Showing posts with label Rosario Dawson. Show all posts
Showing posts with label Rosario Dawson. Show all posts

Friday, October 17, 2014

The Slasher Cast-A-Thon: Dell's Entry



A couple weeks ago, I opened invitations for my fellow bloggers to take part in the Slasher Cast-A-Thon. The idea is fairly simple. Come up a bunch of characters you'd like to kill off (who weren't actually THE villain of their movie) and then find one you'd love to survive.

There are some official rules. You can see those by clicking here.

Now, let's kill some folks off...

The Victims

Madea
Way Too Many Tyler Perry Movies
(2005-???)
I'm begging someone...anyone...please kill this woman...er...man...in the most horrible, gruesome fashion imaginable. The high-pitch shrieking, the purposely mutilated words, the ridiculously unfunny "humor," I just can't take it anymore. I hate to play into the traditional trope of killing off a black character first, but if this is the one, I'm all for it.


Private Timothy E. Upham
Saving Private Ryan
(1998)
Take a good look at that pic. This is merely the first instance where I wanted this young terrified soldier to be killed. At this very moment a member of his own unit is being slaughtered while he does this. I'm screaming at the screen for him to do something and no, nothing. Well, not until much later in the film when he suddenly decides to execute the man who was in their doing the killing. Since this was too little, too late, it marked the second instance I wanted him dead.


Lala Bonilla
He Got Game
(1998)
Normally, I'm completely against killing off high school girls, especially one played by the lovely Rosario Dawson. In this case, however, I think my desire to see her separated from life is warranted. She's the girlfriend of the hottest high school hoops star in the land. Not merely content to ride that gravy train, she hedges her bet by cheating on him with a potential agent. Again, I'll use the pic to support my stance. That's her sure-fire superstar ball playing boyfriend on the phone while some other dude's hand is creeping up over her naked back and shoulder. Oh yeah, this chick has to die.


Sandra and Van
Compliance
(2012)
Sandra is the manager at a fast-food joint. When a "cop" calls her on the phone and orders her to strip search an employee he suspects of theft she just goes along with it. That's right, this "cop" isn't even in the same room, just tells her to do this on the phone. Later, her boyfriend Van proves twice as dumb when he winds up sexually assaulting the woman under the orders of the person on the other end of the line. The only thing worse than either one of these two is the fact that everything they do is based heavily on facts from real life cases. Yup, these two morons deserve a slow, painful death.


Annakin Skywalker
Star Wars: Episode II - Attack of the Clones
(2002)
This is a tough one for me. Killing him means taking out someone who would go on to become one of the great movie villains of all time. Keeping him means endorsing one of the worst performances in a big budget movie in the history of film. And one of the worst written. I'm okay with keeping the kid that played the even younger version in The Phantom Menace, even though most of you hate him. Somehow, we have to keep Vader. Let's just slaughter this version and re-write the whole damn movie.


Bella Swan and Edward Cullen
The Twilight Series
(2008-2012)
Do I really have to explain this one? For me, the fact that they are single-handedly responsible for the complete neutering of the vampire that has taken place over the last decade. On top of that they are miserable people in miserable movies and I want them killed. Preferably, they will be taken out together while wrapped in a pale embrace. That way, one stake can simultaneously go through both of their hearts.

Yes, boys and girls there will be a survivor. A...


Final Girl

Su Lin
Enter the Dragon
(1973)
Since we've been busy sending people to their early demise, how about bringing back one who met hers? Yes, Su Lin actually died during her one and only scene in the iconic Enter the Dragon. However, it's obvious the girl has got ungodly sorts of strength. After all, she died by her own hand rather than be violated by a gang of thugs. Before actually finishing herself off, she gives them all they can handle by kicking their asses all over the place before finally getting cornered. Of course, she did. She is the sister of the movie's hero, none other than the one and only Bruce Lee. She's got what it takes to handle some lone psycho. And I so want her to live, so here she is.


Alrighty, boys and girls. That's my roster of victims, plus a heroine. It's not too late to post yours. This blogathon runs right up through Halloween!


