Showing posts with label Benjamin Bratt. Show all posts
Showing posts with label Benjamin Bratt. Show all posts

Saturday, June 7, 2014

Cloudy with a Chance of Meatballs 2

Directed by Cody Cameron, Kris Pearn.
2013. Rated PG, 95 minutes.
Cast:
Bill Hader
Anna Faris
James Caan
Will Forte
Andy Samberg
Benjamin Bratt
Neil Patrick Harris
Terry Crews
Kristen Schaal
Al Roker
Khamani Griffin

Precisely eight minutes after the events of the first movie, we begin our next adventure with Flint Lockwood (Hader) and the rest of his island clan. In case you don't remember what happened in the original, we start things off with a recap to get you caught up. The bottom line is there is a lot of cleaning up to do. There is literally food just lying around everywhere. In swoops famed scientist Chester V (Forte). Chester dispatches his subordinates to clean up the mess and sweet talks our hero into coming to work for him. Flint agrees then he and all his friends and family are evacuated while the clean-up is going on. We know what Flint doesn't. We know that Chester is really the bad guy and has an evil plan involving the machine our hero invented in that first film. We also find out that the food on island is alive and very dangerous.

Narratively, the movie shoots itself in the foot almost immediately by revealing that Chester has ulterior motives. He basically announces he's dishonest and is tricking our hero. The unintended consequence of this is that the good guys look like idiots instead of heroes. Even young viewers might be wondering why Flint doesn't see what's going on when Chester's admission makes his intentions more than obvious. It doesn't help that Flint is presented as clueless about anything except his own inventions.

Another issue is that the surrounding cast is given much less to do this time around. There are a few nice scenes between Flint and his father Tim (Caan). For the most part, though, dad is relegated to hanging with a group of sardine loving pickles. Sardine loving pickles is a phrase I never thought I'd type in a million years, but that is precisely what I meant. Earl Devereaux was played wonderfully in the first movie by, of all people, Mr. T. This time around he's played by Terry Crews, and we hardly see him. I remember him in a dress in one scene and making a chest hair joke later on, but that's about it. Anna Faris gets roughly the same workload this time around as Sam Sparks, the girlfriend/voice of reason, and might be the most likable character in the film. In place of these diminished series vets, we get Chester channeling Steve Jobs during one of those Apple conventions when he was announcing the next big thing. There is also his sidekick Barb (Schaal). I'll just say she's an ape with conscience and leave it at that.


All that stuff is bad, but hardly deal-breakers. Kids repeatedly sit through many worse offenders. What tears it for me is how aggressively bizarre the whole thing is. And not in a good way, either. It's an off putting kind of strange that gets worse as it goes along. We start by meeting much of the food. It's all edible versions of things in the real animal kingdom. This is a bit weird, but creative so I'm fine with that. The things done with them following this just rub me the wrong way. Most upsetting was the whole scenario involving strawberry poop. Hmmm, another phrase I never thought I'd use. You just have to see it to understand. Or not, if you're smart. I will give the powers that be some credit for one thing that was done with this aspect of the movie. Every so often, we'd get a pretty clear homage to Jurassic Park. They seem to be trying to invoke the same sense of wonder viewers felt the first time they'd laid eyes on Spielberg's dinosaurs. At this it fails, but they're still nice little nods.

I'm sure you've already figured this out, but Cloudy with a Chance of Meatballs 2 is not my cup of tea. The original was warm, funny, and had tons of charm. This one is lazily written and oddly executed. Instead of rebuilding the empathy we felt the first time around, the sequel assumes it remains with us and proceeds right to all the zany situations. These situations are where most of the energy is spent, but needed to be reined in. It becomes one of those instances when creativity runs amok. No one realized that everything that pops into your head isn't a good idea. While watching the first movie, it was hard to stop smiling and harder not to be drawn in by the characters and their plight. This time, I spent a lot of time cringing and shaking my head.


MY SCORE: 3/10

Monday, November 4, 2013

Snitch

Directed by Ric Roman Waugh.
2013. Rated PG-13, 112 minutes.
Cast
Jon Bernthal
Michael K. Williams
Melina Kanakaredes
Nadine Velazquez
Rafi Gavron


You just can’t trust people these days. Jason (Gavron) learns the hard way when his best friend sets him up with the feds by shipping a box of illegal pills to his house. The thing is, Jason is not really in the drug game. His buddy is and just needed someone to implicate in order to reduce his own sentence. Now, he faces a possible ten year prison bid. No worries, his dad happens to be The Rock…er…Dwayne Johnson…I mean John, played by The Rock…um…Dwayne Johnson. Like any good parent, dad wants to help his son in any way possible. Since we need something to justify us spending nearly two hours with him on his quest to save the boy from permanently becoming Bubba’s bitch, he does so in the dumbest way he can imagine. Despite being wealthy enough to afford a lawyer good enough to beat an extremely flimsy case, he uses his connections to get a meeting with Joanne Keeghan (Sarandon), the powerful District Prosecutor. There, he volunteers to do what his son wouldn't: help the cops catch more bad guys. Despite being told it doesn't work that way, and warned not to do anything stupid, he does precisely that. He takes it upon himself to go undercover and pretend to be a guy looking to get into the drug trafficking business.

