31 Days of Horror 2018: Life (2017)

31 Days of Horror: Dell's Favorite Horror Comedies, #52-26

Thursday Movie Picks: Rivalry

Arrival

Thursday Movie Picks: Aliens

Thursday Movie Picks: Alien Invasion of Earth

The Signal

Under the Skin

Edge of Tomorrow

Morgan Freeman Week: Oblivion

Morgan Freeman Week continues...

Directed by Joseph Kosinski.

2013. Rated PG-13, 125 minutes.

Cast:

Tom Cruise

Morgan Freeman

Olga Kurylenko

Andrea Riseborough

Nikolaj Coster-Waldau

Melissa Leo

That alien invasion you've been waiting on has finally happened. It's 2077, well after the big showdown and I'm happy to inform you that we won. Sort of. In the process of beating the invaders, we pretty much ruined Earth by nuking everything. The entire planet is a desolate wasteland. The few human survivors have all relocated to Titan, the largest of Saturn's moons. Well, everyone but Tech 49 Jack Harper (Cruise) and Victoria Olsen (Riseborough). As needed, he flies around and repairs the drones that are protecting power stations from Scavengers. The power stations basically harvest the water for energy to be used on Titan. Scavengers are the few remaining survivors of the invading army. Victoria works the control tower from their apartment in the sky. At night, they turn the place into a love shack. Anyhoo, Jack has the sneaking suspicion that something isn't quite right. This is mostly due to the fact that even though his memory has been completely wiped, as has been done to all humans, he has recurring dreams of meeting a woman at the Empire State Building back before the war. That's not even mentioning the fact that the Scavengers, or Scavs as our hero calls them, are getting bolder by the day.

What works most is the look of the film. It presents us with stark visuals of what the world could be like after nuclear annihilation. You really get the sense that the planet has been decimated. This helps us get the same sense of isolation as our hero. The only contact they have with anyone else is with Sally (Leo), the lady who works mission control from the space station Tet, that functions as headquarters for their little operation. That feeling is compounded by the fact that Jack is the only one who goes out. This means he is alone most of the day except for Victoria's voice in his headphones. It is a fairly lonely existence.

The concepts put forth by Oblivion are also intriguing. It uses these concepts to build mystery and suspense. This is especially true of the Scavs. For awhile, we are strung along trying to figure out exactly what they are trying to accomplish. Jack struggles with this also. We watch him attempting to piece things together in his head, but see that it's not quite coming together. Meanwhile, the mysterious creatures that roam the Earth seem to be closing in on him. It many ways, the movie functions like an updated version of Richard Matheson's iconic novel I Am Legend with Tom Cruise giving us his version of Robert Neville.

Okay, let's be honest. Tom Cruise is really giving us his version of Tom Cruise, pretty much like he always does. This is not necessarily a bad thing. It's just that you know what you're going to get before the movie even starts. Likewise Morgan Freeman gives us Morgan Freeman. The major difference is that he's a bit more suave than normal as he's seen often sitting cross-legged while puffing on a cigar. This is a bit strange given the setting and circumstances, but it works. In case you're confused, no Cruise and Riseborough are not the only people in the movie. However, I won't tell you who Freeman plays since I don't want to spoil things for any of you that haven't seen it.

Most of this film's problems lie within the execution of things. This is particularly true for the second half of the movie where things are to be resolved. We start to notice the threadbare script as it cuts corners. Things aren't fleshed out quite enough to work. And in one case, the film goes all out on a bait-and-switch that feels like a cheat, at best. At worst, it creates a hole in the plot bigger than the one Jack gets trapped in at one point. This leaves us with a movie that was going along nicely and then falls apart at the end.

MY SCORE: 6/10

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Dark Skies

Directed by Scott Stewart.

