Showing posts with label Jackie Chan. Show all posts
Showing posts with label Jackie Chan. Show all posts

Sunday, January 5, 2014

Movies I Grew Up With: Enter the Dragon


As a very young boy, I had three famous idols. The first was none other than Muhammad Ali. Back then, I was just taken in by his charisma. As I grew and learned more about him, he became one of the people I most admire. The second was O.J. Simpson. Okay, that one didn’t work out too well. Still, at the time he was a great football player and had a squeaky clean image. Third was the one and only Bruce Lee. He passed away when I was two years old. Two or three years after that is when I became aware of him. This was largely thanks to his most famous movie, Enter the Dragon. Like with my other heroes I knew nothing of the man, but boy did he make some cool movies. This one is the coolest of them all.

Throughout my life I’ve returned to EtD dozens, if not hundreds of times. I know for certain that I’ve watched it at least once almost every year since I was five. I’d gamble that most of those years I watched it several times. During my military days, I found a group of drinking buddies that enjoyed kung-fu flicks. Once a week for a while we’d gather and watch one. You’d be correct in assuming that I made sure this was the feature attraction a time or two. Each of my children had at least one night during their infancy where they were draped across my chest sleeping while Bruce kicked ass in the background. My nieces and nephews who grew up in a house where their mom practically nursed them with Steven Seagal movies were given their first look at a “real” kung-fu movie when they spent the night at Uncle Dell’s house. All the while, I made sure to tell them that Bruce Lee would beat the ponytail off of Seagal. No one was safe.

This past year has seen my son start to become a cinephile in his own right. Aside from the constant rotation of rented, borrowed and streamed movies in my house, I also have a DVD collection of roughly 700 titles. The boy, now sixteen, has started combing his way through them. About two weeks ago, he announced to me he was going to watch all of the Bruce Lee movies. It then dawned on me that I hadn’t watched EtD in 2013. Yes! My son gave me an excuse to keep the streak alive. I gleefully sat down to watch it with him.


If you’re somehow unaware of what this movie, I’ll give you the short version. Mr. Han (Shih Kien) has a private island off the coast of Hong Kong and is hosting a martial arts tournament. “British Intelligence” suspects that Han is also trafficking drugs and running a prostitution ring there. They recruit “Mr. Lee”, Bruce – duh, to go in undercover and investigate. Before actually going though, Mr. Lee finds out that Han’s main henchman, O’Hara (Robert Wall), is responsible for the death of Mr. Lee’s sister. Two big subplots run alongside this main narrative. One is about Roper (John Saxon), a white fighter and playboy type there in part to escape his gambling debts. The other is about Williams (Jim Kelly), a black fighter just there for the tourney. He had to deal with some racist cops before boarding his flight and just happens to be an old friend of Roper’s.

Right from the start, I remember why I keep coming back to this movie. First of all, everything Bruce Lee does is amazing. The opening sequence of him beating the crap out of a very young Sammo Hung just sets the stage for what’s to come. Hung had a pretty successful career as an actor including a starring role on the American cop series Martial Law, which ran for a few seasons beginning in 1998. He is now one of the most revered figures in the history of Chinese cinema and one of the most sought after fight choreographers in the industry. His work on the Ip Man movies is astounding. Lee’s one-on-one battle, if you can call it that, with O’Hara is an epic display of hand speed. The true highlight for me, though, is his battle with the guards. This is the very pinnacle of movie martial arts, only equaled by Bruce’s showdown with Chuck Norris in The Way of the Dragon. Lee choreographed both, by the way. During this scene one of the guards gets his neck broken. You probably won’t even look at his face, let alone realize who he is, but its some teenager named Jackie Chan. He was actually used in a few of Lee’s movies then he did one or two things you might know.

In addition to Bruce, John Saxon and Jim Kelly also shine. They add a sense of style and certainly an American sheen to the proceedings. While our hero is being elevated to a mythical stature, these other two are the guys we can relate to. They bring humor and they still get it done when it’s time to throw hands…and feet. Saxon went on to a long career. Kelly’s career in movies wouldn’t be nearly as long, but he became a Blaxploitation icon. This movie also introduced me to the great Bolo Yeung. He still scares me a little. Finally, Shih Kien as Mr. Han is one of the coolest villains ever. I say this even though I’ve now noticed some inconsistencies with his false left hand. As the movie progresses he switches it out for something sharper and more heinous several times. However, when we think it is just a hand we see him move the fingers.