Wednesday, February 1, 2012

Zookeeper

Directed by Frank Coraci.
2011. Rated PG, 102 minutes.
Cast:
Kevin James
Rosario Dawson
Leslie Bibb
Ken Jeong
Donnie Wahlberg
Joe Rogan
Sylvester Stallone
Nick Nolte
Adam Sandler
Cher
Judd Apatow
Jon Favreau
Maya Rudolph
Faizon Love

Five years after being dumped by Stephanie (Bibb), the girl he planned on marrying, Griffin (James) still pines for her. When she pops up at his brother’s engagement party, he completely freaks out and desperately tries thinking up ways to get her back. Just so you understand what’s going on here, let’s explain a bit more. Stephanie left Griffin largely due t o the fact that he is indeed just a zookeeper, hence the title. She’s quite high maintenance and is looking for someone to finance the life she wants to lead. He also has an attractive co-worker named Kate (Dawson) whom he’s never thought of in “that way.” Kate’s obviously a more genuine person than Stephanie. So far we’re in pretty familiar rom-com territory and you can probably already figure out how this will end. Trust me, there are no surprises at all.

If you’ve seen any other romantic comedies then you know that our would be Romeo has friends that give him bad advice on how to win Stephanie’s heart. If you’ve seen the trailer then you’ve already guessed the only thing that makes this different from most movies of its kind. The friends are actually the animals at the zoo. Yes, they talk.



All comedies with talking animals can’t be terrible, can they? Let’s give this one a chance. After all, it can’t be that bad if George Clooney decided to lend his voice to it. Oh wait, that’s not Clooney. That’s Sly Stallone as Joe the Lion. That monkey is obviously Adam Sandler. Well, no need in watching the rest of this. Unfortunately, it’s not that easy for me. My youngest daughter has wanted to see this for months. I contemplate jumping up and kicking hole in the screen, then explaining that I saw a bug. That’s too costly. Hey, I think I just heard Cher…and Faizon Love…and Nick Nolte? Yup, that’s Nolte. My daughter chuckles. I’m screwed.

Resigned to my fate, I wade through the muck. Like I said, everything that happens plot-wise is telegraphed from the last thirty rom-coms you watched. There is the occasional laugh. The scene involving Griffin, Bernie the gorilla (Nolte) and a trip to T. G. I. Friday’s is the most amusing scene. Even that’s only worth a few snickers. At least Rosario Dawson is always nice to look at. Still, ogling her whenever she’s on the screen isn’t nearly enough to save this dreck. Skip it if you can. If not, you have my condolences.

MY SCORE: 2.5/10

Tuesday, November 30, 2010

Unstoppable


Directed by Tony Scott.
2010. Rated PG-13, 98 minutes.
Cast:
Denzel Washington
Chris Pine
Rosario Dawson
Kevin Dunn
Ethan Suplee
Kevin Corrigan
Lew Temple
Jessy Schram
Dylan Bruce


It’s Will Colson’s (Pine) first day on the job with the railroad company. He’s assigned to train under the tutelage of Frank Barnes (Washington). Barnes and the other vets are more than a little ticked they’re all being phased out in favor of youngsters like Colson. Will gets a double-dose of hateration because he’s got some family connections with the company. However, these two guys are just a subplot.

Our primary tale is about train 777, or Triple 7 as it’s sometimes called. It begins with a bumbling idiot simply failing at his job. Suffice it to say, the train gets away from him. Of course, it slips into the full throttle position. This means the unmanned locomotive with enough cars to be “the size of the Chrysler Building” is barreling down the tracks at 70+ miles per hour. As if that weren’t bad enough, many of the cars contain toxic and presumably highly flammable and combustible materials. If the train reaches the heavily populated Stanton it’s sure to fly off the tracks due to it going way too fast to make it through the elevated curve that has a speed limit of 15 mph. Attempts to stop this particularly dangerous runaway ensue.

To both the movie’s credit and detriment, it remains just that simple. We get to know a bit about the personal problems of our heroes, Frank and Will. There’s also the back and between Connie (Dawson), who runs the railroad and her boss back at HQ, Galvin (Dunn), but that’s all about the train. This makes Unstoppable remarkably free of clutter and effective at being exactly what it wants to be: a popcorn flick featuring a train.

