Showing posts with label Radha Mitchell. Show all posts
Showing posts with label Radha Mitchell. Show all posts

Tuesday, February 25, 2014

Morgan Freeman Week: Olympus Has Fallen


Morgan Freeman Week continues...



Directed by Antoine Fuqua.
2013. Rated R, 120 minutes.
Cast:
Gerard Butler
Aaron Eckhart
Morgan Freeman
Rick Yune
Angela Bassett
Dylan McDermott
Finley Jacobsen
Robert Forster
Melissa Leo
Radha Mitchell
Cole Hauser
Ashley Judd

When the limousine carrying President Benjamin Asher (Eckhart) and his wife (Judd) is involved in an accident Secret Service Agent Mike Banning (Butler) reacts immediately and saves the Commander-in-Chief's life. Unfortunately, he cannot rescue the First Lady. Even though the two men are friends, the president has Banning transferred to a desk job so that he doesn't have to be reminded of what happened whenever he sees his face. Fast forward eighteen months and President Asher and his son Connor (Jacobsen) appear to have adjusted as well as possible. Still, as presidents must, he's dealing with another crisis. This one involves meeting with the South Korean president to discuss how to keep their neighbors to the north at bay. If you guessed that the North Koreans crash this little party with guns blazing, give yourself a cookie. No extra points for guessing they put a pretty good hurtin' on our nation's capital, White House included. The Prez is taken to his bunker, but yeah, there are bad guys there, too. Okay, you only get one shot at this one. Guess who is the only person who can save the day? So yeah, Agent Banning spots all the mayhem from his office window and springs into action.

Typical of just about every movie where a foreign entity invades the U.S., we get an exercise in flag waving. We also get an oversimplification of our place in the world, at least from our point of view. It's all America good, everyone else evil, or weak. With this comes hokey dialogue, faceless villains from whatever country we think is most dangerous to us when the film is made, and lots of hand-wringing over what our heroes' next move should be. Anyone expecting anything more is setting themselves up for disappointment.


Even with expectations properly set, there are some less than exemplary aspects to Olympus Has Fallen. For starters, Pres. Asher comes across as less brave than his subordinates and explicitly goes against the only policy the movie bothers to mention: The United States will not negotiate with terrorists. Part of the plot is the North Koreans trying to gain access to a system that will effectively shut down all of America's nukes. To do this they need three codes which three separate people, all in the bunker, including the president, have one each. When the others are pressed a bit, he immediately caves and implores them to give up the goods. What the movie wants us to think is that he's saving the lives of those with him and is even willing to sacrifice himself. This is why he says to both, when he tells them to spill the beans, "They'll never get mine!" In reality, he's giving up our nation's security without much of a fight even though it's painfully obvious the bad guys can't just kill these people and accomplish their objectives.

Another issue is that our villains willfully put themselves in position to be defeated. We're told, without qualification, that no one can get into the president's bunker. As I mentioned, every person the North Koreans need is already in there with them. Everything they want is at their fingertips. Why keep talking to those who have assumed power in the president's absence? By the way, that person is Morgan Freeman and Speaker-of-the-House Trumbull. More tactically important, why send anyone out, or open the door for any reason until the mission is complete? If I'm the bad guys, whatever Banning is doing outside is largely irrelevant. I've got whatever need in the bunker with me and he can't get to me. Of course, that would make this a far different movie, so I understand why it was done. It just makes them look stupid, and in turn, the movie looks this way, too.

Without some idiocy by the villains, the movie wouldn't have as much of what it does best: action. There is plenty of it. During it, star Gerard Butler kicks all sorts of ass. In other words, people looking for a shoot 'em up get what they came for. It's all well done with lots of casualties on both sides. This keeps the movie entertaining even if it is eye-roll worthy. Things speed by pretty quickly as they go boom left and right. Yup, Washington DC is torn up good. All in all, it's similar to the recent remake of Red Dawn. That doesn't even take into account the apparent similarities it has to a movie I haven't even seen yet, but will soon, White House Down. OHF has loads of chest thumping patriotism, explosions, gunfights, and problems with its plot.


