TMP Television Edition: Friendship

Queen Latifah's Top 10 Performances

Girl Week 2016: Bessie

Thursday Movie Picks: Female Ensemble

22 Jump Street

Thursday Movie Picks: Movies with Ensemble Casts - Hidden Gems

It's Thursday once again, so it's time for another entry in Wanderer's Thursday Movie Picks Meme. In case you're just joining us on this little adventure, and please do, bloggers are asked to pick three movies every Thursday based on the subject she has selected. You can either go with the best (or your favorites), the worst (or least favorites), hidden gems, or take a crack at multiple categories.

This week's subject is movies with ensemble casts. As opposed to last week's meme, this one is an extremely broad topic. With so many out there, I chose to go with hidden gems. These aren't totally obscure, to be sure, but they've gotten a lot less recognition than I think they deserve. I just want to shed a little light on three pictures that have faded away with the 90s.

My hidden gems are:

The Big Hit

(1998)

The Ensemble: Mark Wahlberg, Lou Diamond Phillips, Bokeem Woodbine, Antonio Sabato Jr., China Chow, Christina Applegate, Lela Rochon, Avery Brooks, Robin Dunne, Sab Shimono, Lainie Kazan, Elliott Gould

Less than a year earlier, Mark Wahlberg had his first real big hit, another ensemble cast flick by the name of Boogie Nights. When this action-comedy flick hit theaters, it opened #1 at the box office, but was quickly forgotten in subsequent weeks. I find it to be a very funny movie about a team of underappreciated team of assassins. When they take a job kidnapping a rich Japanese businessman's daughter, their star player, Wahlberg, finds himself trying to protect the girl. Much like in Boogie Nights, he's just lovably goofy. Lou Diamond Phillips is amazing, here. So, too, are most of his co-stars. Most critics dismissed it. Audiences were rather lukewarm. I had a great time watching it.

Get on the Bus

(1996)

The Ensemble: Charles S. Dutton, Andre Braugher, Isaiah Washington, Hill Harper, Ossie Davis, Bernie Mac, Wendell Pierce, De'aundre Bonds, Thomas Jefferson Byrd, Gabriel Casseus, Albert Hall, Steve Hall, Charles Robinson

A year earlier, Louis Farrakhan and the Nation of Islam led The Million Man March on Washington, D.C. It was to be a day of atonement for African American men. It was well attended with many communities sending busloads of black men to the event. Spike Lee's Get on the Bus is a fictional account of one such trip. There are a broad cross-section of personalities representing all walks of life. It's a fun ride with something to say. As far as the public was concerned,  it was met with indifference. It was well reviewed, but has fell out of favor over the years. I'm not sure why. Sure, it's not one of Spike's best, but I found it thoroughly enjoyable.

Set it Off

(1996)

The Ensemble: Jada Pinkett Smih, Vivica A. Fox, Queen Latifah, Kimberly Elise, Blair Underwood, John C. McGinley, Ella Joyce, Charles Robinson, Dr. Dre, Chaz Lamar Shepherd

It's not a list of hidden gems unless it uncovers a 'hood classic. This one follows a group of four young ladies facing some serious financial woes. What other way is there to fix your money issues than to start robbing banks? Well, maybe there are other ways, but that's what these ladies decide to do. It becomes an inner-city crime drama that tells most of its story from the bad girls' point of view. There are a number of really good performances, but the real treat here is Queen Latifah. Her character Cleo is by far the most thugged out of the crew. Everything about Cleo runs completely counter to Latifah's well crafted public persona. I don't know how well known it is outside of 'hood movie aficianados, but it did well at the box office grossing roughly four and a half times its $9 million budget. Still, it was hardly a huge crossover success. That's why I call it a hidden gem. It's an underrated heist movie that deserves more eyeballs.

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Pointless List: Greatest Rappers Turned Actors

Yesterday, we talked about the movie depicted above, New Jack City. That means it's a perfect time to speak about just how far rappers have come on the big (and small) screen. New Jack was one of the first movies to feature a rapper in a prominent role that wasn't him/herself. In the time since, they've become a persistent, if not always consistent, part of Hollywood. For me, these are the best actors of all time...who started as emcees.

10. Eve

Best Movie Performance: as Terri in The Barbershop franchise

The self-proclaimed “pit bull in a skirt” proved she could hang with the fellas with two really good performances in the Barbershop movies. She parlayed that into a fairly successful sitcom, the simply titled Eve. From there, she ventured into more dramatic fare and was widely praised for work in the unsettling Kevin Bacon vehicle The Woodsman. Since then she's done some TV and small indie films. I hope she gets better acting opportunities because I think she really is a talented actress.

