Directed by Jake Schreier.
2012. Rated PG-13, 85 minutes.
Cast:
Jeremy Strong
Jeremy Sisto
Once a globetrotting cat burglar, Frank (Langella) is
retired and lives alone. These days, he gets all of his excitement flirting
with Jennifer (Sarandon), the local librarian, while checking out books. The problem is
he’s suffering from what appears to be the early stages of Alzheimer’s. That
word is never used in the movie to my recollection, just my amateur diagnosis.
His adult son Hunter (Marsden) is worried about him and has entertained the
idea of putting the old man in a nursing home. Thinking better of it, Hunter
buys Frank a robot that functions as an automated in-home healthcare attendant.
Though reluctant at first, Frank and machine develop a fascinating
relationship.
This movie raises many of the same questions we've been
asking for years about the potential good or harm that may come from our
ever-increasing dependency on technology. However, it does it in a way that’s
refreshing. It’s refreshing because no matter how plainly we can see that their
friendship is artificial, it feels as authentic as any other. Clearly, we’re
viewing the world through Frank’s cloudy perception. The idea of a mutual bond
between he and the robot is as much a figment of his imagination as it is
reality. The line between the two blurred by the robot often responding as a
friend might. As a result, we’re caught in that abyss between the heart and the
mind. We know one thing to be true and hope that the other thing is also,
though we know it to be impossible.
Frank Langella gives us a great portal for such feelings. He
plays his part perfectly. We see Frank as a stubborn man, aware he’s not as
sharp as he once was, but thinking he can handle it. The robot reinvigorates
him, helps him reclaim his zest for life. This is not always good thing, necessarily,
as Frank entertains the idea of returning to his old tricks. On the other hand,
his synapses are firing once more.
There are a couple of narrative issues. Namely, the way
Susan Sarandon’s character is handled feels like a bit of a cheat, to me. I see
what the filmmakers are trying to do, but it renders Frank much further gone
than has been let on to that point. In fact, it makes it seem as if there should
never have been a purchase of the robot in the first place. His son should have went
with his first instinct. For fear I've already said too much, I’ll leave it at
that. I will say that Sarandon herself is great in the role. Other supporting
players are just as good. The whirlwind turn by Liv Tyler as Frank’s daughter
especially impresses.
While superheroes and dystopian futures dominate the box
office, the truth is that most of the best science fiction of recent vintage
shies away from explosions and invasions. Instead, they use futuristic premises
to examine our present circumstances. In lieu of eye-popping visuals, they
engage our minds. Ultimately, they are films about us human beings. Movies like
Another Earth and Safety Not Guaranteed understand this and weave wonderfully relatable tales out of their sci-fi frames. They’re barely even recognizable as members of the genre, at all.
Robot & Frank strikes a similar chord, though the presence of the machine renders it more
obvious. Sure, it
presents us with a society where it is becoming increasingly normal to have a
robot around to do chores for you, but this isn't the hyper-paranoid universe
of I, Robot. This is one man trying to come to grips with
his own very personal situation.
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