Showing posts with label Keira Knightley. Show all posts
Showing posts with label Keira Knightley. Show all posts

Wednesday, July 31, 2013

Seeking a Friend for the End of the World

Directed by Lorene Scafaria.
2012. Rated PG-13, 101 minutes.
Cast:
Connie Britton
T.J. Miller
Mark Moses
Nancy Carell


What would you do if you knew for certain the world were going to end in three weeks? That’s the question facing us all in Seeking a Friend for the End of the World as a seventy mile wide asteroid is on a collision course with Earth and all attempts to stop it have failed. More specifically, it’s the question facing Dodge (Carrell). It’s also become exponentially more difficult to answer now that his wife has decided this would be the perfect time to leave him. Everyone around him is truly living each day like it’s the last, engaging in whatever activity their hearts desire while Dodge sits around and mopes. He finds someone to commiserate with in the flighty Penny (Knightley). She’s similarly distraught, having broken up with her boyfriend. Eventually, the two decide to help each other do the one thing they each must before it’s too late. An apocalyptic adventure ensues.

Early on, the movie focuses as much on our decaying societal mores as it does on the lives of our protagonists. Here is where most of its humor lies. The jokes are largely to be expected, generally revolving around people getting all the sex and drugs they could possibly want, but still fun to see play out. There are only two other jokes: the occasional ominous yet loony newscast and the situations Dodge and Penny find themselves in because of the outbreak of riots. The violence, and any humor derived from it, ends when a very odd man takes a bullet to the throat. You’ll have to see for yourself to understand how and why this could possibly be funny. A short while later, the sex and drugs part of the movie climaxes with a trip to a chain restaurant. Unfortunately, we still have half the movie to go.


Immediately upon finishing the very strange dining experience of our heroes, the movie settles into a string of predictable events in an effort to create a romance. Problem number one, again, is that the comedy disappears almost entirely. Instead, we’re stuck in this drama which never surprises us and will have to either deliver the depressing finale we've been trudging toward or, concoct some ridiculous BS for the sake of giving us a happy ending. Problem number two is that we never feel strongly enough about the couple in question to overcome problem number one. Dodge and Penny aren't two people we can see together under any circumstances. Making an exception because people are bound to do things and be with people they normally would not even consider. However, this just makes things seem even more preordained. This, combined with the fact that everything happens so perfectly on schedule, our pulse rate never increases. Our performers give it their all, but their interactions lack the magic needed to make us ignore these blemishes.

All is not terrible for the second half of the film. First, there is a wonderful scene, albeit a bit of a painful one, between Dodge and his dad played by Martin Sheen. It’s the one time we truly sense the emotion of the two people speaking. Second, the final scene is one of endless tenderness. It is by far the most enjoyable exchange between Dodge and Penny. If somehow, you find yourself caring by this point, you might even have to wipe away a tear or two. Odds are, you won’t.

Monday, May 23, 2011

Never Let Me Go


Directed by Mark Romanek.
2010. Rated R, 103 minutes.
Cast:
Carey Mulligan
Keira Knightley
Andrew Garfield
Izzy Miekle-Small
Charlie Rowe
Ella Purnell
Charlotte Rampling
Sally Hawkins


A few years ago, director Michael Bay gave us “The Island.” In it, there was a colony of clones keptin in what was essentially an underground warehouse for spare parts. These clones existed only to provide any parts needed by the person they were cloned from. Eventually, a couple of them figure this out and all hell breaks loose. For my money, it’s easily one of Bay’s better movies. Nevermind that it was actually a rip off of an old 70s B-movie called The Clonus Horror.. Never Let Me Go starts with the same idea. In this case, our clones are being raised at a special school. When they eventually graduate, they are moved to various boarding houses until it is time for them to make “donations.” Depending on what’s needed, most of them make about four donations before dying in their early twenties. This movie takes a decidedly quieter approach to the subject. Where the latter half of Bay’s movie is essentially one long chase scene, “NLMG” has no such adventure. That’s okay. Sci-fi that uses its brain instead of its fx is a nice change of pace.

One of the problems is there isn’t much sci-fi beyond its premise. By that, I mean there are deep ethical and philosophical discussions to be had based on the mere fact of the existence of clones. There is a little of this at the beginning, a little more in the middle, then a bit more at the end. Most of our time is spent on a rather mundane love triangle. Kathy (Mulligan) has a crush on Tommy (Garfield) when the two of them are about ten years old. Classmate Ruth (Knightley) suddenly decides she likes Tommy and steals him away. Kathy spends most of the next 18 years pining over the only boy she’s ever loved.

Let’s get back to the sci-fi. There are some interesting things afoot. For instance, Kathy gets what can only be deemed as a stay of execution when she becomes a “caregiver.” Basically, she becomes a social worker to other clones who are going through donations. Eventually, she will have to go through them herself, but she gets to live a little longer. Sadly, exploring truly intriguing topics such as this are only skimmed while we plumb the depths of the aforementioned love triangle.

Honestly, I have nothing against movies about longing for love, if they’re done well. This one is trite and has an air of inevitability. It’s coming to a point we know that it must. No matter how much they try to fake us out, we just don’t buy it. There will be some that will be enthralled by the romance factor. To the rest of us, it will seem to have wasted its potential.

MY SCORE: 5.5/10