9. Ludacris

Best Movie Performance: as Skinny Black in Hustle & Flow

It's probably a little hypocritical of me to put a guy on the list whose best performance is playing a rapper. But he was genuinely good as Skinny Black in Hustle & Flow.  He was also solid in Best Pic Winner Crash. The real reason he's here, though, is because he has carved out a very nice career for himself, including as a vital member of the ensemble for the Fast and Furious franchise.

8. Ice-T

Best Movie Performance: as Jack Mason in Surviving the Game

Ice seems to have been around forever. He was an unknown rapper who landed a part playing himself, but only rapping not speaking, in 1984’s Breakin’ (and it’s sequel). He had some musical success locally in LA but it was still a few years until he had a national hit. It was a few more years until he got back onto the big screen. This time, he had a major role in 1991’s New Jack City. He gets lots of points for being a pioneer in this Hip Hop to Hollywood game. Even though, I can’t recall ever thinking he was a really good actor, he’s been reliable and perhaps more importantly he had a period where he was really bankable. His early movies made money. Whenever he guest-starred on TV’s New York Undercover the ratings shot through the roof. He's since become a solid performer in smaller roles and has settled in as a regular on Law & Order: SVU.

7. LL Cool J

Best Movie Performance: as God in In Too Deep

Like Ice-T, LL has been at this acting thing for quite a while now. In fact, the two share a really similar career arc. LL started with a cameo as himself way back when in 1985’s hood classic Krush Groove He would do the same the following year in the Goldie Hawn football movie Wildcats. He was one of the first rappers to star in his own sitcom, In the House, which had a solid 5 year run. His turn as a big time gangsta who called himself God opposite Omar Epps in In Too Deep is perfect. This is especially praise-worthy since LL’s always been more of a lover than a bad guy. He has charm, charisma and a presence few can match and none can deny. None other than famed film critic Roger Ebert has commended him on this. Honestly though, if he had, or starts, picking better movie projects he’d be near the top of this list.

6. Ice Cube

Best Movie Performance: as Doughboy in Boyz N the Hood

Honestly, since his winning debut in Boyz N the Hood, Cube hasn't been anywhere near as good. However, that hasn't stopped him from becoming one of Hollywood’s most bankable stars. With rare exceptions, his movies make money…lots of money. He’s simply a force to be reckoned with at the box office. As a rapper, he helped create gangsta-rap and has been involved with arguably three of the best albums the genre has ever seen, Straight Outta Compton as a member of NWA and Amerikkka’s Most Wanted and Death Certificate as a solo artist. Therefore, it feels kind of strange to say that he’s one of the most profitable comedic actors in the world, but it’s true. As proof, he’s the face of three highly lucrative comedy movie franchises: Friday, Barbershop, and Are We There/Done Yet?. That doesn't even count him having a major role in the Jump Street movies. Earlier this year, his buddy cop movie Ride Along, co-starring Kevin Hart, was a huge financial success. Love his movies or hate them, he gets it done where it counts, at the box office.

5. Tupac Shakur

Best Movie Performance: as Bishop in Juice

Tupac was less a person than a pure force of nature. It was impossible to take your eyes off him. His immense presence combined with an ability to be completely sincere no matter what he was saying led to some powerful performances. His turn as Bishop in Juice is wonderfully twisted. It has become legendary among hood-movie connoisseurs. As Lucky in Poetic Justice he was perfectly standoffish, yet vulnerable. He was even more vulnerable and all around flawless in Gridlock’d. Though I rate Juice as his best performance, I’d have to call this #1A. His fervent fans will tell me he should be #1. Talent-wise, it’s definitely arguable that he should be. Sadly, the brevity of his life and career kept him from giving us anything more than the few gems he left us with and from being even higher on this list.

4. Mos Def

Best Movie Performance: as Vivien Thomas in Something the Lord Made

Mos Def is one of the most underrated actors working today. He has a list of credits that’s not only as long as my arm but it hits nearly every demographic and goes back over two decades, starting with a role in TV’s God Bless the Child in 1988. He’s done just about every genre you can think of: action (16 Blocks, The Italian Job), comedy (Be Kind Rewind, Next Day Air), Sci-Fi (The Hitchhiker’s Guide to the Galaxy), drama (The Woodsman, Monster’s Ball), voiceover (The Boondocks)…he’s done it all. No matter what he’s been asked to do, he’s excelled. In 2005, he was a Golden Globe nominee for his work in the HBO movie Something the Lord Made.