The setup of any movie requires the viewer to buy in for our suspension of disbelief to kick in. This is no different. The problem is in trying to simultaneously create empathy for John it removes logic from his thought process. What he does should be a last ditch effort, not the first thing that pops into his brains. As mentioned, he’s financially well off. He owns a successful business. It is obvious he is not an idiot. I’m sure the man has dealt with lawyers before. Why he immediately accepts what he’s been told at the police station and by the prosecutor who’s job it is to lock people up boggles the mind. He never even asks his son what happened. It becomes galling because we know that the case against the kid is flimsy. Yes, the feds have a bunch of pills that were shipped to the boy. However, their whole case is really based on the idea Jason explicitly agreed to commit the crime he’s charged with. What makes this flimsy is not just that he did no such thing, but the entire conversation takes place online, so it’s presumably retrievable. Any lawyer worth his salt would have a field day with this. The takeaway from all this is that our hero is a guy unnecessarily playing cowboy. It’s something he does several times throughout the picture, putting himself and the rest of his family in harm’s way. The movie would have benefited greatly from having everything he does be the only thing he can. It rarely feels this way. Instead it feels like we’re watching a man back himself into a corner over and over again when he doesn't have to.


Faulty premise aside, Snitch does a number of things well. For starters, and in aid of its “inspired by true events” label, it resists the urge to become an all out balls-to-the-wall action flick until very late in the movie. It lets situations play out in a manner that at least suggests reality more than simply having John load up his arsenal and go hunting bad guys. We get a decent bit of tension from wondering how our hero will come out of his various predicaments in possession of his life. Two people in particular help things along in this regard. First, Barry Pepper as Agent Cooper excellently provides our voice of reason. He gets roped in to working with John, but doesn't like it one bit. He knows the risks too well. His heedings are at the backs of our minds whenever … decides to fly by the seat of his pants, which is often. On the other end of the spectrum is Michael K. Williams as mid-level drug dealer Malik. I know, it’s a stereotypical role. However, he plays it with such intensity we can’t help feeling a little worried for anyone on the screen with him.

The pacing of the film also works to its advantage. It moves along nicely, quickly getting our hero into one dangerous scenario after another. Between them, he argues with Susan Sarandon. The cycle works well enough that eventually, we let go of that nonsensical beginning and just roll with the idea that this is a father trying to save his son. Still, the memory of it is never completely erased because our hero keeps doing stupid things. This is just one way in which the movie undermines itself. Another is in its heavy-handedness. I mentioned the pacing is a plus. However, we get numerous pauses in the movie’s flow so someone to make sure the audience understands that none of this would have happened if not for the evils of mandatory sentencing. Whether I agree or not is irrelevant. I don’t want to be repeatedly hammered over the head with any viewpoint. At times, it feels more like propaganda than entertainment. A message should be weaved seamlessly into the narrative, not stopping it in its tracks every so often. The end result is a movie that works when it focuses on dad saving the day, but struggles with everything else.

MY SCORE: 6/10

Friday, September 24, 2010

Cloudy with a Chance of Meatballs


Directed by Phil Lord and Chris Miller.
2009. Rated PG, 90 minutes.
Cast:
Bill Hader
Anna Faris
James Caan
Andy Samberg
Bruce Campbell
Mr. T
Bobb’e J. Thompson
Benjamin Bratt
Neil Patrick Harris

Ariel Winter

Flint Lockwood (Hader) yearns to be a successful inventor. As you can imagine, he’s also a social outcast on Swallow Falls, the tiny island he calls home. We’re told it is right beneath the “A” in Atlantic Ocean, if you were looking for it on a map. From his elementary school days until sometime in his twenties, one invention after another of his fails. One day, he accidentally discovers a way to make it literally rain food. From that point on, everything changes for him. He becomes the island’s most famous and beloved citizen, even becoming known around the world.

Of course, there are plenty of bumps in the road after that or there wouldn’t be much of a movie. The eventual dilemma leads to a climax far too similar to the dreaded, Armageddon. Thankfully, everything before that is much better handled.

The screen is filled with fun imagery. In particular, the ice cream scene stands out. More than any other in the film, it’s a representation of something almost all kids wonder about, especially if they grow up somewhere where it snows. On top of that, the circumstances surrounding it is heart-warming. It’s rather hard not to crack a smile while it plays.

The story is pretty straight-forward. However, it does mix in some social commentary about greed, gluttony and the environment. Still, it’s subtle enough that you don’t feel like you’ve been bludgeoned with someone else’s morality.

As with any other kiddie-flick, there are some laughs to be had. For me, I found it more touching than funny. In that vein, it’s similar to Up. Another major factor in animated fare is the voice-work. Here, it’s very good. Hader is solid in the lead, as is Farris. James Caan and Bruce Campbell are excellent. Surprisingly, the standout is Mr. T as Earl, seemingly the island’s only cop. As a regular actor, Mr. T was nothing special. He made his bones on his persona, not his acting chops. As a voice actor, he’s outstanding. I hope to hear more of him, in the future.

If you’re not totally aversed to kiddie-flicks, take a gander at Cloudy. It’s one you can actually enjoy sitting through with the little ones.

The Opposite View: Amy Biancolli, San Francisco Chronicle

What the Internet Says: 7.2/10 on imdb.com (9/24/10), 86% on rottentomatoes.com, 66/100 on metacritic.com

MY SCORE: 7.5/10