Showing posts with label Jeremy Irons. Show all posts
Showing posts with label Jeremy Irons. Show all posts

Tuesday, August 12, 2014

Pointless Lists: Greatest Talking Animals

Yesterday, I gushed over Dawn of the Planet of the Apes. This got me to thinking about Caesar's place in another world, the one of talking animals in movies. There have been plenty. I'll be the first to admit that once you're passed the age of twelve most of us, myself included, hate most of them. However, there are a few that sneak through our defenses and find a warm spot in our heart.

For this list, I gave myself a set of simple rules to follow. First, the character in question has to be a real animal that can be found here on Earth (even if they aren't on Earth in their movie). Therefore, Falcor the luck dragon from A Neverending Story, nor any other type of dragon, will not be making an appearance. Second, the character can't be represented as a replica of the real thing. This means no Ted or Lots-O'-Huggin' as they are stuffed animals, not actual animals. Lastly, the animal has to appear completely as such. I mean, being played by a guy (or girl) in a suit is okay, but human features cannot be visible. Bye bye, Cowardly Lion.

Now that the criteria is set, let's get to the actual list. In my opinion, and certainly not a definitive list by any stretch, these are the ten greatest talking animals in movies.


10. Sid
(voiced by John Leguizamo)
Natural Habitat: The Ice Age movies
What is he? A three-toed sloth
What do smart people call them? Bradypodidae
Fun Fact: Sloths only come down out of the tree they live in to urinate or defecate, once a week
He speaks with a lisp, isn't the sharpest prehistoric bone, and generally gets on the nerves of everyone around him. You know what? I love him for it. Through four movies, with a fifth on the way, Sid gives us probably 90% of all the funny moments not given to us by the non-talking squirrel.


9. Aslan
(voiced by Liam Neeson)
Natural Habitat: The Chronicles of Narnia franchise
What is he? A lion.
What do smart people call them? Panthera Leo
Fun Fact: Male lions sleep up to 21 hours a day
This lion is not just the king of the jungle, but of everything. I mean that literally, as in that biblical "King of Kings" sort of way. Given that, it's no surprise that he's wise, brave, and well, god-like.


8. Puss in Boots
(voiced by Antonio Banderas)
Natural Habitat: Shrek sequels and prequels
What is he? A domestic shorthair tabby, or a cute li'l kitty cat - your choice
What do smart people call them? Felis silvestris catus
Fun Fact: The technical term for a cat's hairball is "bezoar"
You gotta love a sword fighting cat that's also a ladies' man, right? If you don't, he'll melt your cold, icy heart with the most pitiful set of sad eyes you've ever seen. I mean, can we get Puss in Boots 2 already?


7. Po
(voiced by Jack Black)
Natural Habitat: Kung Fu Panda movies
What is he? A panda
What do smart people call them? Ailuropoda melanoleuca
Fun Fact: Pandas spend roughly 16 hours a day eating
Simply put, I love the Kung Fu Panda franchise. Both function as wonderful kiddie-flicks and excellent martial arts movies. Po is at the center of it all, giving us a terrific hero and probably the best character Jack Black has ever played.


6. Roger Rabbit
(voiced by Charles Fleischer)
Natural Habitat: Who Framed Roger Rabbit?
What is he? A rabbit
What do smart people call them? Oryctolagus cuniculus
Fun Fact: In the wild some female rabbits can produce about eight litters of bunnies per year.
Okay, I'll be honest. Roger is here mostly because I've never seen a good Bugs Bunny movie. However, that doesn't make him any less fun a character. Besides that, he has arguably the hottest wife of all time. I mean, after mine, of course.



5. Jiminy Cricket
(voiced by Cliff Edwards)
Natural Habitat: Pinocchio and all things Disney
What is he? A cricket
What do smart people call them? Gryllus assimilis
Fun Fact: Crickets' ears are located on the knees of their front legs
More than just a cute little fellow in an adorable suit, Jiminy actually provides our hero with a conscience. He is the angel sitting on the wooden boy's shoulder.


4. Scar
(voiced by Jeremy Irons)
Natural Habitat: The Lion King
What is he? A lion.
What do smart people call them? Panthera Leo
Fun Fact: The roar of a lion can be heard five miles away
I know that Mufasa's iconic voice is provided by the legendary James Earl Jones. I know that Simba is the hero. However, watch The Lion King again and tell me it's not Scar who makes the movie tick.