In the decades since I’ve first seen it, I’ve come to realize that Enter the Dragon is not only a showcase for Bruce Lee’s amazing physical skills, but touches on the philosophies he’s become famous for as well. He waxes poetic on the ways of Jeet Kun Do, the style of martial arts he actually invented. No, in the movie he never calls it this, but if you’re familiar with Bruce’s ideas on fighting you’ll recognize it when he says things like “the greatest technique is to have no technique.”

My son had seen the movie before. He was much younger, and in recent years I haven't forced him to see it whenever I did. It was long enough ago that I covered his eyes during the several naughty parts. I did no such thing this time and we had a grand time watching. For him, the time since he last saw it made this like a first viewing. He is where I once was in regards to this movie. He knows nothing of Bruce Lee’s depth or incredible worldwide impact on martial arts both in the movies and in real life, aside from my blabbing during the film. He doesn’t care that EtD is such an achievement that in 2004 it was deemed “culturally significant” and selected for preservation in the National Film Registry. He just knows that this is one cool ass movie. I hope he’ll sit down with me when I watch it again in six months or so.

Friday, January 13, 2012

Kung Fu Panda 2

Directed by Jennifer Yuh.
2011. Rated PG, 91 minutes.
Cast:
Jack Black
Angelina Jolie
Dustin Hoffman
Gary Oldman
Jackie Chan
Seth Rogen
Lucy Liu
David Cross
James Hong
Michelle Yeoh
Danny McBride
Dennis Haybert
Jean-Claude Van Damme
Victor Garber

Since becoming the Dragon Warrior, Po (Black) is enjoying life and dispatching the occasional bad guy. Of course, we wouldn’t get a new movie without a newer, greater threat on the horizon. That threat comes in the form of shunned peacock Shen (Oldman). He was banished from the city he calls home long ago for being a very bad boy. Now he’s back with plans to take over all of China, starting with his hometown. Though he’s pretty darn good at martial arts, fighting isn’t his main tactic. Instead, he has created something that seems to symbolize the death of kung fu itself. Not only is it up to Po and the rest of the Furious Five to stop him, but Po is also dealing with an identity crisis. Having never met another panda, he wants to figure out where he came from and what happened to his parents.

Like he was in the original, our hero is still a goofball and very much like most other characters played by Jack Black. By the way, his schtick works better here than in his live-action roles. There are also fun interactions between Po, Master Shifu (Hoffman) and the rest of the Furious Five. In particular, his moments with Tigress (Jolie) provides a huge chunk of the movie’s most tender moments. Another large chunk comes from Po’s time with the only dad he’s known. There is also plenty of action, even more than in the original since we don’t have to spend so much time on Po learning to fight.

Alas, more action does not necessarily make a good movie. This is a good movie because it maintains its predecessor’s most important trait. Aside from the fighting, the plot functions as much like a true martial arts film as it does a kiddie flick. Other than using human beings not many changes, if any, would be needed. It would be right at home amongst a group of Shaw Brothers productions.


It also helps that Gary Oldman gives us a wonderful heel in Shen. He’s more menacing than Tai Lung from the first movie because instead of wanting to be more than he is, Shen embraces his villainy. His one true care is about vengeance. What he has to do to achieve it is not important to him, only that it is done. Oldman conveys this in that just over the top, maniacal bad guy. Even as just a voice actor, he continues to show he is one of the most versatile performers in Hollywood.

When speaking of sequels, I don’t like saying that if you liked the first, you’ll like the second. In this case, that’s a true statement. The follow-up maintains the original’s magic and expands enough to still feel fresh. It pulls the trick of making us feel like we know these characters and that their adventure is bigger because they’ve grown – not just because. I’d be naïve to say it definitely isn’t, but it doesn’t feel like a cash-grab. It feels like the continuation of a saga.

MY SCORE: 8/10

Monday, November 8, 2010

The Karate Kid (2010)

Directed by Harald Zwart.
2010. Rated PG, 140 minutes.
Cast:
Jaden Smith
Jackie Chan
Taraji P. Henson
Wenwen Han
Zhenwei Wang
Rongguang Yu
Zhensu Wu
Zhiheng Wang


Tre (Smith) moves to China with his mom (Henson) after her job transfers her abroad. Practically soon as he steps off the plane, he takes a shine to one of the local girls. Of course, this puts him at odds with the neighborhood bully Cheng (Zhenwei Wang) and his cronies. Yes, this is a remake of the 1984 hit movie of the same name.

