage son Kevin (Miller) in jail. She lives alone in a shabby little house that’s a wreck, both inside and out and goes to visit her boy quite often. The two mostly sit across a table and stare at each other. They don’t seem to be mother and son so much as they do a pair of adversaries inextricably stuck with one another and forced to behave. Through flashbacks we see pretty much Kevin’s entire life. It does indeed seem as if he’s hated her literally from day one of his existence. Soon, the feeling becomes mutual. However, realizing that a mom shouldn’t feel that way about her boy she continues to give her relationship with him the old college try. Unfortunately, the boy just seems evil.

It’s clear right from the beginning that Kevin has not just committed a crime, but done something especially heinous. It’s so bad that Eva is shunned by everyone in town. One lady even has enough gumption to punch her in the face and call her names as they pass each other on the street. For what it’s worth, Kevin doesn’t seem the least remorseful about anything. Didn’t I say he’s evil.

When I say evil, I don’t mean it in the way we normally think of when talking about horror flicks. Kevin isn’t possessed by some revenge-seeking demon or a host for the devil. He just seems to be a bad kid from the start. This dredges up the old nature vs. nurture argument. Was he born rotten or did life spoil him?

Truth told, We Need to Talk About Kevin isn’t actually categorized under horror. I’ve seen it called a psychological thriller, a drama and/or a suspense. Though it has elements of all of those, I wouldn’t say any of those descriptions is truly fitting. I would say it has as much, if not more, in common with fright flicks as anything else. It’s a horror made all the more unsettling because we’re too familiar with both the familial situation and the situation Kevin creates. It could be happening next door. The potential for this story to spring to life right before us, as it too often has, is far scarier than the prospects of some boogeyman in a dingy, tattered get-up disemboweling all of our friends while cracking witty one-liners. The terror comes from the context. That said, it’s not a movie you’d be pressed to watch alone in the dark. The sinking feeling it gives us has nothing to do with what might be lurking about just beyond our field of vision. It comes more from what we can plainly see but may not be willing to believe.

No matter which box we try to put it in, WNtTAK is unconventional. It, along with Eva seems to exist in a near constant dream like state like they’re both incredulous as to how things have turned out. There really is no plot, just the endless pain of her existence as flashbacks and current events alternate screen time. The other is never far from thought.

While the thematic occurrences are intriguing, they would be a hard sell if not for the amazing work turned in by Tilda Swinton. She’s perfectly perplexed at the mess her life has become. Not to be outdone are the three gentlemen handling the role of Kevin. While Miller handles the role in its final incarnation amazingly, he receives a great setup from the tykes who handle the younger versions. In particular, Jasper Newell, who plays Kevin between ages six and eight is remarkable. The two boys complement each other extremely well making for a seamless combined portrayal.

The pacing is a bit slow and the score, while moody, isn’t terribly exciting. This makes it a difficult watch for some. Regardless of which genre you think this belongs, you’re in the wrong place if you’re looking for a mile-a-minute popcorn flick. There is nothing wrong with those kinds of movies, I love plenty of them. However, they’re fleeting and light snacks. We Need to Talk About Kevin is heavy, stick to your ribs food.

9

Directed by Shane Acker.
2009. Rated PG-13, 79 minutes.
Cast:
Elijah Wood
Christopher Plummer
Martin Landau
Jennifer Connelly
John C. Reilly
Alan Oppenheimer
Crispin Glover

Plot: Man has been completely destroyed by it's war with machines. A group of dolls created shortly before this that have been given life, is the closest thing to humanity left. Each is known only by a number, and appear to be made of burlap. Together, they try to overcome what man couldn't.

The Good: It's an interesting take on a post-apocalyptic world where man vs. machine has technically become machine vs. machine. The overally dusty look works well and aids in the mood of the story. The moral dilemma of whether to run and hide or stay and fight is played quite nicely. On top of those things, we get excellent visuals during the many chase sequences.

The Bad: At only 79 minutes, it doesn't seem to fulfill it's potential. So much more could've been said and done. It's PG-13 rating ensures that it's not strictly for kids so worrying about the audience's attention span shouldn't be an issue. Therefore, it should've been free to expand it's world, situations and relationships, becoming a serious epic. Instead, it ends and leaves us feeling like it pulled it's punches.

The Ugly: We get perhaps the most menacing use of Somewhere Over the Rainbow, ever.

Recommendation: First, don't go in thinking this is another cuddly kiddie flick because it's not. Though the creative minds behind The Nightmare Before Christmas and Corpse Bride are producers, Tim Burton and Timur Bekmambetov, don't even think this is in a similar vein to those. This is not a musical and is a rather humorless affair. That said, it is a fascinating watch. I just wish there were more of it to see and absorb.

MY SCORE: 7/10

Cirque du Freak: The Vampire's Assistant

Directed by Paul Weitz.
2009. Rated PG-13, 109 minutes.
Cast:
Chris Massoglia
John C. Reilly
Josh Hutcherson
Michael Cerveris
Ray Stevenson
Salma Hayek
Jessica Carlson
Ken Watanabe
Patrick Fugit

Plot: In order to save his best friend's life, Darren (Massoglia) sacrifices himself by becoming a "half-vampire". He also finds himself in the middle of a war between the vampires and the "vampinese."

The Good: It adds some interesting new twists to vampire lore (like "super spit"). While doing so, it also forcefully removes some other traditional traits. For instance, there's no transforming into bats for these guys. Then again, do any vampires anymore? Anyhoo, this makes it fairly original and intriguing. There are also lots of interesting characters with quirky abilities.

The Bad: The tone is difficult to gauge. My first instinct is to say it's a comedy, played straight. However, other than the fact it looks like John C. Reilly is struggling mightily to not act goofy, it isn't funny. That would mean it's a serious vampire flick. The problem is it's too cheesy to engage us on a deeper level or offer up vampirism as a metaphor for anything relevant to viewers.

The Ugly: What happens to Madame Truska (Hayek) when she gets aroused.

Recommendation: Overall, it's an interesting watch that's sporadically entertaining. It's uneven tone make it a bit of a frustrating watch and give it the feel of a Disney Channel made-for-TV movie with a few four letter words sprinkled in.

The Opposite View: Marc Savlov, Austin Chronicle

What the Internet Says: 6.2/10 on imdb.com (10/1/10), 37% on rottentomatoes.com, 43/100 on metacritic.com


MY SCORE: 5/10