3. Dory
(voiced by Ellen DeGeneres)
Natural Habitat: Finding Nemo
What is she? A regal blue tang
What do smart people call them? Paracanthurus hepatus
Fun Fact: Blue tangs are capable of adjusting the intensity of their hue - from light blue to deep purple
Finally, we have a female on the list. Sadly, she's the only one. However, this doesn't make her any less deserving as she is by far my favorite character in a great movie. I can't wait for Finding Dory.


2. Napoleon
(voiced by Maurice Denham)
Natural Habitat: Animal Farm
What is he? A domestic pig
What do smart people call them? Sus scrofa domesticus
Fun Fact: Pigs are widely accepted to be smarter than human children up to 3 years of age
Another villain finds his way onto the list. Napoleon is used to represent many of society's ills of the 1950s and he is a masterful one. Animal Farm is a great movie based on a great book. Fun facts about the movie: it was the first British animated film to get a theatrical release and Maurice Denham voiced all of the animals.


1. Caesar
(voiced by Andy Serkis)
Natural Habitat: Rebooted Planet of the Apes franchise
What is he? A common chimpanzee
What do smart people call them? Pan troglodytes
Fun Fact: Chimpanzees make and use tools for more purposes than any other creatures except human beings
Perhaps I'm just basking in the afterglow of my viewing of Dawn of the Planet of the Apes. Or, maybe Caesar is a piece of truly genius filmmaking, both technically and emotionally complex. Either way you want to paint the picture, he gets my top spot.


I know. I missed your favorite, or at least a character you feel is worth mentioning. Let me know what you think.

Tuesday, October 22, 2013

Beautiful Creatures

Directed by Richard LaGravanese.
2013. Rated PG-13, 124 minutes.
Cast:
Alice Englert
Alden Ehrenreich
Emmy Rossum
Margo Martindale
Zoey Deutch
Tiffany Boone
Kyle Gallner


With vampire, werewolves, and zombies already taken care of in the inter-mortality relationship category, Beautiful Creatures takes on witches. The movie calls them “casters.” Our caster’s name is Lena (Englert). She’s just moved back to Gatlin, South Carolina, and in with her Uncle Macon (Irons). She’s a rather sullen sort, and a couple months shy of her all-important sixteenth birthday. Despite her best efforts to ward off everyone, Ethan (Ehrenreich) falls for her immediately after laying eyes on her. He manages to break down her defenses, but learns she’s got an awful lot on her mind. You see, on that birthday she has coming, she will discover her true nature and whether she’ll be claimed by the light or the dark. In other words, she’ll find out if she will be a good or wicked witch. Complicating things further, falling in love with a mere mortal is know to be an express ticket to the dark side.

As things roll along, we realize this is a good looking movie that desperately wants to say something, but has no idea what that actually is, let alone how to say it. Early on, it appears to argue for science over faith. Gradually, it floats over to the other position rather unconvincingly. It also wants to establish our two lovebirds as intellectuals, but fails that attempt, too. Both are avid readers. Ethan latches on to any novel he can get his hands on with a particular fondness for the work of Kurt Vonnegut. Lena read poetry, especially that of Charles Bukowski. Unfortunately, what they’re gleaming from these texts is unclear. They appear to be reading only as a means to avoid social interaction rather than an intrinsic passion for the written word. It comes off more as a marker of their being different than their classmates and a way for the filmmakers to pretend this film is somehow more intelligent than its contemporaries.

Other things in the narrative are brought up and unceremoniously dropped. Most noticeably, the conflict between our love birds and the popular kids in school never amounts to anything. Perhaps not so coincidentally, this is a major factor in the movie’s debate on religion. That whole thing, which was potentially more interesting than anything else going on, is similarly abandoned. It makes both things feel like they are there merely to pad out the run time.


Continuing the film’s overall messiness are a bunch of performances that are all over the map. As Lena Englert is okay, but unremarkable. Her leading man, Ehrenreich, is all “golly gee,” and very reminiscent of Lucas Black in Friday Night Lights. He is also more annoying than endearing. Unsurprisingly, the more experienced members of the cast fare better, for the most part. Viola Davis is her usually excellent self, bringing much needed depth and gravity to her walking stereotype of a character (the older black woman with supernatural abilities). The problem is she plays is so dead serious it seems she isn't fully aware what type of movie she’s in. On the other hand, Emma Thompson and Emmy Rossum are perfect, hamming it up as our cackling wicked witches. The one real disappointment is the normally great Jeremy Irons. He seems to be worrying more about whether the studio’s check will clear than the fate of his character’s niece. This is most evident in the way his southern accent comes and goes.

