Directed by Donald Wrye.
2010. Rated PG, 95 minutes.
Cast:
Taylor Firth
Rob Mayes
Henry Czerny
Eve Crawford
Gillian Ferrier
Tattiawna Jones
Morgan Kelly
Andrea Joyce
Michelle Kwan
Small-town girl Alexis (Firth) suddenly becomes a superstar figure skater, problems in her love life and tragedy ensues. Remake of the 1978 film of the same name. Director Donald Wrye knows that his target audience is there for the ice skating and the love story. Therefore, he packs his movie tight with both. There is no meandering. Every scene is directly related to one or the other and often both. This helps the pace, making the 95 minutes feel even shorter. This also means there are lots of highs and lows that work well. On the other hand, it puts to use nearly every cliché in two genres: sports movies and chick-flicks. Even if you haven’t seen the original, and I haven’t, nothing surprising happens. The only exception being the severity of a certain event, but even that’s ruined if you read the back of the DVD cover (or saw the original). Don’t worry, I won’t spill the beans other than to say yes, the consequences of said event are way beyond excessive. Hey, the rest of the movie is built around that moment, so I'll leave it at that. Obviously, this is a full-blown chick-flick. It also has a Disney channel feel to it, so it’s also kind of cheesy. However, that’s precisely what it wants to be. This makes it the type of movie pre-teen girls will just eat up (at least, my daughters did). Fellas, this isn’t for you, but if you find yourself stuck watching it you just remember, it could be worse.
MY SCORE: 5/10
Sunday, June 6, 2010
Saturday, June 5, 2010
The Invention of Lying
Directed by Ricky Gervais and Matthew Robinson.
2009. Rated PG-13, 99 minutes.
Cast:
Ricky Gervais
Jennifer Garner
Jonah Hill
Rob Lowe
Louis C.K.
Jeffrey Tambor
Fionulla Flanagan
Tina Fey
Edward Norton
Plot: In a world where man has never developed the ability to lie, Mark Bellison (Gervais) suddenly does.
The Good: The first two acts of the movie are incredibly original. In addition to being brutally honest, every person is also way too forthcoming with unsolicited information. The result is deliciously over the top dialogue during some hilarious exchanges. It also has fun pointing out the mixed messages of religion. Through this, which is essentially the invention of theism (or atheism?) and the aforementioned exchanges, the writing is top notch. There are also two very strong cameos. Jonah Hill’s turn as Mark’s suicidal neighbor is morbidly funny. As Mark’s secretary, Tina Fey absolutely steals every scene she’s in.
The Bad: The third act is dreadfully predictable. It eschews everything that made the earlier parts of the movie such a joy, in favor of recycling the same crap we’ve seen in countless other romantic comedies. We switch from watching a sharp, innovative comedy to a run-of-the-mill chick-flick. Let me tell you: it’s quite the letdown to go from one to the other.
The Ugly: Moses’ tablets are replaced by pizza boxes.
Recommendation: Again, the first two-thirds of the movie are more than enough to make this worth a look. It’s sort of a flip side to Liar Liar and works terrifically. Who knows? You might even like the last twenty or thirty minutes more than I did.
The Opposite View: Kyle Smith, New York Post
What the Internet Says: 6.5/10 on imdb.com (5/20/10), 57% on rottentomatoes.com, 58/100 on metacritic.com
MY SCORE: 7/10
Labels:
Comedy,
Edward Norton,
Jeffrey Tambor,
Jennifer Garner,
Jonah Hill,
Louis C.K.,
Reviews,
Ricky Gervais,
Rob Lowe,
Tina Fey
Friday, June 4, 2010
Let the Right One In Remake
A film I reviewed here, "Let the Right One In", is one of my favorite vampire flicks of all time (check the archives). It's a Swedish movie that's getting an American remake entitled "Let Me In." It's scheduled to hit theaters in October of this year. Read more about it here.
The original is only a couple years old. Should really recent foreign movies be made over in English? I understand that us Americans hate "reading" movies. However, most DVDs come with the option for an English track. Personally, I would rather Hollywood give us some original material rather than remaking everything under the sun. What says you?
The original is only a couple years old. Should really recent foreign movies be made over in English? I understand that us Americans hate "reading" movies. However, most DVDs come with the option for an English track. Personally, I would rather Hollywood give us some original material rather than remaking everything under the sun. What says you?
Paper Heart
Directed by Nicholas Jasenovic.
2009. Rated PG-13, 88 minutes.
Cast:
Charlyne Yi
Michael Cera
Jake M. Johnson
Demetri Martin
Luciano Yi
Lydia Yi
Plot: Charlyne doesn’t believe in love. She travels across the country getting ideas about what love is and if it really does exist. Along the way, she starts a relationship with Michael Cera (both are playing themselves).
The Good: The documentary style works well. It frees the movie of having to confine itself to many of the conventions of romantic comedies. Because of it, we’re not only interested in whether or not Charlyne will find love but also in the film within the film. It is at least as interesting watching Nicholas (Johnson) try to piece together a movie as it is watching Charlyne and Michael’s awkward companionship.
