Showing posts with label Marilyn Monroe. Show all posts
Showing posts with label Marilyn Monroe. Show all posts

Wednesday, July 2, 2014

The Ten Biggest Stars of Classical Hollywood


Hitchcock's World is a blog I've only recently discovered and enjoy visiting. John is passionate about movies, and about blogging which makes it a great place to hang out. He decided to start a blogging relay of his own and whaddyaknow? He picked me to be the first recipient of the baton. Aside from questioning his judgement (or is that judgment?) in partners for this race, I'm honored to have been chosen to start it off.

What is it about?

It's all about "The Ten Biggest Stars of Classical Hollywood." Rather than give my own spiel on what the rules are, I'll give you his:

What I have done is create a list of some of the biggest stars from the time period, complete with a case for why they belong on the list. I will pick another blogger to take over, and then he or she will select one option to remove. They will make a case for why that person doesn't fit before offering a replacement, also with a case for why they are a better choice. That blogger will then choose another person to take over, and the process repeats. As a tip you might want to make sure that whoever you choose to take over is someone you can contact, so that you can notify them they've been selected in order to keep the relay going. 

Keep in mind, since we're discussing Hollywood, the actors you swap in and out should have had at least a few roles in mainstream Hollywood productions released between 1930 and 1960. They don't have to be American, just as long as they fit that criteria.

Easy enough so let's get this started.

The list

Ingrid Bergman


Humphrey Bogart


Cary Grant


Henry Fonda


Katherine Hepburn


Peter Lorre


Marilyn Monroe


Gregory Peck


John Wayne


Orson Welles


Scratched off:


Peter Lorre
As John noted in his original list, Lorre became the go-to-guy for villains and sidekicks. He is certainly one of the greatest character actors the world of movies has ever seen. However, he often wasn't one of the biggest stars in his own films. While it is true that us movie buffs know all about him, he's the kind of actor most people know they've seen "somewhere" before, but may not be able to pinpoint where. They certainly don't know his name. Is he an essential actor? Most definitely. Is he one of Classical Hollywood's biggest stars? No.


Penciled in:

James Cagney
For starters, Cagney is credited by many as giving birth to modern acting. None other than Orson Welles called him "maybe the greatest actor to ever appear in front of a camera." In Hollywood's transition from silent films to talkies, he was a giant cog, giving some of the first powerhouse performances of the sound era. His list of iconic roles is as long as my arm. As an added personal bonus for me, what he accomplishes in The Public Enemy and White Heat still blows me away. Any list of the era's finest must include Mr. Cagney.


Since we're talking Classical Hollywood, there is only one thing for me to do. That's passing the baton to Josh of The Cinematic Spectacle.

Tuesday, May 14, 2013

My Week with Marilyn

Directed by Simon Curtis.
2011. Rated R, 99 minutes.
Cast:
Eddie Redmayne
Zoe Wannamaker
Julia Ormond
Dougray Scott


The first time Marilyn Monroe (Williams) went to London it was on a business trip. Accompanied by her husband of three weeks, famed playwright Arthur Miller (Scott), and a number of handlers, she went to film what would become The Prince and the Showgirl. Her co-star and director is the legendary Sir Laurence Olivier (Branagh). During what was a very trying shoot, Marilyn befriends Third Assistant Director Colin Clark (Redmayne). As the title suggests, this is the story of their tumultuous week together.

Predictably, the notoriously troubled Marilyn is the center of attention. She frustrates Olivier to no end. She suffers wild mood swings, is ridiculously insecure and often hopped up on various pills. Williams’ performance is a near-perfect impersonation of the icon. More than that, she captures Marilyn’s fragility and the manner in which she wields her sexuality as the only weapon she feels comfortable using. It’s remarkable work that threatens to reduce Monroe to a caricature but manages enough humanity to make her a sympathetic figure.

No less brilliant is Kenneth Branagh as Olivier. He, no doubt has the showier role with many loud-voiced tirades and even an angry Shakespearean soliloquy. He balances this with heartfelt admissions as the movie wears on. He hits every note perfectly as does Judi Dench as Dame Sybil Thorndike, popping in on occasion to provide encouraging words to Marilyn.


Through the two leads, MWwM gives us wonderfully contentious moments between legends. We learn very early that Marilyn’s lack of training, acting ability and, perhaps most of all, professional etiquette offends his very soul. However, her raw sex appeal and presence are simply too much to be denied. Marilyn suffers the brunt of his verbal attacks making her even more unsure of herself than she already is.

While the fireworks between Marilyn and Olivier drive the movie, it’s the relationship of she and Colin that gives us its most touching moments. In him, we see a young man getting in way over his head but we can’t help admiring the tenderness with which he treats her. We truly feel his longing to save her. What we wish he’d understand is that she doesn't really want to be saved. Her manipulations are transparent to us, but not to him. How could they be? Imagine yourself a 23 year old straight male and the most beautiful woman in the world coming on to you.

The end result is a delightful movie filled with wonderful performances. It’s fairly light on offering any new insight into Ms. Monroe, but it does humanize her enough for us to grab hold of. It helps that, despite her forwardness, her relationship with Colin maintains a sense of innocence. It gives the impression of a story of puppy love while treading in some rather adult waters. That said, don’t come into MWwM thinking all the mysteries of Marilyn’s demise will be solved. It’s an entertaining, but small, chapter in the ill-fated star’s turbulent life.