MY SCORE: 5/10

Tuesday, October 18, 2011

Silent Hill

Directed by Christophe Gans.
2006. Rated R, 125 minutes.
Cast:
Radha Mitchell
Laurie Holden
Sean Bean
Deborah Kara Unger
Kim Coates
Tanya Allen
Alice Krige
Jodelle Ferland

Little Sharon (Ferland) often has nightmares and sleepwalks. One night, she’s just about to jump off a cliff when mommy Rose (Mitchell) grabs her in a nick of time. All the while, she keeps screaming “Silent Hill!” over and over. Rose does a little research and finds out that Silent Hill is a town not too far from them right there in West Virginia. Forget about all that therapy crap. This mom is a bit more proactive. She quickly deduces that the only way to solve her daughter’s problems is by taking a drive to this place of which the little girl unconsciously howls at the moon. You see that? I wrote howl to suggest this is a werewolf movie when it’s not. My sleight of hand is spectacularly lame. I’m like a magician that says “Look over there” and then tries to peek at the card you picked. Let’s move on. With Sharon in tow, Rose gets in her SUV and heads for the apparently deserted town. On the way, she avoids a ticket by speeding away from a motorcycle cop, nearly runs over an ominous pedestrian, crashes and gets knocked out. When she comes to, she discovers she’s reached her destination, which is definitely the strangest place she’s ever been. More importantly, Sharon is missing. Rose and eventually Officer Bennett (Holden), the cop that chased her donw, running all over Silent Hill trying not to be killed by the town’s very weird creatures while looking for Sharon ensues. Based on a true…oh, wait…it’s based on a video game.

Like any movie based on a video game probably should be, Silent Hill relies heavily on its visuals. Once in this God forsaken place, we get scene after scene of amazing imagery. All sorts of creatures of the damned parade themselves across the screen. Those are just the ones that are moving. There are also a number of gross looking corpses lying or hanging around. Not to be deterred, our heroine’s press on through all the ghosts and goblins in their path facing death at every turn. Periodically, the screen goes completely black. Things get really hairy whenever we’re able to see again. As interesting as it is to look at, SH never really frightens us. The tension simply isn’t there. We’re fascinated by what we see, but not afraid of other. What we have is a movie that’s not scary, but grotesque enough for us to be unable to avert our eyes. This is its sleight of hand. Like mine, it is far too obvious. It screams “Look over there!” at the top of its lungs.

For a long stretch, the movie seems to meander along a general path without developing its tale. When it finally decides to saw the woman in half, so to speak, we can see through the box and see her feet tucked safely beneath her. In other words, instead of a revelation, we get an explanation. In what amounts to a cut scene from the game, one of the characters simply tells us everything we need to know. It feels like its source material was merely regurgitated rather than built upon. For fans of the franchise and of horror it’s an entertaining watch filled with visual treats. It’s in the argument for best movie ever made based on a video game. I know that’s not saying much, but it is what it is. That said, it still feels like not only could it be better, it should be.

MY SCORE: 5.5/10

Monday, September 6, 2010

The Crazies


Directed by Breck Eisner.
2010. Rated R, 101 minutes.
Cast:
Timothy Olyphant
Radha Mitchell
Joe Anderson
Danielle Panbaker
Christie Lyon Smith
Deadra Farnum
John Aylward
Lisa K. Wyatt


All of a sudden, people in Ogden Marsh start getting very sick. No, not sick as in catching a bug that makes you cough, sneeze or otherwise spread your unwanted germs around, but sick as in George A. Romero sick. Well, whaddya know? This is a remake of an early 70s Romero flick. For the uninformed, they’re turning into zombies. Through some very quick detective work, Sheriff Dutten (Olyphant) surmises that the recent turn of events is caused by a contaminated water supply. Don’t worry, there’s more to it than that. Anyhoo, before you know it, nearly everyone in town is infected, the military shows up and it’s one big orgy of killin’.

Make no bones about it, the story is poorly told. There are too many plot-holes and loose ends. The whole deal with the Enemy of the State-style satellite is underdeveloped and silly where it’s supposed to serve as ominous social commentary. Why some people get sick and some don’t is still a mystery.

Luckily, these things are easy to overlook because the rest of the movie is so well done. It becomes a nicely crafted chase movie with just enough atmosphere to keep the tension amped up.

The bottom line: watch it for the cheap thrills it provides and ignore the rest. Truthfully, it’s a movie you’re likely to enjoy as it’s playing but think less and less of as you move away from it and give it a couple thoughts. But hey, it’s fun while it’s on.

The Opposite View: Dan Kois, Washington Post

What the Internet Says: 6.7/10 on imdb.com, 71% on rottentomatoes.com, 55/100 on metacritic.com

MY SCORE: 7/10