2013. Rated PG-13, 97 minutes.

Cast:

Keri Russell

Josh Hamilton

Dakota Goyo

Kadan Rockett

J.K. Simmons

L.J. Benet

Myndy Crist

Rich Hutchman

Josh Stamberg

The Barrett family is like many others that dot the landscape of Suburban America in the second decade of the twenty-first century. Once prosperous, Daniel (Hamilton) and Lacy (Russell) are now having financial issues which is causing stress in other areas of life. This includes their relationship with their two boys Jesse (Goyo) and Sam (Rockett). What they don’t realize is they’re about to encounter their biggest problem. A string of strange events occur in their home. They are obviously staged by an outsider, but no evidence is left to let anyone know who the culprit might be. In fact, local police think it’s the couple’s own children behaving mischievously. A little harder to explain is why hundreds of birds come flying into their house all at once. Early in the proceedings, we figure out the family is receiving nightly visits from aliens. It takes the Barretts a little longer to catch on.

Even though we know we’re dealing with visitors from outer space, Dark Skies functions much like a haunted house flick. This serves to amplify any uneasy feelings we might have. We know that these beings have sinister motives. We just don’t know what they are. At keeping us interested, the movie is fairly successful. We see the aliens progressively upping the ante and await the inevitable action-packed fate. Our two leads also help in this regard, especially Keri Russell. We can plainly see her edges fraying because she is believable through all of it. Also helping is the great J.K. Simmons. In every movie such as this, the terrorized family has to seek out a so-called expert on their particular phenomenon. Simmons plays that guy. Here, he’s a bit more subdued than normal. This is fitting because he’s a weary, beaten man. In a review of one of Simmons’ movies (I forget which), Roger Ebert says, and I’m paraphrasing, that when you see Simmons in a supporting role you often wind up wishing the whole movie were about him. It’s true here, as well.

Conversely, Dark Skies struggles mightily in other areas. By other areas, I mean almost anything not directly depicting the aliens’ handiwork. It’s all a mess. Things are introduced and dropped or, worse, proven to be preposterous. The most noticeable thing being the family’s supposed money problems. Such a big deal is made of them, as if the movie is going to somehow angle all of this as a metaphor for the economic state of the nation. Any idealistic notions such as that go out the window when it becomes apparent they’re spending all sorts of money that they shouldn't have merely because the plot requires them to have certain things in order to move forward. We, the audience, would be better off never having heard anything about their financial situation. Another is what the authorities are attempting to do because it looks to everyone like Daniel and Lacy are abusing their kids. It’s built up then practically aborted except for some lip service later on. It just never feels like a real threat. In short, the script could use some tightening up.

What winds up happening is this becomes a less than filling movie experience. The alien stuff works fine, clearly the best part of the film, but isn't breaking any new ground. The human aspects fall short. Early on, this doesn't appear to be an issue as we’re gaining empathy for these people. As things progress, they fall apart. This leaves the more successful parts of the movie to try to carry the weight of both halves. This, it cannot do.

MY SCORE: 5/10

The Watch

Directed by Akiva Schaffer.

2012. Rated R, 102 minutes.

Cast:

Ben Stiller

Vince Vaughn

Jonah Hill

Richard Ayoade

Rosemarie DeWitt

Will Forte

Mel Rodriguez

Doug Jones

Erin Moriarty

Nicholas Braun

R. Lee Ermey

Joe Nunez

Evan (Stiller) is the manager of the local Costco and the organizer guy in the town of Glenview, Ohio. He creates clubs and committees for everything. Naturally, after his buddy Antonio Guzman (Nunez), the after-hours security guard at said Costco, is murdered in the store, Evan organizes a neighborhood watch to find the killer. Only three people answer his call to duty: Bob (Vaughn), Franklin (Hill) and Jamarcus (Ayoade). They aren’t the most dedicated soldiers. However, as long as there are plenty of cold Budweisers around they’re happy. In any event, they get more than they bargained for when it becomes evident that hostile aliens are responsible for the killing. You’ll notice I've already mentioned two brand names. You will become well acquainted with them as well as Ray-O-Vac batteries and Magnum condoms. In other words, product placement and penis jokes ensue.

Strangely, between all the commercials flying at us exists a fun movie with a wacky premise. Ben Stiller plays himself, as always, so you already know if you think he’ll make you laugh. Vince Vaughn also does his normal schtick. However, he seems much more into it than he has in quite some time and is really pretty amusing. Less known Richard Ayoade also provides us with a few chuckles and the cameo by the great R. Lee Ermey is downright hilarious. Still, our heartiest laughs go to Jonah Hill. His character is not quite off type, but he approaches it from a different angle than normal. It works wonders. The four share a nice chemistry making the banter between them enjoyable.