3. Queen Latifah

Best Movie Performance: as Cleo in Set it Off

The Queen is on my short list of most important rappers of all time. However, that has as much to do with what she’s done outside of rap as it does actually rapping. Her career as a thespian started with a brief yet powerful tirade against Wesley Snipes’ character in Spike Lee’s Jungle Fever. From there, she had a few bit parts in TV and movies until she landed the part of Cleo in Set it Off. She gave a phenomenal performance. It’s a character that’s as far removed from her carefully crafted public persona as possible, yet she’s effortlessly believable. She hasn’t stopped working as an actress since, except by choice. She’s had a successful sitcom, Living Single. She’s been in some major money-makers (like Chicago and the Ice Age movies), some low-budget but well received fare (like Beauty Shop, Stranger Than Fiction, and The Secret Life of Bees), and everything in between. In 2003, she received an Oscar nomination for her work in Chicago In 2006, she became the first rapper to receive a star on the Hollywood Walk of Fame. In ’08, she won a Golden Globe and earned an Emmy nomination for her role in TV’s Life Support.

2. Mark Wahlberg

Best Movie Performance: as Dirk Diggler in Boogie Nights

A former Calvin Klein underwear model with six pack abs, a brother that made it big with New Kids on the Block (Donnie, a fine actor in his own right) and a catchy rap song (the hugely successful "Good Vibrations"), Marky Mark was tailor made for the MTV crowd. He parlayed that into a cameo as himself in TV’s The Substitute and then into a role in the Danny DeVito vehicle Renaissance Man. He was widely praised for his work in Boogie Nights. I'll forever maintain that he should have gotten an Oscar nomination for this role. Though he himself didn't get one, the movie was nominated for 3 Oscars. He did make big money with that movie as well as a number of others. Most notably, The Big Hit, Three Kings, The Perfect Storm,The Italian Job, and 2 Guns. 2006’s The Departed finally earned him that Oscar nomination, for Best Supporting Actor. He also received critical acclaim for his fantastic work as real life boxer Micky Ward in 2011's The Fighter.

1. Will Smith

Best Movie Performance: as Chris Gardner in The Pursuit of Happyness

This guy’s success at whatever he’s tried is nothing short of phenomenal. As the rapping part of the duo DJ Jazzy Jeff and the Fresh Prince, he won the first ever Grammy for Best Rap Album. He took the Fresh Prince persona to the small screen and starred in the hugely successful sitcom The Fresh Prince of Bel Air. It was the first and still by far, the most successful sitcom any rapper has ever starred in. While there, he honed his acting skills and received critical acclaim with his role in 1993’s Six Degrees of Separation. Since then, he’s become nothing short of the biggest movie star in the world. The list of his movies that reached #1 at the box office seems endless and growing. He’s starred in 14 movies that have grossed over $200 million worldwide, 10 of them made over $300 million. Five of them, Independence Day, Men in Black, I Am Legend, Hancock, and Men in Black 3 have made over $500 million. He's the only actor to have eight consecutive movies gross better than $100 million here in the U.S and ten straight pull in at least $150 million worldwide. That's not the only rapper/actor, the only actor, period. However, he’s managed to have some substance with all that style. He’s twice been nominated for Best Actor at the Oscars, for 2001’s Ali and 2006’s The Pursuit of Happyness.


As always, feel free to let me know who I've left out.

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Ice Age: Continental Drift

Directed by Steve Martino and Mike Thurmeier.

2012. Rated PG, 88 minutes.

Cast:                     

Ray Romano

Queen Latifah

Denis Leary

Keke Palmer

Peter Dinklage

John Leguizamo

Jennifer Lopez

Wanda Sykes

Nick Frost

Josh Peck

Simon Pegg

Seann William Scott

Rebel Wilson

Our most beloved prehistoric squirrel, Skrat, has finally gone and done it. His magnificent chase of that ever elusive nut has improbably led him to the Earth’s core. This sets off a chain reaction causing the surface above to split into what we now know as the seven continents. This parting of the land separates woolly mammoth Manny (Romano) from his wife Ellie (Latifah) and their now teenage daughter Peaches (Palmer). He finds himself out to sea on a block of ice with his trusty and familiar cohorts, Diego (Leary), the saber-toothed tiger, and Sid (Leguizamo) the sloth. Also along for the ride is Sid’s grandmother, Granny (Sykes). Manny trying to get back to his family as they try to reach safety ensues. And the squirrel chasing that nut.