While maintaining the framework of the original, this one branches far enough out to stand on its own. The wise teacher, love story, evil teacher with a “no mercy” policy and angry young bully are all in place, yet it feels like a fresh approach. A contributing factor is the change in location from California to China. Another is the change in age groups from near adults to middle-schoolers. These changes work to create something essentially the same, but somehow different, if that makes any sense.

This version has something else going in its favor over the original. Some of you may stop reading after the next sentence, just a warning. Jaden Smith is a better karate kid than Ralph Macchio. I realize the blasphemy I’ve just committed, but I’ll drive on. Little Will seems to be the better athlete and actor, pulling off the role easier than “Danielsan”. It helps that he has many of his dad’s qualities, including a natural charm. Admittedly, he can occasionally become annoying, as most kid actors do, but it’s an overall better performance, in my very humble opinion.

In the mentor role, Jackie Chan is also excellent. As Mr. Han, he gives what is probably the finest performance of his career, to date. It’s a far cry from the laugh, make a stupid face, run and fight while performing acrobatics routine most of his work consists of. Here, he conveys real emotions and wisdom. Granted, it’s not quite up to the same level of other-worldly awesomeness as Pat Morita’s Mr. Miyagi, but it’s not as far off as you would think going in. I’ll also admit that hanging and picking up the jacket is a lot more of stretch to translate into a fighting style than “wax on, wax off.” Can’t win ‘em all, I guess.

For me, a remake should retell the story of the original in its own way while maintaining what people liked about the original. It shouldn’t update its predecessor needlessly, but in ways the contemporary audience relates to. The 2010 version of TKK does this. People tend to forget, or ignore, that the 1984 version is really just a martial arts reimagining of Rocky. For that reason, even though I always liked it I feel it is overrated. The remake is rare in that it’s at least on equal footing with the movie it remakes. Duck, more blasphemy coming. I think its better, as a movie at least. Still, the original has the advantage of being a cultural phenomenon. Since it is, I can already feel many ill-intended glares from the disbelieving eyes that just read this.

MY SCORE: 7/10

Wednesday, July 14, 2010

The Spy Next Door


Directed by Brian Levant.
2010. Rated PG, 95 minutes.
Cast:
Jackie Chan
Amber Valletta
Madeline Carroll
Will Shadley
Magus Scheving
Billy Ray Cyrus
George Lopez


Bob Ho (Chan) is a spy on loan to the US from China. Given the climate of America’s current relations with China, let that marinate a bit. Okay, let’s move on. Bob has fallen in love with Gillian (Valletta), a single mom of three. One small problem: her kids hate him. He decides to retire, it seems largely because he’s tired to lying to her about his job. When she has to go out of town he leaps at the chance to babysit, hoping for a chance to bond with the kids and change their opinion of him. Of course, the bad guy he busted at the beginning of the movie has escaped and is trying to take over the world…or something. Kung fu hijinks and spy shenanigans ensue.

With only a little more info about the children, you could start penning the script and without having seen it and you’ll probably end up with something fairly close to what actually plays out on screen. If you doubt me, I’ll give you the tools you need to test my theory. The oldest daughter needs a serious attitude adjustment. The boy is a pathological teller of harmless lies and a wide-eyed geek who’s probably seen a Jackie Chan movie or twelve. The youngest girl constantly says and does annoying things that are supposed to be cute. Go.

Okay, so you don’t want to spend the 20 minutes it would take to actually write it down but you get the picture. The one thing you won’t be able to get near are the acrobatic and frenetic action scenes that are Jackie Chan’s signature and the saving grace of this movie. Admittedly, these aren’t top-notch, seeming to defy the laws of physics Chan scenes but they’re still fun and funnier than any of the so-called jokes in the script.

Between fight scenes, all sorts of cornball stuff wrapped in cheesy dialogue goes on. It’s nothing we haven’t seen a dozen times before. In fact, while watching it I kept wondering “Isn’t it way too soon for a remake of The Pacifier?"

The Opposite View: Prairie Miller, NewsBlaze

What the Internet Says: 5.2/10 on imdb.com (7/13/10), 12% on rottentomatoes.com 27/100 on metacritic.com


MY SCORE: 4/10