Most surprising is there are a pair of well-executed human stories mixed in to all the advertisements and raunchy jokes. One involves the state of the relationship between Evan and his wife Abby played by Rosemarie DeWitt, here looking very Tina Fey-ish. The other is about Bob and his daughter, the rebellious Chelsea (Moriarty). Both work better than expected as if organic to the tale and not shoe-horned in just because. In fact, I enjoy these parts of movie more than the main plot.

That main plot, of course, heavily involves aliens. It’s rather lazy in almost all regards and seems ill-fitting of the movie they’re in. Though set up to play as a spoof of alien invasion flicks, the effort is only half-hearted. This includes creature design awfully similar to some rather famous cinematic extra-terrestrials. By the end, we realize their entire story line is just one long dick joke. No pun intended. Sorta. Okay, I’m lying. Either way, the punchline to this particular dick joke is rendered ineffective by all the ones that came before it. Sorry. Sorta.

Despite the rampant commercialism, lazy sci-fi and endless succession of genital humor I found The Watch fun to sit through. I realize these aspects are a complete turn-off for many, hence the abysmal reviews this has generally garnered. They are for me, normally. They even keep me from grading this as a great movie. However, maybe I was just in the right frame of mind. Maybe I’m more susceptible to such humor than I’d like to believe. In any event, the guys kept my interest and made me laugh. At the end of the day that’s all I ask out of my comedies.

MY SCORE: 6.5/10

Total Recall (1990)

 

Directed by Paul Verhoeven.

1990. Rated R, 113 minutes.

Cast:

Arnold Schwarzenegger

Rachel Ticotin

Sharon Stone

Ronny Cox

Michael Ironside

Marshall Bell

Mel Johnson Jr.

Michael Champion

Ray Baker

Rosemary Dunsmore

Roy Brocksmith

Douglas Quaid (Schwarzenegger) is a construction worker who shares his life with Lori (Stone), his beautiful wife. Things are going great except for one thing: every night he has dreams of being on Mars that include some violent adventures and a lovely brunette. He then spends much of his day thinking of going to the red planet. Soon, he decides to go to Rekall. They’re a company specializing in the fabrication of vacations by injecting you with stuff that makes you believe you've actually been wherever it is you want to go without you ever leaving their offices. Of course, things don’t go so smoothly for our hero and what they give him doesn't seen to take. Nevertheless, his co-worker from the construction job and even his wife are suddenly trying to kill him. Sure enough, the authorities are trying to do the same. He gets some help from a stranger who advises him to get to Mars ASAP. Still not sure of what’s going on, he does. When he gets there he discovers the authorities there are also after him and even the locals hate him. They all think he’s some guy named Hauser. Lots of mayhem ensues while Doug tries to figure out what’s going on and we try to figure out if what we’re seeing is real or part of Doug’s Rekall experience.

Total Recall weaves a tale complex enough for thinking viewers yet still simple enough for the shoot ‘em up crowd. The action scenes come at fairly quick intervals while the plot between them twists and folds back on itself. It is of labyrinthine design and precise execution. The maze we travel is fun, not frustrating even if we're not always positive of what we’re watching. It is that rare popcorn flick that manages to both entertain the masses and screw with their heads.

Never known as a master thespian, star Arnold Schwarzenegger gives what is arguably his best performance. For a change, he goes beyond grunts and one-liners to give us something resembling a real human being. It’s also the only one of his better portrayals from before he became a parody of himself. Of course, the action sequences come natural to him so no worries there. Don’t get me wrong. I’m not suggesting he should’ve been recognized by the Academy, or anything. I’m simply saying he’s better than usual.

As with any older sci-fi flicks, how well the fx have held up is a concern. The mutants are all marvels of the grotesque. Occasionally, it is too apparent that something is a prosthetic or is just a bit hokey looking. Thankfully, this doesn't happen too often. In fact, I’d say there are just as many occurrences of things that still look really good.

