Showing posts with label Andy Samberg. Show all posts
Showing posts with label Andy Samberg. Show all posts

Saturday, June 7, 2014

Cloudy with a Chance of Meatballs 2

Directed by Cody Cameron, Kris Pearn.
2013. Rated PG, 95 minutes.
Cast:
Bill Hader
Anna Faris
James Caan
Will Forte
Andy Samberg
Benjamin Bratt
Neil Patrick Harris
Terry Crews
Kristen Schaal
Al Roker
Khamani Griffin

Precisely eight minutes after the events of the first movie, we begin our next adventure with Flint Lockwood (Hader) and the rest of his island clan. In case you don't remember what happened in the original, we start things off with a recap to get you caught up. The bottom line is there is a lot of cleaning up to do. There is literally food just lying around everywhere. In swoops famed scientist Chester V (Forte). Chester dispatches his subordinates to clean up the mess and sweet talks our hero into coming to work for him. Flint agrees then he and all his friends and family are evacuated while the clean-up is going on. We know what Flint doesn't. We know that Chester is really the bad guy and has an evil plan involving the machine our hero invented in that first film. We also find out that the food on island is alive and very dangerous.

Narratively, the movie shoots itself in the foot almost immediately by revealing that Chester has ulterior motives. He basically announces he's dishonest and is tricking our hero. The unintended consequence of this is that the good guys look like idiots instead of heroes. Even young viewers might be wondering why Flint doesn't see what's going on when Chester's admission makes his intentions more than obvious. It doesn't help that Flint is presented as clueless about anything except his own inventions.

Another issue is that the surrounding cast is given much less to do this time around. There are a few nice scenes between Flint and his father Tim (Caan). For the most part, though, dad is relegated to hanging with a group of sardine loving pickles. Sardine loving pickles is a phrase I never thought I'd type in a million years, but that is precisely what I meant. Earl Devereaux was played wonderfully in the first movie by, of all people, Mr. T. This time around he's played by Terry Crews, and we hardly see him. I remember him in a dress in one scene and making a chest hair joke later on, but that's about it. Anna Faris gets roughly the same workload this time around as Sam Sparks, the girlfriend/voice of reason, and might be the most likable character in the film. In place of these diminished series vets, we get Chester channeling Steve Jobs during one of those Apple conventions when he was announcing the next big thing. There is also his sidekick Barb (Schaal). I'll just say she's an ape with conscience and leave it at that.


All that stuff is bad, but hardly deal-breakers. Kids repeatedly sit through many worse offenders. What tears it for me is how aggressively bizarre the whole thing is. And not in a good way, either. It's an off putting kind of strange that gets worse as it goes along. We start by meeting much of the food. It's all edible versions of things in the real animal kingdom. This is a bit weird, but creative so I'm fine with that. The things done with them following this just rub me the wrong way. Most upsetting was the whole scenario involving strawberry poop. Hmmm, another phrase I never thought I'd use. You just have to see it to understand. Or not, if you're smart. I will give the powers that be some credit for one thing that was done with this aspect of the movie. Every so often, we'd get a pretty clear homage to Jurassic Park. They seem to be trying to invoke the same sense of wonder viewers felt the first time they'd laid eyes on Spielberg's dinosaurs. At this it fails, but they're still nice little nods.

I'm sure you've already figured this out, but Cloudy with a Chance of Meatballs 2 is not my cup of tea. The original was warm, funny, and had tons of charm. This one is lazily written and oddly executed. Instead of rebuilding the empathy we felt the first time around, the sequel assumes it remains with us and proceeds right to all the zany situations. These situations are where most of the energy is spent, but needed to be reined in. It becomes one of those instances when creativity runs amok. No one realized that everything that pops into your head isn't a good idea. While watching the first movie, it was hard to stop smiling and harder not to be drawn in by the characters and their plight. This time, I spent a lot of time cringing and shaking my head.


MY SCORE: 3/10

Thursday, October 24, 2013

Hotel Transylvania

Directed by Genndy Tartakovsky.
2012. Rated PG, 91 minutes.
Cast:


After the passing of his wife, Count Dracula (Sandler) is left all alone with his little girl Mavis (Gomez). To provide a safe haven for them and other monsters, he decides to build a hotel where only they can come while he and Mavis will never have to leave. Every year, all of their monster friends gather to celebrate Mavis’ birthday. This one is special because it is her 118th. Like normal 118 year olds, she wants to leave the castle and explore the world. She gets her wish, but thanks to a nifty setup by her dad, she finds out humans are every bit as rotten as he makes them out to be. When Dracula discovers a not-so-threatening human Jonathan (Samberg) on hotel grounds, he goes to great lengths to get rid of the unwanted visitor before Mavis and his guests find out.

Despite its use of just about every type of movie monster imaginable, Hotel Transylvania is really just a tale about an overprotective father and his daughter becoming an adult. It uses similar humor to what we’ve seen in other such movies, animated or not. It works, at times. It has more success with all the double-entendres it slips in. Most of these work fine as surface jokes for the kids, but also as slyly naughty bits for the parents in the audience.

The movie also works well when it is showcasing all of those monsters and making them as normal as possible. For instance, the werewolf (Buscemi) is a weary dad and husband with a boat-load of unruly kids; Frankenstein (James) is a big and strong but very insecure guy. His fragility epitomized by his literal coming apart at the seams. Our wicked witches provide hotel house cleaning. And on it goes. It puts characters we’ve known for a long time in a different light and has fun with it. Helping further, it effectively spoofs a number of traditional elements of monster lore. We get riffs on the seemingly endless number of secret corridors in movie castles and other such things.