To ensure getting the family back together is no easy task, there must be a villain. This one is Captain Gutt (Dinklage), an ape/pirate who runs a scurvy crew. The most important of the bunch is his first-mate Shira (Lopez). She’s a saber-toothed tiger and love interest to Diego. J-Lo handles the character capably. Still, Gutt stands out as a fun bad guy. Dinklage voices him excellently with a mean streak just enough to be a little scary to the youngest viewers. Gutt also provides us some of the movie’s best visuals just by swinging around as apes are wont to do. He also has a bit of magnetism about him. Helping in this regard is the fact that he’d be perfectly at home as the villain in the next Pirates of the Caribbean flick.

Speaking of PotC it is but one of the movies CD pays homage to. Most notable of these is Braveheart as the movie has lots of fun with that. It even makes fun of itself from time to time. Thankfully, it does so in a manner allowing it to avoid becoming self-parody. Just a wink and a nod letting us know it understands that much of what’s happened over the course of the series isn't historically or chronologically accurate.

Liberties with history aside, the main point of these films is to have fun. Of course, the not-so-subtle message in all of them is that we can all get along despite our differences. Even the bad guys are a collection of numerous species cooperating on a task. Once again, the lesson comes through loud and clear. The added layer is our concentration on inter-generational relationships withing the family. It’s nothing groundbreaking but still nicely done.

The Ice Age franchise has found a nice niche for itself. They aren't truly great movies like the Toy Story films, but they’re certainly a cut above most of the dreck passing for children’s entertainment. Each installment, Continental Drift included, is a fun adventure that manages to inject new colorful characters into our cast of familiar faces without upsetting the dynamics. This fits nicely into the canon.

Joyful Noise

Directed by Todd Graff.

2012. Rated PG-13, 118 minutes.
Cast:
Queen Latifah
Dolly Parton
Keke Palmer
Jeremy Jordan
Dexter Darden
Courtney B. Vance
Jesse L. Martin
Angela Grovey
Dequina Moore
Kris Kristofferson
Kirk Franklin

When Bernie (Kristofferson) passes away Pastor Dale (Vance) decides Vi Rose (Latifah) will take his place as choir director, much to the chagrin of Bernie’s widow G. G. (Parton), who wants the position for herself. The two already have issues with one another so this just makes things worse. Vi Rose is also trying to raise two teenagers by herself since her husband is away in the service. Her daughter Olivia (Palmer) is a member of the choir and a fairly typical 16 year old. Walter (Darden) is a little younger and has a form of autism called Asperger’s Syndrome. We’re told he can’t pick up on things like humor and sarcasm, doesn’t like to be touched and is totally fixated on one-hit wonders. Then there’s Randy (Jordan). He’s a trouble-maker who’s been kicked out of his parent’s house. He’s also in love with Olivia. Melodrama, puppy love and singing ensues. Lots of singing.

As in her best work, Queen Latifah is a force of nature as Vi Rose. Her presence is undeniable. She has a way of dominating a scene whether she’s the focus, or not. This pays the most dividends when she argues with or consoles other characters. She overwhelms them with an unstoppable wave of passion we can’t help but be glued to. Fortunately, we’re given several of these scenes throughout the movie.

The rest of the acting is spotty and seems to break down along gender lines. Most of the ladies are very good. Most of the guys, not so much. Jeremy Jordan as Randy is the biggest offender. He’s just not at all believable as a bad boy and seems to be channeling Zac Effron during the High School Musical days whenever he bursts into song. He’s a cute kid, hardly a menace to society. As far as the other guys go, it’s largely due to the script giving them nothing to do until they have to suddenly drop some supposedly heartfelt pearl of wisdom. This particular strategy fails to aid their performances. Some get nothing to do at all. The usually excellent Kris Kristofferson dies within two minutes of the start, only getting a superfluous flashback scene later in which he only gets to dance cute with Dolly. The talented Courtney B. Vance is on the screen often, but relegated to bump on a log status.

Speaking of the script, it tries to do too much and winds up doing nothing whatsoever. At least, it doesn’t do anything unique. It’s mildly amusing, on occasion, and the various plotlines play out pretty much as expected. One of those is a sob story about how hard the town they live in has been hit by the recession. There is no doubt lots to be explored down that avenue, but none of it is. It just feels tacked on and even more manipulative than the other already gushy storylines.

The same goes for race. Joyful Noise goes out of its way to show us interracial relationships. The choir is more diverse than any I’ve ever seen in real life. I’ve no problem with either other than it feels as if some grand point will be made, but we never get around to it. Then again, maybe that is the point.

What we end up with is a movie that barrels towards a plethora of happy endings and fails to make any decipherable commentary on the topics it seems to want to: the economy and race. On the other hand, it springs to life whenever leading lady Latifah is called upon to give us a show-stopping moment or when the music gets going and we’re treated to another lively tune. The question for you is: do you want a cute, light-hearted and homey musical with a religious slant?

