Showing posts with label Martin Sheen. Show all posts
Showing posts with label Martin Sheen. Show all posts

Monday, November 11, 2013

Favorite War Movies

Truth told, war movies are not my favorite genre. That said, there is nothing quite so visceral as a well done battle scene, and not much as gut-wrenching as a film that cuts to the heart of war. The simple fact of the matter is that war is, unfortunately, one of the most innately human things depicted on the screen. That said, I have to say thanks to all of my fellow vets out there. Enjoy Veteran's Day and check out one or more of my...

5 Favorite War Movies

5. Apocalypse Now
(1979)
General: Francis Ford Coppola
Conflict: The Vietnam War
This is Francis Ford Coppola at a time when he could seemingly do no wrong. We follow Benjamin L. Willard, played by an amazing Martin Sheen, go on a manhunt for one of the United States' own, Col. Walter E. Kurtz. Apparently, Kurtz has gone crazy and needs to be eliminated. Marlon Brando delivers the goods as the nutso colonel. The rest of the cast also turns in stellar work. Included are Harrison Ford, Robert Duvall, and a pubescent Laurence Fishburne. They help deliver Coppola's anti-war vision to the screen. This is arguably the best movie ever made about Vietnam.


4. Glory
(1989)
General: Edward Zwick
Conflict: The Civil War
An oft-neglected component of American history, both educational and cinematic, is the contribution of black soldiers to the efforts of the Union Army during the Civil War. More than any other, Glory is the film that drives home the point that African Americans were not merely spectators in the decisive battle over the legality of slavery. Cpt. Shaw (Matthew Broderick) is tasked with heading up an all black company. They are given only menial task which gives us ample time to get to know them. Boy, do we ever, thanks to stellar work from Denzel Washington, Morgan Freeman, and Andre Braugher (making his big screen debut), among others.


3. Schindler's List
(1993)
General: Steven Spielberg
Conflict: World War II
Schindler's List is different from most war movies in that the focus is not on the people actively fighting. Here, our protagonist is Oskar Schindler (Liam Neeson). He's a German businessman who is a member of the Nazi party. However, his life becomes saving Jews from persecution and execution while maintaining the appearance of loyalty to the Nazi's. It's an epic in every sense of the word. This includes its villain, Amon Goeth, played by Ralph Fiennes being as unlikable as is humanly possible.


2. Full Metal Jacket
(1987)
General: Stanley Kubrick
Conflict: The Vietnam War
Let's just get this out of the way, now. The opening half of Full Metal Jacket is the best depiction of boot camp ever committed to film, period. What R. Lee Ermey does as Gunnery Sergeant Hartman is nothing short of perfect. The same goes for Vincent D'Onofrio as Private "Pyle". I've seen both men in many things since but whenever I do, this movie immediately comes to mind. The second half, which includes neither, has been so overshadowed, people seem to forget it even exists. I'm not here to tell you it's just as good as the first half, but I will say that is excellent in its own right.

1. Saving Private Ryan
(1998)
General: Steven Spielberg
Conflict: World War II
What Saving Private Ryan does better than perhaps any movie not made during the silent film era is tell its story through action. Sure there's plenty of exposition in the name of character development, but it's the battle scenes that not only thrill us, they tell us what's going on. Of course, what's going on is the seemingly impossible extraction of one soldier, Private Ryan (Matt Damon) from the front lines of World War II after it is learned that his three brothers have all been killed. Damon is good, but as his commanding officer, Tom Hanks is great. It's some of his best work, in my opinion. The rest of the cast is also great and too numerous to name. And yes, the Omaha Beach scene that opens the movie is the most tense battle scene of them all.


Some other great war movies (chronologically)...