Looking back through Arnie’s filmography hindsight makes it clear this is one of his most ambitious movies. It is not content to simply let him beat up a bunch of people and crack lame jokes. There are a couple of corny moments, but TR actually challenges us. The trick is that it does so without going over our heads, but still giving us enough to keep us locked in. For my money, it’s his best aside from the original Terminator.

MY SCORE: 8.5/10

John Carter

Directed by Andrew Stanton.

2012. Rated PG-13, 132 minutes.

Cast:

Taylor Kitsch

Lynn Collins

Mark Strong

Samantha Morton

Willem Dafoe

Thomas Haden Church

Ciarán Hinds

Dominic West

James Purefoy

Bryan Cranston

Polly Walker

Daryl Sabara

Civil War vet John Carter (Kitsch) spends all of his time searching for a fabled cave full of gold. The Confederate Army wants to press him back into service. They capture John, he runs away, they give chase and start a little skirmish with some Native Americans who happen to be in the way. Our hero runs some more and practically falls into the cave he seeks. The only problem is there’s a strange looking dude already there. He and John get into it and bada-boom, bada-bing, John winds up on Mars, here called Barsoom, trying to save the planet from a budding tyrant who is getting some special help. Why yes, there is a pretty girl involved. Her name is Dejah Thoris (Collins). She’s a princess being forced by her father to marry the bad guy as a means of potentially saving their empire. You see, the king doesn’t watch movies and doesn’t know that these sorts of arrangements never work out the way you’d like. Oh, one other thing, while on Mars John can leap tall buildings in a single bound. Almost.

Almost is a good word to describe the movie as a whole. By almost, I mean it’s almost good. Visually, it is quite the treat. Narratively, it is not. Once our hero gets to Mars we get eyefuls of interesting creatures and scenes of swashbuckling that feel simultaneously futuristic and primitive. The action comes often enough, usually in the form of chase scenes, highlighting the things John Carter does well. It’s between those scenes where the issues lie.

The story itself suffers from over-familiarity. It’s strictly paint-by-numbers with no deviation from the beaten path. From the moment John reaches Mars his next step always feels pre-ordained. In short, we’ve seen this many times before. You know the drill: escape here, decide to help the natives there, realize you’re in love with the princess here, and so on. In fact, it too closely follows the template set by Avatar, sans the “go green” agenda. That movie has many of the same flaws (awful dialogue, forced love story, bloated length, etc) but is even more of a spectacle. Try as it might, JC never achieves the grandeur of Avatar making its flaws even more of factor.

For a light-hearted, kiddie-fied action flick JC isn’t really a terrible choice. It’s fairly fun and the two hours go by pretty quickly. It is likely to be a forgettable crowd pleaser. Sitting through it is pleasant enough. However, by time the credits roll, you’d be hard-pressed to differentiate it from any other movie where a stranger in strange land does what such heroes do.

MY SCORE: 5.5/10

Men in Black 3

Directed by Barry Sonnenfeld.
2012. Rated PG-13, 106 minutes.
Cast:
Will Smith
Tommy Lee Jones
Josh Brolin
Jemaine Clement
Emma Thompson
Michael Stuhlbarg
Bill Hader
Nicole Scherzinger

Agent J (Smith) and Agent K (Jones) are still chasing intergalactic baddies that commit their crimes here on Earth. Boris the Animal (Clement), just Boris if you ask him, is one such villain that K locked up way back in 1969, costing Boris his arm in the process. He’s so bad, a special prison was built for him on the moon. After all these years, Boris escapes. Of course, he wants revenge on the man who put him away. However, he doesn’t want just regular old retribution. In Terminator fashion, he decides to go back in time and kill K before the arrest or loss of his arm. Obviously, a different outcome in that situation will drastically alter the course of human history. After Boris’ apparent success, it’s up to Agent J to also travel back in time and rescue his partner.

All the familiar tenets of the franchise are present. We have the exotic creatures, though fewer than in the previous films, and the special fx that come with that. We also have the save the world urgency. Most prevalent is the foundation the franchise is built upon: the funny banter between our two main characters. It is based on their differences and has proven to be a winning (i.e., profitable) formula.

