Enchanted

Directed by Kevin Lima.

2007. Rated PG, 107 minutes.

Cast:

Amy Adams

Patrick Dempsey

James Marsden

Susan Sarandon

Timothy Spall

Rachel Covey

Idina Menzel

Julie Andrews

In what appears to be a stock, animated fairy-tale, a prince (Marsden) meets a fair maiden (Adams) in the woods and the two fall in love. This doesn't sit well with the prince’s evil witch of a mother (Sarandon) who banishes the bride-to-be to “the land where there are no happily ever afters.” That land would be live-action New York City.

It’s a simple premise, executed very well. Essentially, it’s a fish-out-of-water tale. In this case, the fish comes from a world we've all watched numerous times as kids and again when we ourselves have kids. To effectively tell its story it has to poke fun at itself and it does. The cast really helps in this department. Patrick Dempsey gives his normal bland performance. However, everyone around him is obviously hamming it up and having a great time doing so, including a wonderful turn by James Marsden as our prince. Not least of all in the ham department is Susan Sarandon as the evil witch. She just seems to be having a ball by running with the opportunity to overact on purpose. She and her cast-mates clearly convey the message this is a fairy-tale that knows fairy-tales are inherently preposterous. It’s not an all-out deconstruction of the genre like the original Shrek but it holds its own as a self-parody that’s smart enough to entertain adults. It’s also wacky enough, with plenty of songs to keep the kids into it.

Of course, on the flip side, it’s wacky enough, with plenty of songs to keep the kids into it. Let’s be honest, whenever Disney movies kick into Broadway show-tune mode plenty of adults would gladly murder a loved one if we knew that would make it stop. We just don’t for fear of being perceived as heartless menaces to the unrelenting joy being shoved down our throats. Anyhoo, I’m pretty sure my two daughters watched this movie 647 times in a three day span.

This one’s an easy call. If you have small kids, particularly girls, they will love this movie. All of you strange, creepy adults who are still huge Disney fans will probably enjoy this more than is healthy and should seek professional help. Just kiddin'. Sort of. Let's move on. Parents shouldn't mind this. It’s funny, smart enough for you to “get” and plenty of fun.

MY SCORE: 7.5/10

The King's Speech

Directed by Tom Hooper.
2010. Rated R, 118 minutes.
Cast:
Colin Firth
Geoffrey Rush
Helena Bonham Carter
Michael Gambon
Guy Pearce
Claire Bloom
Derek Jacobi
Eve Best
Timothy Spall

The Duke of York has a problem. Bertie (Firth), as he’s called by his family, has stammered all his life. On those occasions when he has to speak publicly he struggles mightily with disasterous results. Over the years, he’s tried numerous speech therapists to no avail. He’s given up hope. His only consolation is that as the younger son of King George V, it’s unlikely he’ll ever rise to the throne. He won’t be called upon to address the nation.

At the urging of his wife (Carter), Bertie tries one more therapist. Lonnie (Rush) was recommended to her by a friend and is known for his unconventional methods. After all the failures in this area of his life, Bertie is understandably reluctant and skeptical of the possibility he could be cured. Lonnie agrees to take the job, but only on his terms. The two men start an uneasy work relationship that over changing times and circumstances develops into a real friendship. Through some unforseen circumstances, Bertie does indeed become king, King George VI whom this movie is based on.

The King’s Speech takes two genres and mashes them together to create a triumphant inspirational film. The plot outline follows the template of a sports movie with our Duke in the underdog role and the therapist, his charismatic coach. This simply replaces the athletics with speech. What plays out amidst the machinations of the plot is pure bromance. The interesting dynamic is how Bertie keeps trying to distance himself from their relationship, yet keeps getting drawn back. It seems Lonnie is the only person he can confide in.

A movie where the title implies the climax will be made up of dialogue and not action has to be well written. This one is. It not only humanizes a member of British royalty, it makes him a sympathetic figure even though he’d much rather have us leave him alone than pity him. Remarkably, nothing feels as if its done for effect, at least for our purposes. For Lonnie’s purpose, most things are ploys designed to help or learn how to better assist his troubled pupil. This is why we root for Lonnie as much, if not more than Bertie. Bertie’s successes and failures are equally Lonnie’s. They will validate or invalidate him.

In these roles, both Colin Firth and Geoffrey Rush are superb. Firth’s performance runs the gamut of emotions. Yet, even at his most regal we sense his fragility. The show he puts on in public is easily seen through by those who know him. Firth lets us know him. He does this whil keeping his stammer from being ridiculous and causing inappropriate laughter. As Lonnie, Rush is a sturdy beam for Bertie to lean on. He’s full of genuine compassion, but also curiosity. He often approaches his student as a riddle to be solved. In a strange, but totally effective way, Lonnie carries himself more like a monarch than Bertie. We sense this quality has something to do with why Bertie is drawn to him.

When we get to the end, we’ve become vested in these men, their friendship and their quest. We’ve watched them struggle with one another over a period lasting many years and gone plenty of growing pains. Eventually Bertie, by now King George VI, finds out that as World War II threatens his nation, he has to make a speech to galvanize it. This is the big game. We want them to win.

MY SCORE: 8.5/10

Sweeney Todd: The Demon Barber of Fleet Street

Directed by Tim Burton.
2007. Rated R, 117 minutes.
Cast:
Johnny Depp
Helena Bonham Carter
Timothy Spall
Alan Rickman
Sacha Baron Cohen
Jamie Bower Campbell
Jayne Wisener
Laura Michelle Kelly

Plot: When he returns home to London, Sweeney Todd (Depp) vows vengeance upon the judge who not only had him wrongfully imprisoned for 15 years but has apparently also caused the death of his wife and stolen his daughter.