Paths of Glory (1957)
The Battle of Algiers (1966)
Patton (1970)
Das Boot (1981)
A Soldier's Story (1984)
Platoon (1986)
Flags of Our Fathers/Letters from Iwo Jima (2006)
The Hurt Locker (2008)
Zero Dark Thirty (2012)

Wednesday, July 31, 2013

Seeking a Friend for the End of the World

Directed by Lorene Scafaria.
2012. Rated PG-13, 101 minutes.
Cast:
Connie Britton
T.J. Miller
Mark Moses
Nancy Carell


What would you do if you knew for certain the world were going to end in three weeks? That’s the question facing us all in Seeking a Friend for the End of the World as a seventy mile wide asteroid is on a collision course with Earth and all attempts to stop it have failed. More specifically, it’s the question facing Dodge (Carrell). It’s also become exponentially more difficult to answer now that his wife has decided this would be the perfect time to leave him. Everyone around him is truly living each day like it’s the last, engaging in whatever activity their hearts desire while Dodge sits around and mopes. He finds someone to commiserate with in the flighty Penny (Knightley). She’s similarly distraught, having broken up with her boyfriend. Eventually, the two decide to help each other do the one thing they each must before it’s too late. An apocalyptic adventure ensues.

Early on, the movie focuses as much on our decaying societal mores as it does on the lives of our protagonists. Here is where most of its humor lies. The jokes are largely to be expected, generally revolving around people getting all the sex and drugs they could possibly want, but still fun to see play out. There are only two other jokes: the occasional ominous yet loony newscast and the situations Dodge and Penny find themselves in because of the outbreak of riots. The violence, and any humor derived from it, ends when a very odd man takes a bullet to the throat. You’ll have to see for yourself to understand how and why this could possibly be funny. A short while later, the sex and drugs part of the movie climaxes with a trip to a chain restaurant. Unfortunately, we still have half the movie to go.


Immediately upon finishing the very strange dining experience of our heroes, the movie settles into a string of predictable events in an effort to create a romance. Problem number one, again, is that the comedy disappears almost entirely. Instead, we’re stuck in this drama which never surprises us and will have to either deliver the depressing finale we've been trudging toward or, concoct some ridiculous BS for the sake of giving us a happy ending. Problem number two is that we never feel strongly enough about the couple in question to overcome problem number one. Dodge and Penny aren't two people we can see together under any circumstances. Making an exception because people are bound to do things and be with people they normally would not even consider. However, this just makes things seem even more preordained. This, combined with the fact that everything happens so perfectly on schedule, our pulse rate never increases. Our performers give it their all, but their interactions lack the magic needed to make us ignore these blemishes.

All is not terrible for the second half of the film. First, there is a wonderful scene, albeit a bit of a painful one, between Dodge and his dad played by Martin Sheen. It’s the one time we truly sense the emotion of the two people speaking. Second, the final scene is one of endless tenderness. It is by far the most enjoyable exchange between Dodge and Penny. If somehow, you find yourself caring by this point, you might even have to wipe away a tear or two. Odds are, you won’t.

Wednesday, January 12, 2011

Wall Street


Directed by Oliver Stone.
1987. Rated R, 126 minutes.
Cast:
Michael Douglas
Charlie Sheen
Daryl Hannah
John C. McGinley
Hal Holbrook
James Karen
Martin Sheen
Tamara Tunie


Struggling young stock broker Bud Fox (Charlie Sheen) earns his way under the wing of big-time power player Gordon Gekko (Douglas). The younger Sheen holds his own as the eager kid who’s suddenly figured out how to make unbelievable loads of money. His real life dad, Martin Sheen, also gives a wonderful performance as his fictional dad.

The Sheen family’s work aside, this is Michael Douglas’ movie. He is absolutely magnetic and dominates every scene in which he appears. His now iconic “Greed is Good” speech serves as an exclamation point behind his name. Despite the fact he has no superpowers and doesn’t kill anyone, Gekko is one of the all-time great movie villains. His scariness is derived from the fact that we know for a fact there are Gordon Gekko’s in the real world who’ve made fortunes putting us regular people out of work because it’s profitable for them. Not one of us has ever waged intergalactic warfare against an evil Jedi or saved our girlfriend from a mad scientist with giant mechanical arms. Lots of us have worked for companies that were bought out or went through mergers and felt uneasy about our futures. This gives Gekko power beyond many other bad guys.

A sidenote: This has mostly held up pretty good over the years, but dates itself when Gekko is talking on a cell phone. It’s about the size of a microwave. Of course, this applies to the computers in this movie, as well. These things aren’t mere dinosaurs. They’re single-cell organisms at the dawn of time. Still, nevermind all this. Wall Street is the crown-jewel of Michael Douglas’ career and one of Oliver Stone’s very best.

MY SCORE: 10/10