This time around there is a twist in that formula. When J goes back in time, he encounters a younger and happier version of Agent K played by Josh Brolin. Brolin is a fine actor in his own right. Here, he apes Jones perfectly and the powers that be were wise enough to use Jones’ voice to help create a fun performance.

Honestly, there’s not much else to Men in Black 3. It is the result of the director faithfully following a recipe. Nothing is done that might alter the dish. The one major wrinkle is the involvement of Brolin, but even that’s about as safe a choice as possible. If there is another it’s advancing the idea of multiple dimensions co-existent as alternates of one another, but even that’s not terribly revolutionary. The important thing is that it’s an enjoyable entrée. Every frame is indeed lightweight, but it is fun. Suffice it to say if you like the first two movies in the series, you’ll probably like this one.

Battleship

Directed by Peter Berg.

2012. Rated PG-13, 131 minutes.
Cast:
Taylor Kitsch
Brooklyn Decker
Rihanna
Alexander Skarsgard

Tadanobu Asano
Hamish Linklater
John Tui
Liam Neeson
Jesse Plemons
Gregory D. Gadson

I played a lot of board games as a kid. Monopoly and Life were my favorites. I was never big into Battleship, but I had friends that were. I remember the commercials far better than the game itself. They always end when one kid incredulously exclaims “You sank my battleship!” Some version of that iconic scene playing out at the climactic moment is pretty much all I expected the film version. Even those modest hopes proved too lofty.

Toy company Hasbro owns the rights to the game and apparently aren’t too particular about any sort of faithfulness to its properties. As long as whatever is thrown up on the screen brings in goo-gobs of money, all is good. Who could blame them? After all, they also own the rights to Transformers. Whether you love or hate those movies, there is no denying they’re ridiculously successful at the box office.

This brings us back to Battleship, the movie. The game is one of naval strategy, your fleet against your buddy’s. The movie is about an intergalactic alien invasion just off the coast of Hawaii. Wait…what? Okay fine, I’ll roll with it. After finally finding a planet similar enough to Earth to sustain life we send out a signal in an effort to make contact. Never you mind that it’s travelling billions of miles yet appears to get there quicker than most cell phone calls. Just know that whoever is on the other end sends back a military scout team to set up their own communication with their boys back home and commence the takeover.

Before any of this, we meet Alex Hopper (Kitsch), a long-haired hothead with a penchant for trouble. He’s infatuated with Samantha (Decker), the blonde at the bar who very strongly resembles a swimsuit model. By the way, her dad happens to run the local Naval fleet. Fast forward a year or so and now Alex is a short-haired hothead Naval lieutenant who is in love with and dating the swimsuit model from the bar. Her dad still runs the fleet. Oh yeah, Alex might be a captain. Stupid movie has people calling him both. I’m sure this is a joke that I don’t get but that’s kind of a problem, no?

Anyhoo, you write the rest of the script. Make sure the aliens aren’t particularly bright and let an awful lot of obviously military people live after having shown the capacity to kill by the hundreds. Do this to spare our heroes for the sole purpose of making sure this thing stretches to over two hours. Keep your love story mostly centered around Alex being intimidated by his girlfriend’s father. Even though this guy is played by Liam Neeson, don’t use him for anything else. Shoehorn in a few references to the game, including a giant grid, of course. Add in a ton of jokes and one-liners. Pray at least a few of them are funny. In other words, make it exactly like Michael Bay’s Transformers movies, or any of his other movies, for that matter.

Imitating Bay is precisely what director Peter Berg does. However, Joe Q Public isn’t as much a cushion for Battleship to fall back on. Despite the game having been around since World War I, in some form or another, it has nowhere near the nostalgia factor going for it that Transformers does. Dots on a paper or blips on a grid are nowhere near as exciting as giant fighting robots. Besides that, I’m not sure anyone who has played the game could come up with enough of a storyline to justify a movie being made for it. Sadly, neither could the people actually involved in making it. Second, this doesn’t offer the spectacle of said robots transforming. The fact that none of aliens has as much as a personality renders this even more run of the mill. Think about it. We’ve seen scores of alien invasion flicks, but only three Transformers flicks. So far, that is. I hate to sound like I’m defending that franchise because I hate the last two movies it gave us. At least they give us something we’re not really getting anywhere else. Don’t get me wrong. If you’re looking for lots of stuff going boom, there is some enjoyment to be had here. It’s paced quickly enough and the aliens unleash some nasty weaponry. If you want anything deeper than that, move along. Nothing to see here.