The Bad: While the various elements seem to work well individually, they never quite gel into a cohesive unit. It’s like watching three separate movies that deal with the same subject but have little to do with each other. Also, even though it wants us to believe her relationship with Cera is real, it feels painfully staged. We never feel any real connection aside from an odd fascination with one another. Instead of a developing romance, they seem to be on a perpetual first date. This makes our big dramatic moment near the end feel overly manufactured.
The Ugly: Am I the only one not sure if the biker dude’s joke about beating his wife was “only” a joke.
Recommendation: It’s an interesting movie with a lot of charming moments. Charlyne appears to have an adorable, if quirky, personality and seems to bring out those same qualities in the people she talks to. This gives the movie many of it’s cute anecdotes about love. However, the blurring of the lines between fact and fiction don’t work well here as it does in other “mockumentaries”. This makes it a frustrating watch and may lead some to tune it out.
The Opposite View: Angie Errigo, Empire
What the Internet Says: 6.1/10 on imdb.com (6/3/10), 60% on rottentomatoes.com, 54/100 on metacritic.com
MY SCORE: 5.5/10
Labels:
Charlyne Yi,
Comedy,
Michael Cera,
Mockumentary,
Paper Heart,
Romantic Comedy
Thursday, June 3, 2010
Taking Woodstock
Directed by Ang Lee.
2009. Rated R, 121 minutes.
Cast:
Demetri Martin
Imelda Staunton
Dan Fogler
Henry Goodman
Jonathan Groff
Eugene Levy
Jeffrey Dean Morgan
Emile Hirsch
Liev Schreiber
Paul Dano
Plot: Elliot Tiber (Martin) is desperately trying to save his parents’ motel from being foreclosed upon. When a nearby town pulls the plug on “a hippie music festival” he calls the organizers to see if they want to move the event to his town. “Inspired” by the true story of Woodstock.
The Good: Visually, it’s an interesting movie. It’s not interesting in a big special fx blockbuster way, but there’s so much going on your eyes willingly dart around the screen trying to take as much of it in as possible. It effectively captures the feel of Woodstock as thousands of people seem to be incessantly milling around. More importantly, we get three interesting stories of self-discovery. To that end, the way Elliot’s relationship with his parents plays out is very well done. Overall, the movie is at its best when it goes for the stoner vibe. That aspect supplies us with the best humor.
The Bad: It can’t seem to decide what it wants to be. It tries to be a straight comedy but unless Elliot’s mom (Staunton) is on screen it’s not quite funny enough. At other times, it tries for gut-wrenching melodrama. However, it never quite succeeds at that, either. Without the ability to commit to any style in particular, it’s not effective enough at any one of them. Finally, the music that makes Woodstock legendary is strangely absent.
The Ugly: Liev Schreiber in a dress is disturbing on a Patrick Swayze & Wesley Snipes in To Wong Foo level.
Recommendation: TW is a movie with some interesting parts but they never seem to work all together. As a result, it’s a terribly uneven watch. There are stretches of flatness interspersed with a few moments of greatness.
The Opposite View: Joe Williams, St. Louis Post-Dispatch
What the Internet Says: 6.8/10 on imdb.com (6/3/10), 48% on rottentomatoes.com, 55/100 on metacritic.com
MY SCORE: 5/10
Tuesday, June 1, 2010
Julie & Julia
Directed by Nora Ephron.
2009. Rated PG-13, 123 minutes.
Cast:
Meryl Streep
Amy Adams
Stanley Tucci
Chris Messina
Linda Emond
Helen Carey
Mary Lynn Rajskub
Plot: In 1949, Julia Child (Streep) begins the journey which will make her a giant in the cooking industry. In 2002, Julie Powell (Adams) starts a blog and challenges herself to cook every recipe in the icon’s legendary cookbook Mastering the Art of French Cooking. within 365 days. Based on two true stories.
The Good: It’s kinda hard to talk about a Meryl Streep movie and not start with her. As Child, Streep is a force of nature that simply dominates her every scene. As fine an actor as Stanley Tucci is, he plays her husband, he simply doesn’t stand a chance because he constantly shares the screen with her. She is “that” good. The movie does a nice job with the more contemporary story of Julie Powell and the strain her quest puts on her marriage. Adams and Messina make a very nice screen couple. As a pleasant surprise, it’s him we wind up rooting for.
The Bad: The telling of the two stories together rob the chronologically earlier part of any mystery. In any biopic, particularly of someone as famous as Child, there’s already an air of inevitability. That feeling is multiplies every time we switch back to Powell and continuous gushing over the icon. While the story of Julie and her husband is done well, it’s predictable. Their half of the movie feels like any number of the rom-coms we’ve already seen.
The Ugly: How Julia reacts when she learns of Julie.
