Showing posts with label Natalie Portman. Show all posts
Showing posts with label Natalie Portman. Show all posts

Tuesday, July 29, 2014

Thor: The Dark World

Directed by Alan Taylor.
2013. Rated PG-13, 112 minutes.
Cast:
Chris Hemsworth
Natalie Portman
Tom Hiddleston
Anthony Hopkins
Stellan Skarsgard
Idris Elba
Chris Eccleston
Adewale Akinnuoye-Agbaje
Kat Dennings
Rene Russo
Ray Stevenson

Following the events of The Avengers, Thor (Hemsworth) finds himself back home on Asgard longing for Jane (Portman), the woman he left behind in the first movie. And since a superhero's work is never done, there's a new evil to deal with. This time, all the fuss is over something called the Aether, the evil force Malakith (Eccleston) was using way back when in his quest to rule everything. He and his top dawg Algrim (Akinnuoye-Agbaje) fled before being killed. The Aether was said to be destroyed, but was just hidden really well. Lo and behold, after however many years, Jane not only finds the stuff here on Earth, but it uses her body as a host. Now that the Aether is out in the open, Malakith will stop at nothing to get it back and once again try to conquer evertything. He makes things so bad for Thor that our hero has to turn to his arch-nemesis/half-brother Loki (Hiddleston) for help.

Like the previous Thor and even The Avengers, this is a movie about the relationship between Thor and Loki more than anything else. It is a formula that repeatedly pays dividends. First of all, Chris Hemsworth continues to be the perfect Thor while Thor himself continues to show growth. His maturation process from overgrown child to a man worthy of his father's crown has been wonderfully handled across three movies. Still, a perfect Thor is almost no comparison to Loki as far as intrigue goes. The writing of the character and the performance of him by Tom Hiddleston is pure magic. Without question, he is a guy we simply love to hate. The trick is we still have a trace of sympathy for him. At his core, he is a guy rebelling against his parents because he doesn't feel wanted, particularly by his father. The hurt that feeds his hatred always shines through. Those parents, Odin (Hopkins) and Frigga (Russo) are played excellently, as well. Hopkins shows us Odin's thorough disappointment in and disdain of his son while Russo lets Frigga's motherly approach work wonders even though we can see that she's being very cautious with him.


Secondary characters, especially the human ones, don't really add much. As the damsel in distress, Portman does nothing to prove that she is the only one who should play that role. In other words, while having someone other than Gwyneth Paltrow play Pepper Potts would be a major blow to the Iron Man franchise, swapping out Portman for someone else would hardly make a difference. Don't get me wrong, she's a wonderful actress, just not given much to do. Others are there almost purely for comic relief with varying degrees of success. The relationship between the two interns played by Kat Dennings and Jonathan Howard is hit or miss. The hijinks surrounding Erik Selvig (Stellan Skarsgard) is much more successful. It helps that he actually matters to the plot. Our uber-villain Malakith and top henchman Algrim give us pretty standard bad guys and aren't particularly memorable.

No matter how the rest of the movie comes together, or doesn't, it would all be for naught if the superhero stuff doesn't work. It does. When pulled into battle, Thor mightily wields his hammer. Just as importantly, the visuals back him up. Asgard looks beautiful and parts of it get destroyed quite nicely. The action involves lots of fisticuffs and spaceships and looks great. The best part is that while Algrim isn't the most memorable henchman, he is a formidable one and poses a real threat to our hero. Later, even Rene Russo impresses us in a fight scene, making us recall her days as part of the Lethal Weapon franchise.

Marvel Studios continues to bring us comic book flicks that strike a nice balance between taking their heroes seriously and providing a fun experience. It pushes the saga of their shared universe forward without relying as much on what happened in The Avengers as Iron Man 3. It's mentioned, but not the crutch upon which the entire movie leans. the ending feels like a cheat, but I'm sure we'll get some explanation of this later. Therefore, I'm willing to let it slide until a later film sheds some light on things. If viewing this as a stand alone, I can see how it would be a pretty big knock on the movie. As part of a series, as it is, it gives us something to anticipate.

Thursday, July 28, 2011

Black Swan

Directed by Darren Aronofsky.
2010. Rated R, 108 minutes.
Cast:
Natalie Portman
Mila Kunis
Vincent Cassel
Barbara Hershey
Winona Ryder
Benjamin Millepied
Ksenia Solo
Kristina Anapau


The dance company is going to open its new season with a fresh version of Swan Lake. Out of what looks to be a couple dozen young ladies who dance there, only a handful are even deemed worthy enough to audition for the lead role of “Swan Queen.” Nina (Portman) is one of the lucky few. For those unfamiliar, “Swan Queen” is a dual role. One has to ply both the pure and good “White Swan” and the evil “Black Swan.” Dancing the “White Swan” is no problem for Nina. Her innocence shines through her technical proficiency as a dancer. Dancing the “Black Swan” is another issue, entirely. She seems to lack the passion and the will to let herself go needed to be a convincing villain. She’s just too nice. Her director Thomas Leroy sees potential in Nina and awards her the role. From then on, he starts trying to get her to tap into her wild side and bring out the beast he wants to see onstage. Combine this with the over-protective mother she lives with (Hershey), the company’s new dancer Lily (Kunis) who keeps shoving herself into Nina’s life and the ungodly amount of pressure Nina puts on herself and she appears to be coming apart at the seams. Ironically, all of this insanity may just be helping her transform into precisely what she needs to be to pull off her new role. She’s not sure whether this transformation is literal, or not. Frankly, neither are we.

Our deciphering of this information, or more accurately, not being able to decipher it is key to the movie’s success. We’re given enough to see things more than one way. Yet, in the back of our minds one of those ways doesn’t make any sense. To this end, we’re told repeatedly how the plot to Swan Lake plays out. Could Nina actually be experiencing that plot in her own life? Could we really be watching Swan Lake and not even know it?

Keeping us off guard requires a strong lead. Natalie Portman is this and more. It’s truly a phenomenal performance. Her descent into madness, or her ascent into artistry if you prefer, is superbly captured. In a thankless role, Barbara Hershey is just as good. She hits the right notes at the right time. Even Mila Kunis proves to be more than just a pretty face, turning in excellent work. Ever the jaded puppeteer, Darren Aronofsky pulls it all together. He again proves adept at making real life situations as horrific as possible.

Does art imitate life? Or, is it the other way around? That’s the question hovering just above the surface of Black Swan. Below it, the question is: what happens to us when we push ourselves beyond our breaking point? There are no easy answers to either and along the way you might come up with more questions. Because of this, our journey is always fascinating despite it also being occasionally confusing. The true beauty of this film is that even though we get a definitive ending in the physical sense, we still have to deal with those questions.