MY SCORE: 4/10

Super 8

Directed by J. J. Abrams.

2011. Rated PG-13, 111 minutes.
Cast:
Joel Courtney
Elle Fanning
Riley Griffiths
Kyle Chandler
Ron Eldard
Zach Mills
Gabriel Basso
Amanda Michalka
Joel McKinnon Miller
Jessica Tuck

A group of middle-school friends are making their own zombie movie using a Super-8 camera. By the way, we’re in 1979 so they can’t use a digital camera or upload it to YouTube. They all sneak out of their houses late at night to film a pivotal scene at the local train station. While they’re shooting, a passing train is spectacularly derailed by a pickup truck purposely driven on the tracks directly at said train. It soon becomes clear that something very scary, very dangerous and very different has escaped from the wreckage and terrorizes the small town.

Super 8 is one of those movies where it’s biggest strength may also be its greatest weakness. Writer and director J. J. Abrams gets loads of mileage out of the friendships between the boys and in particular out of Joe’s (Courtney) budding romance with the group’s only girl, Alice, played by Dakota Fanning’s younger sister Elle. She is excellent. I’m not sure if it’s because of or in spite of the fact she is the only female in the crew, but her performance really stands out. Abrams also uses a certain old school trick to perfection. He doesn’t fully reveal his monster until late in the proceedings. It’s fitting that Steven Spielberg is this film’s producer. He used this sleight of hand better than anyone in the original Jaws. As it does there, in Super 8 it adds a layer of mystery and makes the creature scarier than he would otherwise be.

On the flipside, those things that make Super 8 work, hold it back a bit. The whole thing feels extremely derivative. It’s very reminiscent of lots of movies that were made within a few years of when this one is set: The Goonies, The Monster Squad, Stand by Me, The Sandlot, etc. Of course, even that list would not be complete without including E. T. Nearly every element of S8 seems to come from one of those movies, including the totally rushed and botched ending. That portion of our feature is a truncated version of one of those others that doesn’t quite feel right. Just so you don’t go thinking it’s all about the oldies, there is a healthy dose of Cloverfield thrown in, too.

What rescues S8 is that Abrams does a masterful job telling his tale. We feel for the kids involved and identify with them even as they decide to do some incredibly foolish things in hopes of saving the day. Visually, it works magic in the opposite way of most movies. We’re far more tantalized by what we don’t see. It’s lack of originality likely won’t be apparent to young’uns or anyone else who hasn’t seen those other movies I’ve mentioned. To them, it will be a breath of fresh air. To me, it’s the answer to the question “what if Spielberg had directed Cloverfield back in the 80s?” It’s pretty much what it sounds like: E. T. without the Reese’s Pieces, glowing index finger or sunny disposition.

MY SCORE: 7/10

Cowboys and Aliens

Directed by Jon Favreau.

2011. Rated PG-13, 118 minutes.
Cast:
Daniel Craig
Harrison Ford
Olivia Wilde
Sam Rockwell
Paul Dano
Clancy Brown
Keith Carradine
Noah Ringer
Adam Beach
Abigail Spencer
Ana de la Reguera

Occasionally, I go into a movie not really knowing what to expect. Such is the case when I sit down to watch Cowboys and Aliens. Yup, it’s yet another movie based on a graphic novel I’m not cool enough to even have heard of. Judging by the title, I sorta think I’m in for a wild, campy ride that’s possibly so bad it’s awesome. Let’s be honest, Cowboys and Aliens doesn’t exactly scream art house cinema. On top of that, Jon Favreau is the director. He’s injected so much well-timed humor into the Iron Man franchise it should be easy doing the same for something with such a kooky title. Then again, the star is Daniel Craig. As an actor, I’ve seen him in a number of different guises: action hero, crusading reporter, lover of old women, etc. A barrel of laughs, he is not. Sure enough, once the movie starts it’s pretty obvious we’re playing things straight.