Recommendation: J & J is a movie that really shouldn’t work as it’s constructed. On paper, it seems like it would be better as two separate films. However, the strength of the portrayals, not only by Streep but also by her cast-mates, makes the end result greater than the sum of its parts. Of course, if you require the slightest hint of testosterone-charged excitement to have a pleasurable viewing experience, look elsewhere.
The Opposite View: Kimberley Jones, Austin Chronicle
What the Internet Says: 7.2/10 on imdb.com (6/1/10), 75% on rottentomatoes.com, 66/100 on metacritic.com
MY SCORE: 6.5/10
Labels:
Amy Adams,
Biopic,
Chris Messina,
Comedy,
Drama,
Julie and Julia,
Meryl Streep,
Nora Ephron,
Stanley Tucci
The Damned United
Directed by Tom Hooper.
2009. Rated R, 98 minutes.
Cast:
Michael Sheen
Timothy Spall
Colm Meaney
Henry Goodman
David Roper
Jimmy Reddington
Maurice Roëves
Stephen Graham
Peter McDonald
Jim Broadbent
Plot: After years of feuding with their manager Don Revie (Meaney), Brian Clough (Sheen) is named to succeed Revie as the manager of Leeds United; "inspired" by a true story.
The Good: Brian Clough is a unique character for a sports movie underdog. He’s not your run-of-the-mill humble and downtrodden guy facing seemingly insurmountable odds. When we meet him, he’s already overcome the odds, twice, one of which we witness in flashback. He’s arrogant and treats success at the next level like a forgone conclusion. On top of that, most of the difficulties he encounters are of his own creation. Michael Sheen plays the role excellently. He manages to get us on his side, even though he’s a jerk. As Clough’s sidekick talent scout Peter Taylor, Spall is even better. He gives a perfectly restrained performance that seems to mirror our feelings on what’s going on. The movie as a whole also displays a sly sense of humor.
The Bad: Though we get a good sense of what’s going on between Clough and his new team, we’re shown surprisingly little. All but one of the players are simply part of a faceless mob. It would’ve elevated the movie further to witness more of the dynamic between them. Likewise, we don’t see much actual soccer…er…football. We don’t get the rush of exhilaration or disappointment we would normally get from watching it play out before us. It seems to be a case of overdone restraint.
The Ugly: What one of the players does during the singing of the National Anthem.
Recommendation: TDU is a different sort of sports movie and it’s better for it. It’s much more a character study than anything else. Therefore, don’t go into this looking for the next Rocky or Remember the Titans. However, do check it out if you want a more mature sports film.
The Opposite View: Rick Groen, The Globe and Mail (Toronto)
What the Internet Says: 7.6/10 on imdb.com (5/26/10), 94% on rottentomatoes.com, 81/100 on metacritic.com
MY SCORE: 7.5/10
2009. Rated R, 98 minutes.
Cast:
Michael Sheen
Timothy Spall
Colm Meaney
Henry Goodman
David Roper
Jimmy Reddington
Maurice Roëves
Stephen Graham
Peter McDonald
Jim Broadbent
Plot: After years of feuding with their manager Don Revie (Meaney), Brian Clough (Sheen) is named to succeed Revie as the manager of Leeds United; "inspired" by a true story.
The Good: Brian Clough is a unique character for a sports movie underdog. He’s not your run-of-the-mill humble and downtrodden guy facing seemingly insurmountable odds. When we meet him, he’s already overcome the odds, twice, one of which we witness in flashback. He’s arrogant and treats success at the next level like a forgone conclusion. On top of that, most of the difficulties he encounters are of his own creation. Michael Sheen plays the role excellently. He manages to get us on his side, even though he’s a jerk. As Clough’s sidekick talent scout Peter Taylor, Spall is even better. He gives a perfectly restrained performance that seems to mirror our feelings on what’s going on. The movie as a whole also displays a sly sense of humor.
The Bad: Though we get a good sense of what’s going on between Clough and his new team, we’re shown surprisingly little. All but one of the players are simply part of a faceless mob. It would’ve elevated the movie further to witness more of the dynamic between them. Likewise, we don’t see much actual soccer…er…football. We don’t get the rush of exhilaration or disappointment we would normally get from watching it play out before us. It seems to be a case of overdone restraint.
The Ugly: What one of the players does during the singing of the National Anthem.
Recommendation: TDU is a different sort of sports movie and it’s better for it. It’s much more a character study than anything else. Therefore, don’t go into this looking for the next Rocky or Remember the Titans. However, do check it out if you want a more mature sports film.
The Opposite View: Rick Groen, The Globe and Mail (Toronto)
What the Internet Says: 7.6/10 on imdb.com (5/26/10), 94% on rottentomatoes.com, 81/100 on metacritic.com
MY SCORE: 7.5/10
Labels:
Biopic,
Colm Meaney,
Drama,
Jim Broadbent,
Michael Sheen,
Sports,
The Damned United,
Timothy Spall
Subscribe to:
Posts (Atom)