Where parents and kids are likely to be most divergent in their opinions of this movie is when it shifts into manic musical mode. I’m sure the little ones will have a blast when Jonathan rocks out on the guitar, or raps, or when Dracula himself raps. For me, it came across as a reach for cool points with the youngsters that it didn’t need to make, not something organic to the story. It doesn’t help that during these scenes the characters are animated with the goofiest possible looks on their faces.

Musical numbers aside, for me at least, Hotel Transylvania is a fun flick. Even though it includes all the monsters, it never strives for kiddie horror. Still, it’s pretty slick with its inclusion of horror movie tropes. It even includes a moment or two that could almost be described as grisly (a pitchfork through a zombie’s head, for example). Our cast is also game. Adam Sandler does his best Bela Lugosi and even gets mocked for it. Steve Buscemi is perfect in his role, as are a number of others. If you’re looking for a Halloween appropriate movie for the children, this is a solid choice.

MY SCORE: 6.5/10

Monday, September 24, 2012

Friends with Benefits


Directed by Will Gluck.
2011. Rated R, 109 minutes.
Cast:
Jenna Elfman
Bryan Greenberg
Shaun White

Boy meets girl. Again. This time, both have just been dumped by other people. Boy is hotshot art director Dylan Harper (Timberlake). He’s just been hired to fulfill that role for GQ magazine. He got the job because he was recruited away from his own highly successful blog by Girl, Jamie Rellis (Kunis). Boy moves from LA to NY for his new gig and becomes platonic besties with Girl. The two confide in each other that they miss sex, but not relationships. Of course, they do the only rational thing and hop into bed together after laying a few ground rules. Pardon the pun. As you might expect, feelings neither wanted ensues.

Surprisingly to me, the first half of Friends with Benefits is a joy to watch. This is due, in large part, to the fact it looks like our two leads are having so much fun they can barely contain themselves. After all, they’re two attractive people who get to do a lot of rolling around naked together. It also helps that this portion of the picture is dedicated to ridiculing all we know romantic comedies to be. Our two lovebirds in denial say all the things we say about such movies. This gives it a wonderfully self-aware vibe.


The second half undermines the first by becoming precisely what the earlier parts rail against. It tries to maintain its edge by blatantly acknowledging that it has devolved into the same grandiose moments of romantic gesture as just about every other flick in the genre. Despite its embracing of its own descent into mediocrity, it still feels like a letdown since up to about the midway point it seems like a well done spoof that’s going to introduce a twist on the norm. Instead, the overall effect is that the movie says “Other movies do ‘this’ so we will, too.”

As rom-coms go, this is a little above average. The expected story arcs are fully intact. Before any of it actually happens, we know where jealousy, misunderstanding, break up and make up are all going to come in. For good measure, there’s Richard Jenkins in the ‘wise crazy person who let his true love get away’ role to impart sage advice at the pivotal moment. He has some interesting moments and is typically excellent but pales in comparison to the hysterical performance by Woody Harrelson as Tommy, Dylan’s too openly gay buddy. You’ll just have to see it to understand what I mean by “too openly”. Even though the only real reason for his character’s existence is that he owns a boat, many of the movie’s funniest moments are his. He, and the thing we come to realize as the film progresses elevates it above its contemporaries: at least this one knows it’s lame.

Friday, September 24, 2010

Cloudy with a Chance of Meatballs


Directed by Phil Lord and Chris Miller.
2009. Rated PG, 90 minutes.
Cast:
Bill Hader
Anna Faris
James Caan
Andy Samberg
Bruce Campbell
Mr. T
Bobb’e J. Thompson
Benjamin Bratt
Neil Patrick Harris

Ariel Winter

Flint Lockwood (Hader) yearns to be a successful inventor. As you can imagine, he’s also a social outcast on Swallow Falls, the tiny island he calls home. We’re told it is right beneath the “A” in Atlantic Ocean, if you were looking for it on a map. From his elementary school days until sometime in his twenties, one invention after another of his fails. One day, he accidentally discovers a way to make it literally rain food. From that point on, everything changes for him. He becomes the island’s most famous and beloved citizen, even becoming known around the world.

Of course, there are plenty of bumps in the road after that or there wouldn’t be much of a movie. The eventual dilemma leads to a climax far too similar to the dreaded, Armageddon. Thankfully, everything before that is much better handled.

The screen is filled with fun imagery. In particular, the ice cream scene stands out. More than any other in the film, it’s a representation of something almost all kids wonder about, especially if they grow up somewhere where it snows. On top of that, the circumstances surrounding it is heart-warming. It’s rather hard not to crack a smile while it plays.

The story is pretty straight-forward. However, it does mix in some social commentary about greed, gluttony and the environment. Still, it’s subtle enough that you don’t feel like you’ve been bludgeoned with someone else’s morality.

As with any other kiddie-flick, there are some laughs to be had. For me, I found it more touching than funny. In that vein, it’s similar to Up. Another major factor in animated fare is the voice-work. Here, it’s very good. Hader is solid in the lead, as is Farris. James Caan and Bruce Campbell are excellent. Surprisingly, the standout is Mr. T as Earl, seemingly the island’s only cop. As a regular actor, Mr. T was nothing special. He made his bones on his persona, not his acting chops. As a voice actor, he’s outstanding. I hope to hear more of him, in the future.

If you’re not totally aversed to kiddie-flicks, take a gander at Cloudy. It’s one you can actually enjoy sitting through with the little ones.

The Opposite View: Amy Biancolli, San Francisco Chronicle

What the Internet Says: 7.2/10 on imdb.com (9/24/10), 86% on rottentomatoes.com, 66/100 on metacritic.com

MY SCORE: 7.5/10