Thursday Movie Picks: Political Comedy

The Lego Movie

Thursday Movie Picks: Movies Set Locally (North Carolina)

Hey folks! Here we are, once again, on Thursday, that beautiful day before the day before the weekend officially starts. It is on this day every week I suggest some movies based on theme selected by Wanderer at Wandering Through the Shelves.

Let's pause for a second.

Join us. Swing over to Wanderer's site, check out the meme, and post your own Thursday Movie Picks. Do it.

Okay. Let's get back to it.

This week's theme is 'Movies Set Locally.' Here's the deal. It's up to the blogger to pick their own location.

Hmmm...

There were only three places I even thought of when I saw this topic. The first was Queens, New York, where I grew up. The second was Hawaii, where I lived for two years. Neither quite suited my fancy, so I went with my third choice: North Carolina, where I currently live. For those of you who don't do maps, yes, that is North Carolina in the pic at the top of the page. However, North Carolina has a tricky relationship with the movie making world. Tons of movies (and TV shows) come here to film, particularly to the city of Wilmington, but NC usually winds up as a stand-in for some other place. Wikipedia has a pretty good list of stuff that's filmed here. That means not a ton of movies are actually set here. Of course, there are some. These are my faves...

Kiss the Girls

(1997)

Here, Morgan Freeman plays detective Alex Cross, who usually does his work in Washington, D.C. This time he heads down to Durham, NC because his niece, a college student in the area, has been reported missing. Shortly, he joins forces with Kate (Ashley Judd), who managed to escape from being kidnapped, herself. The added bonus for me is that a number of scenes are set not far from where I live.

The Campaign

(2012)

Okay, so I'll admit this one isn't an all time great. Still, it's fun. The short story on it is that it covers the election for the congressional seat in North Carolina's (fictional) 14th district. The two candidates are Cam Brady (Will Ferrell), the incumbent and Marty Huggins (Zach Galifianakis), who has literally been plucked from obscurity to run for office. Does this have lots of sharp, biting, wit? No. It did make me laugh, though. (Full Review Here)

Bull Durham

(1988)

I mean, how could this not be here? The math is simple. I'm a huge baseball fan. I'm obviously a movie buff. This is one of the greatest baseball movies ever made. This one follows the Durham Bulls, and more closely the team's catcher, Crash Davis (Kevin Costner). He strikes up a romance with local baseball groupie Annie Savoy (Susan Sarandon) and tries to mentor hot, young pitching prospect Nuke Laloosh (Tim Robbins). It's a movie that just works wonders every step of the way. I live within minutes of where the actual Bulls play, which is a gorgeous minor league park that they often fill up, by the way. Watching games there is a blast. If you're ever in Durham during the summer, check 'em out.

Click here for my other Thursday Movie Picks.

Anchorman 2: The Legend of Ron Burgundy

Directed by Adam McKay.

2013. Rated PG-13, 119 minutes.

Cast:

Will Ferrell

Steve Carell

Christina Applegate

Paul Rudd

David Koechner

Meagan Good

James Marsden

Kristen Wiig

Dylan Baker

Fred Willard

Harrison Ford

When we first catch back up to Ron Burgundy (Ferrell), he's co-anchoring the evening news in New York City with his wife Veronica (Applegate) at the dawn of the 1980s. Together, they share a happy marriage which includes their son Walter (Nelson). However, things fall apart instantly when Ron is passed over for a promotion to anchor the nightly national news show in favor of his wife. Soon, he's living in San Francisco, alone, and miserable because he's out of the news game all together. His fortunes change when he's hired by GNN, the first 24 hour news network. Blues Brothers style, he gets the band back together and travels back to the Big Apple for their new gig. Once there, he finds himself not only in competition for viewers with his estranged wife, but also with his own network's prime-time guy Jack Lime (Marsden). This is especially daunting given his 2 AM time slot. Hijinks and shenanigans ensue.

