Mother's Day

Directed by Darren Lynn Bousman.

2010. Rated R, 112 minutes. 
Cast: 
Rebecca De Mornay 
Jaime King 
Frank Grillo 
Patrick John Flueger 
Shawn Ashmore
 Lyriq Bent 
Briana Evigan 
Deborah Ann Woll 
Warren Kole 
Kandyse McClure 
Tony Nappo 
Lisa Marcos

Group A is a friendly crowd. They’re having a boozy fun time at the house of Daniel (Grillo) and Beth (King) to celebrate his birthday. There are nine, in all. Aside from our hosts, there is the young couple, the black couple, the middle aged guy/early 20s chick couple and random single female friend. Everyone is hanging out in the basement. It’s a nice setup: pool table, bar, music on blast – you know the deal.

Group B is not so friendly. Even though they’re very big on family, actually they are family, they’re not the kind you want to hang around. In fact, they’ve just finished robbing a bank. Well, it was a job gone horribly wrong. Johnny (O’ Leary), the youngest of the three brothers is dying in the back seat of the getaway car from a gunshot wound. Ike (Flueger) is the eldest. He controls the other two, somewhat, but the current situation has him a bit frazzled. The middle brother Addley (Kole) is always frazzled. It quickly becomes evident that their mother is the one who really pulls the strings. So it only makes sense that the boys head home to Mother’s (De Mornay) house. They come screeching into the driveway, burst in through the door and shout loudly for their mom. Lo and behold, the boys haven’t been in contact with her in a few months and are unaware that she lost the house due to foreclosure. That’s right, this is where Daniel and Beth live and Group A is hanging out downstairs. Not surprisingly, a hostage situation breaks out and luckily for the boys, there is a doctor is in the house. When they finally get a hold of mom on the phone, she fills the boys in on the house situation and hurries over to get things under control. Of course, Group A realizes that once she walks into the door, things have gotten considerably worse for their chances of survival.

From the moment Rebecca De Mornay appears on the screen we’re pretty much mesmerized. As our main protagonist, she gives a brilliantly odd performance that makes us believe we’re finding out what it would be like if June Cleaver (google her, young’uns) were a homicidal sociopath. She plays the role with unwavering assertion and drops the clichés our own mothers said to us in between giving her boys orders to do some heinous things. It’s a deliciously over the top and wicked performance that transcends many of the film’s weaker qualities.

Yes, there are some weaker qualities. For characters other than Mother, the dialogue is pretty much recycled from just about every other home invasion flick. Once you know the tropes the various characters represent, what’s going to come out of their mouths is fairly predictable. This bleeds into the rest of the movie, rendering it a bit easy to figure. Most figurable of all is the trite horror movie ending/set up for a sequel.

Thankfully, the movie creates plenty of tension and draws us to the edge of our seats with one outrageous scenario after another. As the movie goes on, the craziness gradually increases until we’re very near the breaking point. The stakes continuously grow as does the violence. Yes, it’s plenty violent and graphically so. Nothing less is to be expected from the same people heavily involved in the Saw franchise. So yeah, this isn’t for everyone.

Mother’s Day also manages to be fun. That’s because there is a thread of very dark comedy running all the way through the movie. It displays the kind of twisted sense of humor that only people with a twisted sense of humor will appreciate. This includes it functioning as a nasty little slice of recession era angst. It’s a remake of an old Troma movie from 1980 of the same name. I haven’t seen that one, but this may make me seek it out.

Sorority Row

Directed by Stewart Hendler.
2009. Rated R, 101 minutes.
Cast:
Briana Evigan
Leah Pipes
Rumer Willis
Jamie Chung
Audrina Patridge
Julian Morris
Margo Harshman
Carrie Fisher
Matt Lanter

During a sorority party, a prank goes terribly wrong and one of the most popular members of Theta Pi takes a tire iron through the chest. Since her sorority sisters and dim-witted boyfriend are to blame, but haven’t been witnessed, except by each other, they dump the body in a nearby mine shaft and pretend she’s gone missing. Nine months later, she has apparently risen from the dead and starts picking off her former friends. Oh yeah, this is your run of the mill chop ‘em up so she picks them off……(doing my best Vincent Price impersonation)…one…by…one, muwahahahah……sorry.


Anyhoo, the reality of it is it’s a not-as-good update of I Know What You Did Last Summer, but with almost all girls. By the way, those girls come straight from all those movies about teenagers in cliques. There’s the domineering blonde, the slut, the nerd, the Asian girl…hmmm. How they didn’t have the chubby girl or the Black girl is beyond me. Haven’t these people seen any of the High School Musical movies? Someone must’ve been asleep on the casting couch.

SR also borrows heavily from Scream. The ending is clearly inspired by it. In addition, where that movie uses 70s icon Henry Winkler, AKA The Fonz, this one uses Carrie Fisher, AKA Princess Leia. As the heavy drinkin’, shotgun totin’ house-mom she gets some of the best parts of the movie. Finally, Scream’s director Wes Craven should probably sue the makers of SR for the way the killer is dressed.

If it isn’t obvious, one shouldn’t expect much, other than what one watches these movies for – namely, seeing people get hacked up in creative ways. And for some, the opportunity to see bare breasts without the use of a website that’s potentially harmful to your computer. While there are enough boobies to keep the average boy somewhat interested, it falls woefully short in the death department. At the risk of promoting sadism, I have to say they’re not nearly spectacular enough. Even worse for a slasher fan, they’re often obscured from view by a wall, a sheet, the camera cutting away. I would expect this from a PG-13 money grab like the Prom Night remake but not in a low-budget R-rated hack flick that knows its bread is buttered by blood and guts.

Lame kill scenes combined with a storyline we’ve already seen in other, better movies render SR a rather ho-hum experience. In fact, you might have a hard time remembering what you just saw as the credits start to roll.

The Opposite View: Matthew Turner, ViewLondon

What the Internet Says: 5.1/10 on imdb.com (8/5/10), 23% on rottentomatoes.com, 24/100 on metacritic.com

MY SCORE: 3/10