However, since it is so committed to the action, we never really meet the loved ones of our heroes that we hear so much about and see so much of. Throughout the film, there are plenty of shots of them and they get a few lines here and there, but that’s it. They qualify as characters only in the strictest sense of the word.

Between scenes of our train raging out of control, the dialogue is surprisingly solid for a popcorn movie. It’s not terribly original, but the actors give it plenty of life. Pine and Washington play off one another well with Denzel playing the sort of wise old man usually portrayed by Morgan Freeman. Rosario Dawson turns in a stock performance. Since average for her is better than most, there are no problems there.

Unstoppable is a solid action flick that manages not to do anything egregiously wrong. Well, if you’re even remotely paying attention you should be able to spot one major movie gaffe (unless I saw it wrong). Other than that, it rather efficiently goes about its business. It’s a nice diversion of a movie, but nothing earth-shatteringly special.

MY SCORE: 6.5/10

Wednesday, August 11, 2010

Percy Jackson & the Olympians: The Lightning Thief


Directed by Chris Columbus.
2010. Rated PG, 118 minutes.
Cast:
Logan Lerman
Brandon T. Jackson
Alexandra Daddario
Pierce Brosnan
Sean Bean
Steve Coogan
Catherine Keener
Rosario Dawson
Joe Pantoliano
Uma Thurman


Someone has stolen Zeus’s lightning bolt. He’s so pissed, he warns Poseidon that if he doesn’t get it back soon, there will be hades to pay. See, Zeus believes that Poseidon’s son is the culprit. Poseidon’s son is none other than Percy Jackson (Lerman), a high school kid who thinks he’s just an ordinary joe whose life sucks. He’s got a slight case of ADHD and apparently severe dyslexia. However, we soon discover that the writers are fans of The Facts of Life because no one in this movie is handicapped, they’re “handi-capable.” If you’re under 30, you probably don’t get that joke, but whatever. Laugh now, google it later.

This is a classic case of the filmmakers trying to keep us from thinking about the lame-brained script by distracting us with lots of shiny objects. Yes, it’s action-packed almost literally from wall to wall. With beautifully rendered creatures and exciting battles scenes, it’s generally a fun watch.

It’s also incredibly stupid. Things that make no sense kepp happening. There seems to be no logical explanation for many of the things people do. This includes actually trying to kill each other during training excercises. Imagine young soldiers in training actually shooting one another with live rounds. That doesn’t make any sense, now does it?

There are other problems, as well. The attempts at comic relief are horrendous, our heroine evidently likes having a guy that can smack her around and the sidekick has a horrible case of “Magical Negro” disease. If you’re unfamiliar with that particular stereotype, the “Magical Negro” is a black character in American literature or cinema with special powers whose sole purpose is to protect and/or enrich the life of the white protagonist. Think The Legend of Bagger Vance or The Green Mile. While that aspect of those films is bothersome, it worked because they were generally well-written stories whether they used stereotypes or not. In a lesser movie such as this, it’s closer to being an unforgivable offense.

The bottom line on Percy Jackson is it’s often dazzling to “look at” but if you’re over 12, it’s probably a chore to “watch”. Oh, since I know you’re smarter than I, when you see it, or if you’ve already seen it, please explain to me how Pierce Brosnan’s character ever sat in a wheelchair.

The Opposite View: Mary Pols, Time

What the Internet Says: 5.8/10 on imdb.com (8/11/10), 50% on rottentomatoes.com, 47/100 on metacritic.com

MY SCORE: 4.5/10

Monday, June 28, 2010

Greatest Basketball Movies


Another basketball season has come and gone. What should you do about getting your basketball fix? If you’re lucky, like me, you live in an area where there’s some good summer hoops to take in. Here in the Triangle (in North Carolina) we have an excellent annual pro-am event starting up next week. So last year I got an advanced viewing of John Wall against pro and major college talent. Some of you may have seen the youtube vid of him dunking on Jerry Stackhouse; same league. Unfortunately, I wasn’t there that night, but he did some impressive stuff when I was there.