Anchorman 2 bolts out of the starting gates. The first half of the movie is as funny as the original. Part of this is due to how effectively it builds steam during the setup phase. It takes advantage of our excitement for seeing the crew back together by re-introducing the characters in brilliant ways. The most fun re-introduction belongs to Brick Tamland (Carell) and involves his funeral. In fact, Brick is probably the most fun character in the entire film. Also fun is the ambiguous feelings for Ron that Champ Kind (Koechner) displays through his actions. There are also a number of jokes rehashed from the original. However, they work early on. It's remarkable given the fact if you've seen the first movie, you're pretty much guaranteed to remember how funny those bits were.

While the re-introductions of old characters, intros to the new ones, and the occasional rehashing of familiar bits carries the first act, our source of humor changes a bit for act two. We focus squarely on tying those early days of cable to the current state of news reporting. For those of us old enough to remember what it was like back when there were only three major networks and news only came on at six and eleven, this is a sharp satire and truncation of three and a half decades of news dissemination. For younger viewers, it is at least effective at reminding you what things were like before the age of Twitter. The movie also gets mileage out of Ron Burgundy trying to get to know his son, the competition between Burgundy and Jack Lime, and the dynamics of interracial relationships. It does that last thing by putting Burgundy together with Linda Jackson (Good), his boss who happens to be both female and black, two facts that gave Ron and the boys cause for pause. Admittedly, it never really does anything other than use it for an excuse for Burgundy to act like an imbecile. It tries to show the ignorance of stereotypes, but loses something because Ron never gets it.

All the steam we've coasted on for the first two thirds of the movie is lost when the third act starts. Simply put, the whole thing falls apart. The first thing is that all the loose strands come together quickly, but the movie keeps going as if they hadn't. Therefore, the climax is drawn out and unfunny. The effectiveness of re-using jokes from the first movie peters out because they go to the well one too many time. On that last trip, they also bring out way too large a bucket. Not content to merely copy what happened the first time around, the movie crams itself full of what seems like the most cameos in cinematic history. The problem is that the movie assumes that seeing these familiar faces is inherently funny rather than giving them something funny to do. It wants us to go "Ha ha, that's Will Smith, hahahahahaha." However, it only gives us enough material to say "Hey, that's Will Smith." See the difference?

The nosedive taken at the end of the movie makes Anchorman 2 a frustrating experience. We're enjoying ourselves for quite a while. Next thing you know, we're cringing at how bad things have gotten. It flipped from being slyly clever in a way that appears stupid to actually being stupid. Even the cast seems worn out by this time. Our main characters don't have much to do and seem to be going through the motions for what they do have. It's pretty apparent because, like the rest of the movie, they had so much life earlier. They become relegated to the sidelines while a bunch of celebrities hijack the end of the movie for no good reason, at all. Maybe the writers or director Adam McKay didn't know how to end it, or couldn't agree on it. In any event, they did not reach the right conclusion.

MY SCORE: 6.5/10

On My Mind: Holiday Movies

Occasionally, I have thoughts about movies that are not connected to a specific one. I wanted to find a space for these among all the reviews that fill these pages. These are just things that are on my mind...

Every year, my family has several gatherings during the holiday season. Usually, there is one big one at Thanksgiving and two smaller ones within a week or so of Christmas (one on each side of the family). At all of them, the night usually ends with a movie or two. Either myself or my sister-in-law usually provides whatever it is we wind up watching. We both try to pick crowd pleasers, which means lots of popcorn flicks. The general rule of thumb is stick with action or comedy. In fact, action based comedies work best. Also, there is almost always a horror flick on hand just in case one of these get-togethers runs late and most of the squeamish folks skip out early. Things usually work out pretty good.

In thinking about what films we partake in as a group when we've gathered in a festive spirit, I realized we rarely watch any holiday themed movies. In fact, I can only remember one over the last ten years. About five years ago we watched the Will Ferrell flick Elf. That’s it. When I put it on, everyone was groaning and ready to exclude me from any further reindeer games. You see, I have been known to make a not-so-popular choice from time to time. I mean, the kind of movie I might praise in a review that most of them call boring. However, I had seen it before and felt confident it would fly. Indeed it did. Everyone laughed all the way through.