Our hero wakes up quite literally in the middle of nowhere and remembers nothing of his life to that point except how to fight. We gather that from the way he handles the trio of bumpkins who happen upon him. More importantly, he notices a futuristic metallic bracelet locked onto his left wrist. He wanders to the nearest town, learns his name is Jake (Craig, duh) and he’s an outlaw. We get a few scenes to establish Jake as a real badass then the aliens show up. A bunch of townspeople get snatched up, Jake’s bracelet seems to activate on its own and he takes down one of the extraterrestrial planes by firing a blast from it. One of those abducted is Percy Dolarhyde (Dano). He’s the son of wealthy, ruthless cattleman Colonel Woodrow Dolarhyde (Ford). Don’t call him colonel, though. He hates that. As always, there’s a girl. This one is named Ella (Wilde). She seems to know more than Jake about his own past. The two of them plus the grumpy old colonel set off trying to find the missing folk.

Aside from the fact that all the good guys ride horses and fire six shooters or shotguns, Jake’s bracelet aside, C and A isn’t much different from other alien invasion flicks. The creatures exist merely to destroy everything in their path. Humans exist merely to stop them. Playing it straight, without even a hint of satire or self-awareness dictates that this is how it must be. It’s uniqueness is completely tied to its setting. The storytelling and characters are all fairly stock. It helps that Harrison Ford is exceptional in his role and gives us much of the humor. A few of the bit characters are also great in this regard. Daniel Craig is a fine actor, but doesn’t give us anything special. He’s pretty much doing Bond in a western. Olivia Wilde is pretty. Sorry, that’s all she gives us. It’s a Megan Fox-like performance: a gorgeous face doing nothing.

What’s left then, are the action scenes. They come frequently enough and entertain. The mixture of old-school western and high-tech aliens gives us an interesting juxtaposition. They’re never a preposterous pair. Though these scenes are fun, they’re hardly tense. They should be, particularly when humans are getting snatched off their horses and appear like tails on a kite as they trail the alien ships. However, it rarely rises above the level of “did you see that?” That works out okay. I guess. However, it would be so much better if we could not only see it, but actually feel it. We never do. Part of the problem is that like most recent movie aliens, the invaders are faceless and seemingly thoughtless snarling creatures that do little to justify the higher intelligence assigned to them. The humans only fare slightly better.

The whole thing does what it sets out to do, but fails to set itself apart. It feels like a massive opportunity has been missed. The alien invasion genre is ripe for skewering. Clichés are abundant, even within this film. There is ample material to examine. C and A never attempts anything deeper and/or funnier than a straightforward affair. It takes an inventive premise and does nothing with it, satisfied with being run-of-the-mill. At being run-of-the-mill, it’s not terrible. It moves along quickly and supplies us with a solid amount of visual thrills. It’s light on the chills, but fun enough to compensate. For a movie night gathering, it should do the trick. It’s just a shame that something with the potential to be so memorable is so not.

MY SCORE: 5/10

Attack the Block

Directed by Joe Cornish.

2011. Rated R, 88 minutes.
Cast:
John Boyega
Jodie Whittaker
Alex Esmail
Leeon Jones
Luke Treadaway
Franz Drameh
Jumayne Hunter
Nick Frost
Danielle Vitalis
Paige Meade
Sammy Williams
Michael Ajao

When an alien crash-landing interrupts their mugging, Moses (Boyega) and his crew don’t take too kindly to the situation. After a short chase and battle, they kill the little space creature and keep its body as a trophy. Lo and behold, lots more aliens start landing all over the neighborhood. Of course, these things are a whole lot bigger, meaner and seem to be after our group of juvenile delinquents. Alien monsters chasing the crew all over “The Block” ensues.

There are other problems afoot. Sam (Whittaker), the lady they mugged, has reported the incident to the police. Yes, she happens to live in the same building as the boys. After a narrow escape from the creatures, they accidentally ram the police van they’re driving into Hi-Hatz’s (Hunter) car. He’s the drug dealer/aspiring rapper they work for and aspire to be like. None too pleased, now he’s out to kill them as well. Whatever are the boys going to do? With Sam in tow through some unforeseen circumstances, they run, hide, get tracked down, fight a few of the monsters and run again.

