Showing posts with label Billy Dee Williams. Show all posts
Showing posts with label Billy Dee Williams. Show all posts
Monday, September 18, 2017
Thursday, January 12, 2017
Friday, September 21, 2012
Ranking the Batman Movies: #2
2. Batman
(1989)
Directed by Tim Burton
Batman…Michael Keaton
James Gordon…Pat Hingle
Alfred…Michael Gough
Vicki Vale…Kim Basinger
Alexander Knox…Robert Wuhl
Harvey Dent…Billy Dee Williams
The Joker…Jack Nicholson
Carl Grissom…Jack Palance
Believe it or not, the prevailing thought in Hollywood was once that comic book movies don’t work. Sure, there were the Superman movies but they were the exceptions. Anything not involving the man of steel flopped at the box office. Worse yet, any studios interested in making a Batman movie wanted to make it along the lines of the 1966 movie. Eventually, in the early 80s it was agreed upon that The Caped Crusader deserved a big screen treatment more in line with the way the character was initially conceived by Bob Kane way back in 1939. By the end of the decade, director Tim Burton brought it all to life. Heading into theaters we were skeptical of noted comic actor Michael Keaton getting the lead role. Thankfully, he nailed it. However, as seems often to be the case, The Joker is really the star of the show. It’s pretty obvious he would be since he’s played by the world’s greatest Lakers’ fan, Jack Nicholson. The old pro gives us a Joker that’s part Cesar Romero and part Jack Torrance (his character in The Shining). Batman himself was appropriately humorless, as was the overall tone whenever Joker wasn’t on-screen. The most enduring part of this movie’s legacy is that it forever changed the way studios, critics and the public viewed comic book movies. Not only was it an event before it ever hit theaters, it lived up to the hype earned massive amounts of money and was generally praised by critics. The fact that superhero movies dominate the theaters every summer can be traced back to this film. By the way, it’s also given us what I consider to be the coolest Batmobile (if a bit impractically designed) and the best soundtrack (courtesy of Prince).
Friday, February 25, 2011
The Final Comedown
Directed by Oscar Williams.
1972. Rated R, 83 minutes.
Cast:
Billy Dee Williams
D'urville Martin
Celia Kaye
Maidie Norman
Black militant Johnny (Williams) is wounded during a shootout with the cops. His fellow soldiers, a Black Panther Party type group, drag him to a back alley and try to get him some medical attention. While waiting, and bleeding, he reminisces about some of the events in his life that led him to this point. Though it comes from the Blaxploitation era and some of the players in that era, this is far different most of what that genre produced. It does indeed have a "down with Whitey" thread running through it. However, most Blaxploitation flicks went at the idea in jest. They had lots of pimps, foxy mamas, jive talkin' and kung fu fightin'. Humor, both intentional and not was common. This is a different animal. It's a serious minded and unflinching movie trying to jolt it's viewers. For a 1972 audience, I imagine it could've been downright scary. Remember, movie goers of the time had just lived through the Civil Rights Movement. They could tell you where they were when JFK, MLK, Robert Kennedy and Malcolm X were assassinated. The possibility of America slipping into a race war wasn't all that far fetched. Knowing this, it succeeds at being a commentary, not only on race in America in the early 1970s but on inner-race relations amongst Blacks as well. A strong, angry turn by the normally suave Billy Dee Williams helps (though he still manages to have time for the ladies). It fails a little in the narrative department. It's unclear exactly what Johnny and his people are trying to accomplish, other than martyring themselves. It's lack of budget shows up in the action scenes. The results of gunshots are mostly laughable. They're also easy to forgive if you just chalk it up to it being made almost 40 years ago. However, less than 12 months after it's release the movie Dillinger, about the famous bank robber, came out. That movie had some amazing and brutal sequences that still look good today. Nonetheless, TFC is an intriguing watch that some viewers will embrace while others are repulsed.