The Dilemma

Directed by Ron Howard.

2011. Rated PG-13, 111 minutes.
Cast:
Vince Vaughn
Kevin James
Winona Ryder
Jennifer Connelly
Channing Tatum
Queen Latifah
Chelcie Ross
Amy Morton
Eduardo N. Martinez

What should you do if you find out your best friend’s wife is cheating on him? That question is at the heart of The Dilemma. The conflicted guy is Ronny (Vaughn). He’s not really conflicted, though. He has a pretty brief period of doubt then decides he’s definitely going to tell his pal Nick (James) about his wife’s indiscretions. It’s a matter of timing. Not only are Ronny and Nick best friends they are also business partners in the midst of trying to secure the biggest deal of their lives. The stress of this has already caused Nick’s ulcer to flare up again. Understandably, Ronny fears that news like this would completely break his friend. When he confronts Geneva (Ryder), the guilty party, with his knowledge and plans she offers up some interesting justifications. What ensues is Nick following around both of them while ignoring Beth (Connelly), his own girlfriend. He’s also sort of torn about whether or not to pop the big question to her.

Vince Vaughn gives the same performance we’ve come to expect from him. You can decide for yourself it that’s a positive or a negative. He’s ably assisted by Ryder, Connelly and even a refreshingly subdued Kevin James. There are also interesting turns by Channing Tatum and Queen Latifah. Overall, it shapes up to be a nice little drama with a few funny moments sprinkled in. It’s not mind-blowing or anything, but a decent time-passer.

Expectations is what dooms The Dilemma. If you’ve paid any attention to the marketing campaign for the film and are even slightly familiar with the two male leads you should reasonably expect a screwball comedy. It is not anything of the sort. That people would be severely disappointed only makes sense. It’s like ordering a thick, juicy steak and being given a salad with a few strips of beef within. Sure, that can be good on most days, but today you had your heart set on that steak.

The question that arises is this: Is The Dilemma not really that funny because it’s not trying or are the jokes falling flat? I’ll own up to having trouble discerning. There are some jokes that definitely fail. There are plenty of other spots where I didn’t think they were going for laughs at all, but attempting to make Ronny (and occasionally the others) both a pathetic and sympathetic figure. I thought it worked. However, for audiences craving steak, this salad just won’t do.

Just Wright

Directed by Sanaa Hamri.
2010. Rated PG, 101 minutes.
Cast:
Queen Latifah
Common
Paula Patton
Phylicia Rashad
Pam Grier
James Pickens Jr.
Michael Landes
Mehcad Brooks

Boy meets girl. In this case, the boy is NBA superstar Scott McKnight (Common). He’s uber-rich and handsome, but is also down-to-earth with a heart of gold. By chance, he meets the girl at a gas station after a game. The girl is Leslie Wright (Latifah). She’s great, except that she’s a bit tomboyish (she even knows Scott’s high school stats) and not exactly built like a fashion model, as she often laments. The monkeywrench in her plans to really get next to Scott is her godsister Morgan (Patton), who fits the model bill to a tee.

Really, I could stop right there. You probably know exactly how the rest of this plays out, minus the dramatic makeover scene you might expect. Thank goodness, that never happens. That said, it’s still a cute little chick flick. Enough funny stuff happens to move things along as we navigate the usual peaks and valley of a rom-com. Queen Latifah’s natural charm also helps. Her male lead, Common, still has some work to do on his acting, but he’s better here than in anything else I’ve seen him in. He’s a great rapper, by the way. If you dread the current state of hip hop and are a fan, give him a listen if you haven’t. Wait, this is a movie review, right?

The film also tries to lean on recognition factor for its supporting cast. Our two moms are played by Cosby Show alum Phylicia Rashad and the incomparable Pam Grier. I’m obligated by law to tell you that after all these years I’m still in love with Ms. Grier. There have been many lonely nights…wait, what? Ahem. A number of ESPN personalities, as well as current NBA players Dwight Howard and Dwyane Wade make cameos. Again, that’s not a typo, that’s how he spells it.

When it’s all said and done, it’s your typical date movie. It’s nothing groundbreaking but it’s pleasant, nonetheless. It’s just decent, light-hearted fare.

The Opposite View: Steve Persall, St. Petersburg Times

What the Internet Says: 4.0/10 on imdb.com (9/21/10), 47% on rottentomatoes.com, 52/100 on metacritic.com

MY SCORE: 6/10