If you’re not so lucky maybe you can catch some NBA summer league games on cable. Honestly, I usually don’t bother with that. How about mixing in some drama with your b-ball? If you go that route, these are my greatest basketball movies of all time...

10. The Fish That Saved Pittsburgh
Moses Gunn, played by the awesome Julius "Dr. J" Erving, is on a fictional pro team in Pittsburgh. He's great but the team sucks. One of Gunn's fans, who's like 15 years old, gets hired & he in turn brings in a psychic who decides the only way this team will succeed is if they bring in all new players that were born under the sign of Pisces cuz Moses Gunn is a pisces. I'm not even making this up. Movie critics the world over will tell how much it sucks but I love it.

9. Above the Rim
Tupac is the local gangsta that runs the street-ball world. The rest of the cast, including star Duane Martin, is capable but at the end of the day it's Pac's charisma that carries the movie. Throw in solid work by the always underrated Leon & we have the makings of a 'hood classic.

8. The Heart of the Game
We follow the Roosevelt Rough Riders, a Seattle high school girls’ basketball team. Their eccentric coach Bill Resler is infectious. He keeps things as loose as possible. However, the real heart of this documentary is star player Darnellia Russell and the trials and tribulations she goes through.

7. Love & BasketballOkay, so an all-out chick-flick makes the cut. Sanaa Lathan & Omar Epps grow up as extremely talented ball-playing next door neighbors who happen to have a thing for each other. Admittedly, even with plenty of basketball being played throughout (the movies even physically broken into four "quarters" like a game is) it boils down to being a romance. For this movie, and one other on this list, I can let that slide.

6. Rebound: The Legend of Earl “The Goat” Manigault
Based on the true rise, fall & rise of NY playground legend Earl "The Goat" Manigault. One of my faves, Don Cheadle, is in the lead-role. Growing up & playing a lot of ball in the city, I heard plenty of stories about "The Goat" so maybe nostalgia gets it this high up on the list but it really is a very good movie. The only one on the list that was made-for-tv. HBO did the honors & they generally make much better movies than other networks.

5. White Men Can't Jump
Woody Harrelson & Wesley Snipes take advantage of the stereotype that white guys aren't as good at basketball as black guys & hustle on various courts in L.A. Lots of basketball and hilarity ensues. Of course, it's the love story that plays out between Harrelson & one of the women of my dreams, Rosie Perez that provides the movie with balance. Well, it really makes it a bit of a chick-flick but for Rosie I'll make an exception.

4. Soul in the Hole
This documentary contains exhilarating, New York City streetball and gut-wrenching drama as we follow two basic storylines. First, we watch the “Kenny Kings” try to go undefeated through the summer. Second, and this is the tough part, we watch the relationship between the team’s coach Kenny Jones and his star player Ed “Booger” Smith, whom Kenny has taken in and cared for as if he were his own son. No one who has seen this movie will ever forget “Booger.”

3. He Got GameThe story of Jesus, Shuttlesworth, that is. Director Spike Lee takes on the college recruiting game & scores big. Real NBA baller Ray Allen plays the lead but helping to elevate a suspect cast are Rosario Dawson as the opportunistic (read: gold digging) girlfriend & the already legendary Denzel Washington as the dad trying to persuade his son. It’s edgy, funny & not given nearly enough credit for predicting the hype surrounding the high school career of LeBron James. Yup, that's what I said.

2. Hoosiers
For many, this is the quintessential sports movie not just basketball movie. It’s Rocky on the hardwood. Gene Hackman is pure genius as the new head coach who has to deal with all the local riff-raff telling him how to do his job. If the story of an underdog high school basketball team in Indiana doesn’t warm your heart, you don’t have one.


1. Hoop Dreams
The intertwining, yet independent tales of William Gates and Arthur Agee make for arguably, the greatest sports documentary of all time. We meet the boys just as they are about to enter high school and leave about a year after they graduate. What happens in between is touching, sad, triumphant, wonderful, bittersweet and just perfect filmmaking.