This truly is a post-Twilight world. Movie monsters are being wussified and carrying on full-blown relationships with humans at an unprecedented rate. The Twilight movies themselves are not good, according to most adults, myself included. The films they inspire are generally of equal or lesser quality. Occasionally we get a gem like Warm Bodies, but more often than not, we get something like Beautiful Creatures. It is ambitious, pretty to look at, but overly derivative and utterly contrived. Most of its inspirations are easily visible on the screen. Even less discerning viewers will likely notice where it takes from The Wizard of Oz, Star Wars, Harry Potter, and of course, Twilight. However, it does little more than throw those things out there. Transparently stealing from cinema’s past can work well provided the thief is also a skilled chef mixing the existing ingredients with those of his own creation. Quentin Tarantino has made a whole career of this. Here, all those elements are re-purposed enough to form the type of trite narrative the tween and teen girl viewers into this sort of thing might enjoy, but it fails to differentiate itself from most of the other faux-goth romances out there.


MY SCORE: 4/10

Thursday, July 5, 2012

Margin Call

Directed by J. C. Chandor.
2011. Rated R, 107 minutes.
Cast:
Kevin Spacey
Zachary Quinto
Simon Baker
Paul Bettany
Demi Moore
Jeremy Irons
Stanley Tucci
Penn Badgley
Aasif Mandvi
Mary McDonnell
Ashley Williams

It’s already a tough time at NBS, one of America’s largest companies. They’re laying off a sizable chunk of the risk management department at their Wall Street office. This includes department head Eric Dale (Tucci). Just to let him know they’re not screwing around, his company cell phone is shut off as he is being escorted from the building. On his out, he hands a flash drive to Peter Sullivan (Quinto), one of the young guys lucky enough to survive. It contains a project Dale was working on. He urges Peter to take a look at it and “be careful.” Talk about ominous. Peter does, finishes it up and voila! He figures out that the company’s business module is broken beyond repair and they’re going to go belly up any day now. Meetings with people all the way up the chain of command ensue.

Yes, I said meetings ensue. However, don’t get these confused with the nod inducing type you fight through at your job by taking coffee intravenously. These meetings have the gravity of deciding how to react to a world altering event. These people are literally trying to figure out whether or not a company whose collapse will have far reaching consequences can survive the next day. If so, how? How many of their own will have to be sacrificed? Is their best play an unscrupulous one? And on, and on. The weight of the world is truly on their shoulders. The tension between them is almost unbearable. Almost.



At it’s core, Margin Call is just people talking their way through a problem. Movies like this require strong acting. After all, there are no action or sex scenes to bail out the plot. The plot is all there is. The ensemble cast puts its collective best foot forward. As an admitted apologist for Kevin Spacey (Sam Rogers), I’ll have to start with him. He endows his character with such world weariness he constantly seems on the verge of checking out. In a career chock full of showy, over the top performances, this is one of his more subtle and impactful turns. Demi Moore (Sarah Robertson) is another standout. You can really see the Herculean effort it takes to restrain herself. We can tell that the words coming from her mouth are a mere fraction of what she wants to say.

There are two actors who get to cut loose. Not that either character is flashy, they just say what’s on their mind. One is Paul Bettany playing Will Emerson. He’s Sam’s right hand man. Most of his time is spent with Peter and his buddy Seth (Badgley), both subordinates of his. Therefore, he can speak freely more often. Occasionally, he even does so to a couple of his superiors. It’s a well done portrayal. The other is the great Jeremy Irons as company CEO John Tuld. He has an immense presence and as the top dog, never minces his words.

In addition to excellent acting, MC gives us a compelling story. Obviously, its heavily inspired by the events that sent the U.S. spiraling into a recession in 2007 and 2008. Indeed, NBS is loosely based on Lehman Brothers which declared bankruptcy in ‘08. It’s a story we’re familiar with. Essentially, it’s a film about the fate of its target audience. Like so many things, the strategies that will affect the 99% are begrudgingly agreed upon in boardrooms we’re not allowed to enter. This is one we get to peek into.

MY SCORE: 9/10