Our Idiot Brother

Directed by Jesse Peretz.

2011. Rated R, 96 minutes.

Cast:

Paul Rudd

Elizabeth Banks

Zooey Deschanel

Emily Mortimer

Hugh Dancy

Rashida Jones

Steve Coogan

Shirley Knight

Ned (Rudd) is a lovable man-child who has three sisters: Miranda (Banks), Natalie (Deschanel) and Liz (Mortimer). True to the movie’s title, he’s arrested within a few minutes of us meeting him for selling marijuana to a uniformed officer. Yes, he sells weed to a cop in uniform. Fast forward to the day he gets released from prison. Not only has his job as an organic farmer vanished, but his girl has replaced him with a guy who could be his clone and kicks him out of the house. She won’t even let him have the dog he absolutely adores. With nowhere else to go, he goes back to mom’s house. Due to circumstances and opportunity he then winds up spending a little time living with each of his sisters. He accidentally wreaks havoc on each of their lives mostly by not knowing when to shut up.

Calling Ned an idiot is putting it mildly. The same applies to calling this movie idiotic. He’s presented as a charming dunce who has apparently never met a stranger. People freely confide in him things they’ve never told anyone else despite only recently meeting him. He can’t help but regurgitate what he’s heard to anyone who bothers to ask. In addition, he accepts any explanation given to him for things he sees with his own eyes as if he’s a three year old. The film merely plays on these things by dropping him into a vicious cycle. He moves in with one of his sisters, repeats something he’s been told or talks about something he’s seen and that sister’s life goes spiraling out of control, not they had any control to begin with. The sister then kicks him out and it’s on to the next house to repeat the process.

Allegedly, Our Idiot Brother is a comedy. However, very little of it is funny. Instead, we just roll our eyes in disbelief at how stupid this man is, wonder if he has some undiagnosed disability. Slogging through the movie is made all the more tedious because we can easily tell what this is all leading to. In case you plan on seeing this I won’t come right out and say it. I will ask you this: what happens in every other movie where a mentally challenged individual is surrounded by self-centered, busy people who think he’s a burden? If you know the answer to this question you’ve no need to bother with Our Idiot Brother.

The Social Network

Directed by David Fincher.
2010. Rated PG-13, 120 minutes.
Cast:
Jesse Eisenberg
Andrew Garfield
Justin Timberlake
Armie Hammer
Brenda Song
Bryan Barter
Rooney Mara
Rashida Jones
Joseph Mazzello

“If you could’ve invented Facebook then, you would’ve invented Facebook,” Mark Zuckerberg (Eisenberg) coldly says to one of the people suing him for allegedly stealing their idea. That statement is at the heart of all matters in The Social Network.. The movie never doubts Zuckerberg’s genius. It never suggest that Facebook could ever have come into existence without him. The question becomes how much did others contribute to making his vision a reality and whether or not they should be compensated.

Technically, the entire movie takes place inside a hearing room where three sides battle back and forth with flashbacks fleshing out the proceedings. Of course, there’s Zuckerberg. Then there is his former best friend, Eduardo Saverin (Garfield) suing Mark for pretty much muscling him out of the company. Finally, there’s the Winklevoss twins (Hammer in a dual role) who claim to have come up with the idea for Facebook.

Through it all, we see Zuckerberg’s not-so-humble beginnings as a drunken young man, bitter about just being dumped, venomously blogging about his now ex-girl while simultaneously hacking into much of the school’s online network to create an instant rate-a-girl site called FaceSmash. Eventually, we arrive at the point where Facebook is a worldwide phenomenon and Zuckerberg is the youngest billionaire in the world. We already know that. Many of you reading this not only have a Facebook page, but have children, parents and even grandparents that their own Facebook pages. This more about trust and what people do with it when they’ve earnied it. Trust is abused so often, we eventualyy have decide when that abuse is justified and when it is not.

TSN is also about the decade we’ve just lived through. It’s about how technology in general, and Facebook in particular, alters our world in increasingly rapid ways. It’s about how prepared or unprepared we are for those instantaneous changes. Can anyone really be prepared to go from average joe to king of all he surveys in just a few years? Strangely enough, though Zuckerberg is the focal point, the movie is not necessarily on his side. Through an excellent performance by Eisenberg he comes across as arrogant, aloof, vindictive, selfish and overly envious of others. He’s the modern day mad scientist who has succeeded in taking over the world, but found it’s not all its cracked up to be. We don’t root for him.

The person we root for is Eduardo Saverin, who put up the initial $1000 to fund the site’s development. We like him. His position seems undeniable so we sympathize with him. We desperately want Zuckerberg to come down from Mount Olympus and show gratitude to the little person that helped him get there.

This movie works because no matter how unlikeable our protagonist might be, we can see his side on a lot of things. Simultaneously, we can understand other viewpoints, as well. This keeps us locked in along with sharp dialogue in which characters rarely mince words. What also engages us is how relationships disintegrate. We’re intrigued to see if anything can be salvaged. However, the winds of sudden success has wreaked havoc on these people. Essentially, we’re watching a divorce procedure. At stake, the custody of their 500 million “kids” worldwide.