MY SCORE: 7/10
1972. Rated R, 83 minutes.
Cast:
Billy Dee Williams
D'urville Martin
Celia Kaye
Maidie Norman
Black militant Johnny (Williams) is wounded during a shootout with the cops. His fellow soldiers, a Black Panther Party type group, drag him to a back alley and try to get him some medical attention. While waiting, and bleeding, he reminisces about some of the events in his life that led him to this point. Though it comes from the Blaxploitation era and some of the players in that era, this is far different most of what that genre produced. It does indeed have a "down with Whitey" thread running through it. However, most Blaxploitation flicks went at the idea in jest. They had lots of pimps, foxy mamas, jive talkin' and kung fu fightin'. Humor, both intentional and not was common. This is a different animal. It's a serious minded and unflinching movie trying to jolt it's viewers. For a 1972 audience, I imagine it could've been downright scary. Remember, movie goers of the time had just lived through the Civil Rights Movement. They could tell you where they were when JFK, MLK, Robert Kennedy and Malcolm X were assassinated. The possibility of America slipping into a race war wasn't all that far fetched. Knowing this, it succeeds at being a commentary, not only on race in America in the early 1970s but on inner-race relations amongst Blacks as well. A strong, angry turn by the normally suave Billy Dee Williams helps (though he still manages to have time for the ladies). It fails a little in the narrative department. It's unclear exactly what Johnny and his people are trying to accomplish, other than martyring themselves. It's lack of budget shows up in the action scenes. The results of gunshots are mostly laughable. They're also easy to forgive if you just chalk it up to it being made almost 40 years ago. However, less than 12 months after it's release the movie Dillinger, about the famous bank robber, came out. That movie had some amazing and brutal sequences that still look good today. Nonetheless, TFC is an intriguing watch that some viewers will embrace while others are repulsed.
MY SCORE: 7/10
Friday, May 15, 2009
The Final Comedown
The Final Comedown
1972. Rated R, 83 minutes.
Director: Oscar Williams. Starring Billy Dee Williams, D'urville Martin, Celia Kaye, Maidie Norman.
Black militant Johnny (Williams) is wounded during a shootout with the cops. His fellow soldiers, a Black Panther Party type group, drag him to a back alley and try to get him some medical attention. While waiting, and bleeding, he reminisces about some of the events in his life that led him to this point. Though it comes from the Blaxploitation era and some of the players in that era, this is far different most of what that genre produced. It does indeed have a "down with Whitey" thread running through it. However, most Blaxploitation flicks went at the idea in jest. They had lots of pimps, foxy mamas, jive talkin' and kung fu fightin'. Humor, both intentional and not was common. This is a different animal. It's a serious minded and unflinching movie trying to jolt it's viewers. For a 1972 audience, I imagine it could've been downright scary. Remember, movie goers of the time had just lived through the Civil Rights Movement. They could tell you where they were when JFK, MLK, Robert Kennedy and Malcolm X were assassinated. The possibility of America slipping into a race war wasn't all that far fetched. Knowing this, it succeeds at being a commentary, not only on race in America in the early 1970s but on inner-race relations amongst Blacks as well. A strong, angry turn by the normally suave Billy Dee Williams helps (though he still manages to have time for the ladies). It fails a little in the narrative department. It's unclear exactly what Johnny and his people are trying to accomplish, other than martyring themselves. It's lack of budget shows up in the action scenes. The results of gunshots are mostly laughable. They're also easy to forgive if you just chalk it up to it being made almost 40 years ago. However, less than 12 months after it's release the movie Dillinger, about the famous bank robber, came out. That movie had some amazing and brutal sequences that still look good today. Nonetheless, TFC is an intriguing watch that some viewers will embrace while others are repulsed.
MY SCORE: 7/10
1972. Rated R, 83 minutes.
Director: Oscar Williams. Starring Billy Dee Williams, D'urville Martin, Celia Kaye, Maidie Norman.
Black militant Johnny (Williams) is wounded during a shootout with the cops. His fellow soldiers, a Black Panther Party type group, drag him to a back alley and try to get him some medical attention. While waiting, and bleeding, he reminisces about some of the events in his life that led him to this point. Though it comes from the Blaxploitation era and some of the players in that era, this is far different most of what that genre produced. It does indeed have a "down with Whitey" thread running through it. However, most Blaxploitation flicks went at the idea in jest. They had lots of pimps, foxy mamas, jive talkin' and kung fu fightin'. Humor, both intentional and not was common. This is a different animal. It's a serious minded and unflinching movie trying to jolt it's viewers. For a 1972 audience, I imagine it could've been downright scary. Remember, movie goers of the time had just lived through the Civil Rights Movement. They could tell you where they were when JFK, MLK, Robert Kennedy and Malcolm X were assassinated. The possibility of America slipping into a race war wasn't all that far fetched. Knowing this, it succeeds at being a commentary, not only on race in America in the early 1970s but on inner-race relations amongst Blacks as well. A strong, angry turn by the normally suave Billy Dee Williams helps (though he still manages to have time for the ladies). It fails a little in the narrative department. It's unclear exactly what Johnny and his people are trying to accomplish, other than martyring themselves. It's lack of budget shows up in the action scenes. The results of gunshots are mostly laughable. They're also easy to forgive if you just chalk it up to it being made almost 40 years ago. However, less than 12 months after it's release the movie Dillinger, about the famous bank robber, came out. That movie had some amazing and brutal sequences that still look good today. Nonetheless, TFC is an intriguing watch that some viewers will embrace while others are repulsed.
MY SCORE: 7/10
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