Directed by Scott Stewart.
2013. Rated PG-13, 97 minutes.
Cast:
Josh Hamilton
Kadan Rockett
L.J. Benet
Myndy Crist
Rich Hutchman
Josh Stamberg
The Barrett family is like many others that dot the
landscape of Suburban America in the second decade of the twenty-first century.
Once prosperous, Daniel (Hamilton) and Lacy (Russell) are now having financial
issues which is causing stress in other areas of life. This includes their relationship
with their two boys Jesse (Goyo) and Sam (Rockett). What they don’t realize is
they’re about to encounter their biggest problem. A string of strange events
occur in their home. They are obviously staged by an outsider, but no evidence
is left to let anyone know who the culprit might be. In fact, local police
think it’s the couple’s own children behaving mischievously. A little harder to
explain is why hundreds of birds come flying into their house all at once. Early
in the proceedings, we figure out the family is receiving nightly visits from
aliens. It takes the Barretts a little longer to catch on.
Even though we know we’re dealing with visitors from outer
space, Dark Skies functions much like a haunted house
flick. This serves to amplify any uneasy feelings we might have. We know that
these beings have sinister motives. We just don’t know what they are. At
keeping us interested, the movie is fairly successful. We see the aliens
progressively upping the ante and await the inevitable action-packed fate. Our
two leads also help in this regard, especially Keri Russell. We can plainly see
her edges fraying because she is believable through all of it. Also helping is
the great J.K. Simmons. In every movie such as this, the terrorized family has
to seek out a so-called expert on their particular phenomenon. Simmons plays
that guy. Here, he’s a bit more subdued than normal. This is fitting because
he’s a weary, beaten man. In a review of one of Simmons’ movies (I forget
which), Roger Ebert says, and I’m paraphrasing, that when you see Simmons in a
supporting role you often wind up wishing the whole movie were about him. It’s
true here, as well.
Conversely, Dark Skies struggles
mightily in other areas. By other areas, I mean almost anything not directly
depicting the aliens’ handiwork. It’s all a mess. Things are introduced and
dropped or, worse, proven to be preposterous. The most noticeable thing being
the family’s supposed money problems. Such a big deal is made of them, as if
the movie is going to somehow angle all of this as a metaphor for the economic
state of the nation. Any idealistic notions such as that go out the window when
it becomes apparent they’re spending all sorts of money that they shouldn't
have merely because the plot requires them to have certain things in order to
move forward. We, the audience, would be better off never having heard anything
about their financial situation. Another is what the authorities are attempting
to do because it looks to everyone like Daniel and Lacy are abusing their kids.
It’s built up then practically aborted except for some lip service later on. It
just never feels like a real threat. In short, the script could use some
tightening up.
What winds up happening is this becomes a less than filling
movie experience. The alien stuff works fine, clearly the best part of the
film, but isn't breaking any new ground. The human aspects fall short. Early
on, this doesn't appear to be an issue as we’re gaining empathy for these
people. As things progress, they fall apart. This leaves the more successful
parts of the movie to try to carry the weight of both halves. This, it cannot
do.
MY SCORE: 5/10
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