Still, the stuff we watch during the most wonderful time of year has far more explosions than yuletide cheer. For us, watching things get blowed up real good is part of the season’s traditions. So is stuffing our face with desserts while having a few laughs at some juvenile comedy. In the biggest offense to my cinephile’s sensibilities, there is often plenty of loud talking throughout. I let it slide. This is not the time for me to shush people. This is the time for us to kick back and enjoy each others company, even if most of the movie’s dialogue is drowned out by our own.

I do watch holiday movies. Every year I watch at least a couple. I almost always find time to give A Christmas Story another viewing, out of my own collection not the commercial interrupted version TBS plays on a 24 hour loop once a year. It is my absolute favorite Christmas flick of all time. Perhaps that’s because it came out during my youth when I was only a bit older than Ralphie. Though I never desired a Red Ryder BB Gun, there was always something I just had to have under the tree. Some years I got it, some years not. The point is, it is a film that spoke to me then and continues to do so. I also try to catch one or two others on TV. And if I’m confident my youngest kids are fast asleep, I sneak in Bad Santa. However, these are all watched at home either alone, or with just my immediate family. When the cousins and in-laws come over, red suits and reindeer just aren't seen.

The Campaign

Directed by Jay Roach.

2012. Rated R, 85 minutes.

Cast:

Will Ferrell

Zach Galifinakis

Jason Sudeikis

Dylan McDermott

Sarah Baker

Katherine LaNasa

Dan Aykroyd

John Lithgow

Brian Cox

Karen Maruyama
Thomas Middleditch

Cam Brady (Ferrell) is so popular he is about to be elected to his fifth term as Congressman for the 14^th district in North Carolina. Until he places an errant and sexually explicit phone call, that is. Sensing the end of Brady’s career, the billionaire Motch brothers (Aykroyd and Lithgow) set up the naïve Marty Huggins (Galifianakis) as a puppet candidate to run against him. Hijinks and shenanigans ensue.

If you’re looking for a razor sharp political satire, look elsewhere. What we have here is the political process taken to its most absurd extremes. That the two candidates play dirty goes without saying. The depths to which they sink are the things we imagine possible if the people who ran for office were allowed to really engage in a no-holds barred campaign. For instance, the commercials they put together go far beyond the limits of good taste. This isn't to say there are no merits to this approach to the material. Even through the zaniness we can catch glimpses of the situations that obviously inspired the movie. And perhaps it is stinging commentary that there is absolutely no difference in how the two parties are portrayed.

Your political leanings aside, what will really inform whether or not you like this film is how you feel about its stars. After all, they’re both on full blast right from the start. Cam Brady is nothing short of former Senator John Edwards crossed with Ferrell’s Ricky Bobby. Huggins is a true Galifianakis creation: an odd, naïve man who really wants to do the right thing but often has trouble pulling off the trick. To be sure, both men have their moments. That said, you already know if you find either, neither or both of them funny.

MY SCORE: 6/10

The Other Guys

Directed by Adam McKay.
2010. Rated PG-13, 107 minutes.
Cast:
Will Ferrell
Mark Wahlberg
Eva Mendes
Steve Coogan
Michael Keaton
Damon Wayans Jr
Rob Riggle
Dwayne “The Rock” Johnson
Samuel L. Jackson
Natalie Zea

After the death of the city’s two most heroic cops, Det. Hoitz (Wahlberg) decides it’s time for he and his partner Det. Gamble (Ferrell) to step up and fill the void. The problem is heroism doesn’t come easy for these gents. Hoitz is a hothead, itching to get into some real action while Gamble’s name is pure irony since he’s perfectly content to sit at his desk all day, every day.

The vast majority of people reading this will either love this movie or hate it to no end. In other words, it’s a Will Ferrell comedy. Over the top stupidity is the default mode of humor. Occasionally, something slyly intelligent sneaks onto the screen. If you’re already laughing at the stupid stuff, you’ll howl when something smart happens. If you’re not already laughing, these will be the few occasions you’ll chuckle, just a bit.