Just Rimmed Out (honorable mention):

The Air Up There
Blue Chips
Coach Carter
Glory Road
The Great Santini
Gunnin' For That #1 Spot
More Than a Game
Pistol: The Birth of a Legend
Semi-Pro
Space Jam
Sunset Park
Teen Wolf

Bricks (terrible):

The 6th Man
Celtic Pride
Crossover
Juwanna Mann
O
Rebound

DNP - Coach's Decision (haven't seen):

Eddie
Finding Forrester
Forget Paris
A Season on the Brink
That Championship Season

Wednesday, May 13, 2009

Seven Pounds

Seven Pounds
2008. Rated PG-13, 118 minutes.
Director: Gabriele Muccino. Starring Will Smith, Rosario Dawson, Barry Pepper, Woody Harrelson, Michael Ealy.

Plot: An obviously troubled man (Smith) is on a self-imposed mission to help others and unexpectedly falls in love.

The Good: It effectively strings us along. We're never quite sure exactly what our hero is up to until very late in the proceedings and the movie likes it like that way. Will Smith is solid but Rosario Dawson is outstanding. She very much makes us believe she's a woman who has missed out on things most of us take for granted and increasingly anxious about the time, or lack of time she has left.

The Bad: It's a little too cryptic. Why our hero is troubled is hinted at throughout so it was anticlimactic instead of being the huge revelation it wants to be. Showing this earlier may have helped his pain resonate with the audience more. The movie also takes itself way too seriously. Moments that could've been humorous and lightened the mood are enveloped by our hero's grim greater purpose, a destination he not only trudges toward but drags others with him.

The Ugly: Why he keeps the jellyfish.

Recommendation: The big problem seems to be how shamelessly it campaigned for the Oscars when it was being released. The commercials told us how it was being touted by some critics as a Best Picture candidate with a mind-blowing twist. Since it's not quite that, it became the chic movie to hate. I don't think it's nearly as bad as everyone says. In fact, I thought it was pretty good, even if it is overly self-important.

The Opposite View: Rawlin, VSN

What the Internet Says: 7.6/10 on imdb.com, 28% on rottentomatoes.com, 36/100 on metacritic.com

MY SCORE: 7/10

Monday, May 11, 2009

Eagle Eye

Eagle Eye
2008. Rated PG-13, 118 minutes.
Director: D.J. Caruso. Starring Shia LaBeouf, Michelle Monaghan, Billy Bob Thornton, Rosario Dawson, Jerry Ferrara.

Plot: Two strangers suddenly find themselves working together while on the run from the FBI and being guided by a mysterious woman who's not only one step ahead of the action but somehow able to track their every move.

The Good: Like any chase movie worth it's car crashes, it has some spectacular sequences. There's all sorts of property damage with debris flying everywhere. It's loud and intense. To keep that tension up there's the mysterious voice on all those ominous phone calls. She intrigues us and keeps us guessing as to who she is and what she wants our heroes to do. As usual, LaBeouf ably portrays a guy who's a bit of a jerk but finds himself in an unbelievable situation. The rest of the cast, though more talented is solid but not overwhelming. Still, it's amusing to watch Billy Bob Thornton and Rosario Dawson try to out-stern one another.

The Bad: Once we find out what's going on, the whole thing falls apart. Essentially, it repeats the mistakes of Stealth, I, Robot and other similarly themed movies. An hour plus of mindless, but still fun action gives way to another 45 minutes of paranoid silliness we've seen before without injecting anything new or interesting. It clunks to it's conclusion hoping the noise and vision of the special fx will be enough to win you over. They don't because the script invites you to dig a little deeper but when you do you don't find anything. Contrast this with LaBeouf's prior big-budget special fx monster Transformers. That movie is also loud and silly. However, it works because it never pretends to be anything more whereas EE does and gets caught in its own hoax.

The Ugly: Crystal explosives. Nice.Recommendation: If you just want to see an almost endless string of chase scenes with lots of crashes and explosions then have at it. Just don't go looking for anything more because even though it tempts us with the possibility of depth, it remains a shallow pool.

The Opposite View: William Arnold, Seattle Post-Intelligencer

What the Internet Says: 6.7/10 on imdb.com (4/30/09), 27% on rottentomatoes.com, 43/100 on metacritic.com

MY SCORE: 5/10