Showing posts with label Crime. Show all posts
Showing posts with label Crime. Show all posts
Tuesday, November 24, 2020
Saturday, April 4, 2020
Monday, March 16, 2020
Joker
Labels:
Brett Cullen,
Comic Books,
Crime,
DC,
Frances Conroy,
Joaquin Phoenix,
Joker,
Robert De Niro,
Shea Whigham,
Zazie Beetz
Tuesday, November 26, 2019
Tuesday, September 18, 2018
Tuesday, August 28, 2018
Thursday, August 18, 2016
Monday, June 20, 2016
Monday, February 22, 2016
Wednesday, December 9, 2015
Tuesday, November 10, 2015
Tuesday, September 8, 2015
Wednesday, July 29, 2015
Focus
Labels:
Adrian Martinez,
B.D. Wong,
Crime,
Drama,
Focus,
Gerald McRaney,
Margot Robbie,
Robert Taylor,
Rodrigo Santoro,
Romance,
Will Smith
Monday, July 27, 2015
Wednesday, June 24, 2015
Tuesday, June 2, 2015
Wednesday, May 13, 2015
Thursday, January 1, 2015
Friday, December 19, 2014
Wednesday, November 5, 2014
Ain't Them Bodies Saints
Directed by David Lowery.
2013. Rated R, 96 minutes.
Cast:
Rooney Mara
Casey Affleck
Ben Foster
Nate Parker
Rami Malek
Keith Carradine
Charles Baker
Will Beinbrink
Annalee Jefferies
Ruth (Mara) and Bob (Affleck) are a modern day Bonnie and Clyde. They find themselves trapped in a house with one other guy who won't make it past this scene and engaged in a shootout with the law. Before going out in a hail of bullets, they decide to surrender. Since, Ruth is pregnant with their child, they agree that Bob will take all the blame. He goes off to jail and she starts living clean so she can raise their daughter. Fast-forward five years. Ruth and the child, now a little over four, have settled into a nice, quiet life. Every now and again, Bob's arresting officer Patrick (Foster) comes around to check on her. He seems to have taken a shine to her, but doesn't push the issue. The entire world is flipped upside down when news hits that Bob has escaped from prison. Thanks to the million and one love letters he wrote while incarcerated, there's no doubt in anyone's mind that he's going to try and reunite his family. The manhunt to keep that from happening ensues.
After opening with a burst of action, the movie settles into a languid pace. The idea is for us to see the growth in the relationship between Ruth and Patrick while reminding us she still loves Bob, thus creating an emotional dilemma. Unfortunately, the movie has serious problems on both fronts of its effort. On one hand, Patrick never really gets around to admitting the feelings that are apparent to us. He just keeps popping up on Ruth's doorstep and says very little. I get he's trying to maintain at least a modicum of professionalism, but at some point just doing his job feels like stalking. On the other hand, while Bob has very good reason for wanting to get back to Ruth, he's never presented as anything other than a bad guy. He feels like someone obsessed rather than thinking rationally. So now the poor girl has two stalkers, one with a badge, one without.
To combat these problems, the movie is atmospheric and its leading lady is incessantly contemplative. Everything is said in a somber tone, often while melancholy music scores the scene. Ain't Them Bodies Saints wants to be a deep, lyrical movie. It's got the lyrical part down pat, thanks to that marvelous pacing. It's slow, but as I hope I implied earlier, that's on purpose. We're not rushed from one thing to the next, but ushered there in a smooth, fluid manner. this is the biggest thing the movie has going for it.
If I'm being fair, then I'll have to give kudos to the cast, as well. Both Affleck and Foster play their roles well. Affleck, one of the more underrated actors, conveys his character's feelings without a showy moment. Foster gets a couple of those and brings his usual wide-eyed intensity. However, that might be part of the reason we're never as sympathetic toward Patrick as we should be. In the lead, Mara does what she can to save the material. Sadly, she has the same problem everyone else has. The material isn't that good. It's certainly not anywhere near as compelling as it thinks it is. Instead, it just barrels toward a conclusion that feels inevitable as soon as we understand what each our three main players want.
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