Ferrell returns to the familiarity of his best known characters. He’s well meaning and high-spirited, but also a bit neurotic and certainly naïve. Of course, in every buddy cop flick, the buddies have to be polar opposites. Therefore, Wahlberg plays Hoitz as high strung, ready to jump into the fray, but still generally down on himself for some mistakes he’s made. Their contrasting personalities is just the first of the action flick clichés put through the ringer. There are many to be skewered and The Other Guys tries to hit as many of them as possible. My favorite being Gamble’s rant on people coolly strolling away from explosions in the movies.

Knowing that this movie is aware how dumb it is may be the key to enjoying it. If you take it seriously, either as an action flick or a comedy, you’ll be severely disappointed. If taken as a riff on the action-comedy genre then you might have fun with it. Even so, I will grant that some jokes either go on too long or simply fall flat right away. While it’s not one of Ferrell’s best, it definitely has its moments. This movie succeeds in most areas where Kevin Smith’s Cop Out tries and fails miserably. TOG actually works in some areas.

There is one thing TOG takes seriously. Unfortunately, that one thing is product placement. The brand-name dropping and label shots reach distracting proportions. Perhaps worst of all, it often feels like a really long commercial for the Toyota Prius. Everyone in the movie cracks jokes about it, but when push comes to shove, she performs like a champ. I’m still not even thinking about buying one, so there.

In the end, this is a take it or leave it sort of picture. It’s exceedingly dumb, but in enough of the right spots. If you’re a glass half full type and think dumb can work, take it. If you think that dumb is just dumb and should be ignored, leave it. Better yet, how much do you like Will Ferrell?

MY SCORE: 6.5/10

Megamind

Directed by Tom McGrath.
2010. Rated PG, 95 minutes.
Cast:
Will Ferrell
Tina Fey
Brad Pitt
Jonah Hill
David Cross
J. K. Simmons
Ben Stiller
Jessica Schulte
Justin Theroux
Amy Poehler
Like most supervillains, Megamind (Ferrell) can never quite beat the hero in town. Try as he might, his plans are always thwarted by Metro Man (Pitt). To give you a point of reference, Metro Man is basically Superman dressed in all white. Megamind has spent practically his entire life trying to overcome the do-gooder. However, he hasn’t really thought about what he would do if he were actually victorious. So, when he finally manages to defeat Metro Man, he finds out that total domination isn’t all he thought it would be. With no one to challenge him, and no one to share his success with, he gets bored.

In order to spice things us, Megamind takes on two tasks. First, he tries to woo TV news reporter Roxanne Richie (Fey). Essentially, she’s the Lois Lane of our tale. In the past, he’s kidnapped her way too many times to count. Therefore, he creates an alter-ego. He also creates an alter-ego for his second task: coaching someone else up to be a hero and provide him with some opposition. This other alter-ego is a bit problematic for the movie’s target audience. Most kids simply won’t get it. They’re just too young. Whether or not parents get it seems to depend on whether they’re fans of the Superman movies, or not. That’s because the shape Megamind takes for this is that of Superman’s father as portrayed by Marlon Brando in those movies. If you have that point of reference, it’s a great source of comedy. If you don’t, not so much.

The rest of the movie works pretty well. It nicely spoofs both superhero and supervillain lore by poking fun at the clichés we’ve all come to know and love. This keeps us chuckling for much of the runtime. In addition, we come to genuinely feel for the bad guy. We even come to be on his side as he works to correct his mistakes. Surprisingly, we also find ourselves thinking about Metro Man at the end. What happens when the hero becomes tired of, or is left unfulfilled by being heroic? The movie treads lightly in this area so it doesn’t drag us down, emotionally. However, it is still a question that’s left out there.

In the end, Megamind is a fun affair that does what it sets out to. It entertains us with a family-friendly redemption story. It shares a number of similarities with Despicable Me, but is different enough that watching both is no issue. However, I will say that even though I enjoyed both, which you like best might be predicated on which you see first.

MY SCORE: 7/10