All of this has to come to a head at some point. When it does is when we realize that not only are we rooting for a group of wayward teens, but we have real sympathy for Moses, leader of the pack. Throughout, he maintains a very serious demeanor even as sarcasm and snarkiness swirl about. Life and death situations are met head-on. There is not time for games, even if his friends aren’t nearly as steady. Through a subtle yet remarkable transformation, Moses becomes one of recent cinema’s most unlikely heroes.

Before we get to the end, we have fun watching the chase and trying to figure out what the aliens actually want. We laugh at the younger kids Probs (Williams) and Mayhem (Ajao), so desperate to be involved. We also laugh at the stoner humor provided by Ron (Frost) and Brewis (Treadaway). We even have cause to cringe when the aliens manage to get their paws on someone. It’s not a pretty sight. Those of us old enough to remember will also notice a few references to other movies scattered about. Most notably, there’s a big homage to the original Die Hard. All of this keeps us thoroughly entertained.

Attack the Block is a tightly wound story, clocking in at less than 90 minutes. The tradeoff is we don’t get to know much about anyone’s background. We know that, like lots of other teenagers they lie to get out of the house, but that’s about it. Aside from what we learn about Moses, it’s absent the character development that could’ve elevated this from very good to great. We’re not really let in on what the authorities might know about all of this, either. They seem only concerned with capturing the teenaged criminals despite all that’s clearly visible and that someone must’ve reported. That said, it’s still a fantastic ride that brings us to the edge of our seats and keeps us there.

Paul

Directed by Greg Mottola.

2011. Rated R, 104 minutes.
Cast:
Simon Pegg
Nick Frost
Seth Rogen
Kristen Wiig
Jeffrey Tambor
Jane Lynch
Jason Bateman
Sigourney Weaver
Bill Hader
Blythe Danner
John Carroll Lynch

The writer Graeme Willy (Frost) and his trusty cohort Clive Gollings (Pegg) are a couple of sci-fi geeks from the UK, in the United States to attend Comic-Con, an annual convention for the comic book industry. Afterwards, they tour some of the locations where famous UFO landings have allegedly taken place, like Area 51 and Roswell, New Mexico. Along the way, as luck would have it, they meet Paul (Rogen). Paul is the classic little green man with an enormous head alien. He enlists our less than dynamic duo to help him get home. All the while, the trio is being chased by man in black, Agent Zoil (Bateman). Zoil maintains almost constant contact with “The Big Guy”, whom we find out right away is actually a woman. What she actually looks like isn’t revealed until the end, so I won’t spoil it.

Eventually, the plot becomes reminiscent of E. T. This is fitting given that Pegg and Frost wrote the screenplay. Like their movies Hot Fuzz and Shaun of the Dead before it, we’re treated to a steady stream of references to other movies. They’re done far more skillfully than in any of the “____ movies.” You know the ones: Scary, Date, etc. These references are weaved seamlessly into the tapestry of a story that stands on its own. We can actually enjoy the story we’re watching and enjoy the allusions. By the way, there are enough of them that you’ll probably miss a few, here and there.

References to other movies aren’t the only things that make us laugh. The way relationships are established and carried out are both funny and sweet. Most notably, the contentious nature of things between Graeme and Paul gets the most giggles. As stated by Paul, the two are characters that should be best friends but seem to be missing a connection. Even more of an edge is added when you factor in the lingering question of Graeme’s sexuality. Because of that question, the way he behaves in regards to others give us cause to pause.

In the title role, Seth Rogen acquits himself very well. True, Paul behaves much like most of Rogen’s characters but he’s easier to take when personifying another species. However, there could’ve been more to him. How did he get to be the foul-mouthed, cigarette smoking wise guy we know him to be?

Paul is a fun ride, overall. There are some stretches where it drags a bit. Occasionally, it gets too busy referencing other movies that it doesn’t quite work. Aside from the aforementioned stars, Jason Bateman was also very good as the agent tracking them down. Things are fairly predictable, but we’re not here for mystery. It wants you to laugh and possibly geek out with them on all the allusions you recognize. It does that.

MY SCORE: 7/10