The Good: This is probably the bloodiest and most morbid musical ever. Yes, sometimes I like my movies bloody and morbid. It also manages to be very darkly funny. The songs serve to add to its twisted sense of humor more than anything else. This makes it a musical for people who generally don’t like musicals, are a bit cynical and don’t mind a gore-fest. In short, it’s exactly what you think a live-action musical directed by Tim Burton would be. Remember, this is the same guy behind Nightmare Before Christmas and Corpse Bride. Of course, his direction is terrifically executed by the two actors he seems to trust most, Johnny Depp and Helena Bonham Carter. They continue to be perfect manifestations of his gothic vision.

The Bad: The actual singing is perfunctory at best. Let’s be honest, I don’t know if there’s one person in the cast who would get invited to Hollywood on "American Idol". If you’re looking for powerhouse ballads, show-stopping vocals or Broadway style numbers that light up the screen skip this and pop in Dreamgirls or Chicago.

The Ugly: What’s in the meat pies, both early and late in the movie.

Recommendation: If you fit the description I gave above: cynical, twisted sense of humor, likes gore, then this is the musical for you. Obviously, if you’re a fan of Tim Burton it’s right up your alley. Steer clear if you equate musicals to Julie Andrews, Beyonce, or Disney.

MY SCORE: 8.5/10

Alice in Wonderland

Directed by Tim Burton.
2010. Rated PG, 108 minutes.
Cast:
Mia Wasikowska
Johnny Depp
Helena Bonham Carter
Anne Hathaway
Crispin Glover
Matt Lucas
Stephen Fry
Michael Sheen
Alan Rickman
Timothy Spall
Michael Sheen

Plot: Alice (Wasikowska) falls down a rabbit hole and lands in a strange world.

The Good: Like the best of Burton, it uses odd angles, wild color pallets and eccentric characters to create a lively but still gothic vision. Things and people that would be grotesque in other movies are normal, even beautiful, here. Those we would casually consider normal are merely part of an oppressive establishment. This means Alice is a girl we feel doubly for. She simply doesn’t belong, regardless of where she is. Two of Burton’s muses, wife Helena Bonham Carter (The Red Queen) and long-time collaborator Johnny Depp (The Mad Hatter), turn in excellent work as usual. In particular, Carter is deliciously villainous and our evil queen.

The Bad: There are spots where the movie drags a bit. Most often, this occurs during the scenes Alice and the Mad Hatter have together. They seem to devolve into him aimlessly reminiscing about “the last time she was here.” Also, while I applaud Burton’s decision to focus on storytelling more than special fx, he underused the 3D technology. There are a number of occasions where it is used perfectly. However, there are also long stretches that make you forget why you’re wearing those silly glasses. Too many things happen going away from the camera. Things coming toward the camera are often at its edges, subtracting from the experience.

The Ugly: I’m still wondering why a raven is like a writing desk.

Recommendation: By now, you’re probably aware if you’re a Burton fan, or not. His trademarked wonderful weirdness is on display, as is his knack for patient storytelling. This means there is action, but it certainly no action flick. It’s just another quirky fantasy pic of the sort the director excels at making.

The Opposite View: Peter Sobczynski, eFilmCritic.com

What the Internet Says: 6.9/10 on imdb.com (7/26/10), 52% on rottentomatoes.com, 53/100 on metacritic.com

MY SCORE: 7/10

The Damned United

Directed by Tom Hooper.
2009. Rated R, 98 minutes.
Cast:
Michael Sheen
Timothy Spall
Colm Meaney
Henry Goodman
David Roper
Jimmy Reddington
Maurice Roëves
Stephen Graham
Peter McDonald
Jim Broadbent

Plot: After years of feuding with their manager Don Revie (Meaney), Brian Clough (Sheen) is named to succeed Revie as the manager of Leeds United; "inspired" by a true story.

The Good: Brian Clough is a unique character for a sports movie underdog. He’s not your run-of-the-mill humble and downtrodden guy facing seemingly insurmountable odds. When we meet him, he’s already overcome the odds, twice, one of which we witness in flashback. He’s arrogant and treats success at the next level like a forgone conclusion. On top of that, most of the difficulties he encounters are of his own creation. Michael Sheen plays the role excellently. He manages to get us on his side, even though he’s a jerk. As Clough’s sidekick talent scout Peter Taylor, Spall is even better. He gives a perfectly restrained performance that seems to mirror our feelings on what’s going on. The movie as a whole also displays a sly sense of humor.

The Bad: Though we get a good sense of what’s going on between Clough and his new team, we’re shown surprisingly little. All but one of the players are simply part of a faceless mob. It would’ve elevated the movie further to witness more of the dynamic between them. Likewise, we don’t see much actual soccer…er…football. We don’t get the rush of exhilaration or disappointment we would normally get from watching it play out before us. It seems to be a case of overdone restraint.

The Ugly: What one of the players does during the singing of the National Anthem.

Recommendation: TDU is a different sort of sports movie and it’s better for it. It’s much more a character study than anything else. Therefore, don’t go into this looking for the next Rocky or Remember the Titans. However, do check it out if you want a more mature sports film.

The Opposite View: Rick Groen, The Globe and Mail (Toronto)

What the Internet Says: 7.6/10 on imdb.com (5/26/10), 94% on rottentomatoes.com, 81/100 on metacritic.com


MY SCORE: 7.5/10