Salt

Directed by Phillip Noyce.
2010. Rated PG-13, 100 minutes.
Cast:
Angelina Jolie
Liev Schreiber
Chiwetel Ejiofor
Daniel Olbrychski
August Dehl
Hunt Block
Daniel Pearce
Olek Krupa
Andre Braugher

Evelyn Salt (Jolie) works for the CIA and has endured a lot for the good ol’ USA. Still, one day a man claiming to be a Russian defector shows up at the agency and says that she is really a spy from his homeland. Naturally, more and more doubt is cast upon her allegiance to the stars and stripes as parts of the man’s story seem to check out. Of course, through much mayhem and Houdini-like escapability, she gets away from the law and goes on the run. The question is whether she’s trying to clear her name or commit the assassination the defector says she will.

This is a movie filled with breath-taking stunts, brutal fight scenes and narrow escapes. There’s hardly any “down time” but what little there is perfectly sets up what’s to come. It also gives us just enough insight on the title character for us to care. No, we’re not talking grade A character development, but it’s more than sufficient for an action flick.

Helping all this out are a few very deftly performed sleight of hands that keep us guessing what’s really going on. Eventually, it’s not enough, but only because the number of possibilities is limited, at best. There simply aren’t enough characters to keep the mystery going. To keep the ruse up as long as it does is remarkable.



I’d be remiss if I didn’t compliment the star. This is not a role which will get Angelina Jolie nominated for an Oscar. However, it’s a role she plays perfectly. It helps that the role is tailor-made for her. I’m hard pressed to think of another woman who could do the role justice with both her acting and athleticism. Uma Thurman? Milla Jovovich? Lucy Liu? Kelly Hu? I say maybe on all of them, but no doubt on Jolie.

In the end, Salt is very much a female version of The Bourne Identity. You can knock it for that and for the ending blatantly setting us up for a sequel. And frankly, the program said to be causing all this trouble is a flimsy foundation for a story. All of this would drag down a lesser movie. I didn’t mind any of them because they’re all minor and the movie is slick enough to overcome its faults. The overall ride is just flat out fun, even though it is undeniably preposterous. Question my judgment, if you must, but I loved every second of it. Why yes, I am anxiously awaiting that sequel.

The Mist

Directed by Frank Darabont.
2007. Rated R, 125 minutes.
Cast:
Thomas Jane
Marcia Gay Harden
Laurie Holden
Andre Braugher

A thick, ominous mist rolls into a small-town carrying with it some strange and vicious creatures. We, the viewers, get to hang out with some of the local yokels who are trapped in the supermarket. Based on a Stephen King novella.

It’s well-written horror as it pertains to the humans. When the cast inevitably starts dying off it is with believable, though not always good, reasoning they venture out into the forbidding mist. The opposition between religious resignation to one’s fate and survivalist pragmatism is well done. As the suddenly crowned prophetess, Marcia Gay Harden does a fabulous job in a thankless role. It’s thankless because the movie itself is definitely not on her character’s side. Finally, even though I correctly predicted the ending well before it happened it still manages to work.

It’s poorly written crap with regards to the mist and its inhabitants. In Cloverfield it was okay to not find out anything about the giant creature destroying Manhattan because no one in the movie knew anything to tell. Here, there are clearly people who know what caused the problem. Before they can tell us anything we get the long ago played out tactic of them inexplicably dying or being found dead just as they were either about to tell us what’s going on or when it becomes apparent they know what’s going on. These people are military personnel and in fairness to them, and maybe an indictment of the screenwriters, it’s hardly likely that soldiers of their rank (mostly privates) would really know anything anyway. The creatures themselves are numerous. The smaller ones are fine and do some dastardly things. The larger ones do as well but they’re poorly rendered. They either move mechanically or are made up of easy to spot cartoonish looking CGI. The latter is true for the first monster we “see”. It appears to be a giant land-walking octopus but all we see are its enormous but very fake tentacles causing all sorts of mayhem. This happens very early in the movie but we never again hear a peep out of this particular menace. None of these monsters seem to have any rhyme or reason for their actions and are all powerful and deadly. Our heroes are trapped in a store that we’re explicitly told has a front made up of 100% plate glass. Yet somehow, this movie runs longer than two hours and covers several days. Um…yeah.

This is a frustrating movie to watch. During all the human to human tension-building scenes, the writing is exceptional for horror movies. However, when the focus is on the things that make it a horror movie we get nothing even remotely original and our big bad monsters look like crap. On top of that, if these monsters were as bad as they’re supposed to be then these people have been allowed to live for far too long. If you’re a horror fan or a Stephen King fan give it a shot and you might like it more than I. If creature-features aren’t your thing, skip it and rest easy with the knowledge you’re only missing okayness, not greatness.

MY SCORE: 5/10