The Dellies - 2012 Best Animated Feature

Today we dive into what is probably the most fun category. Every year tons of kiddie fare hits the theater. Truthfully, much of it is annoying and overly simple. That said, when one of these movies gets it right it can be a truly wonderful viewing experience. The movies below got it right. Click on the titles of my nominees and honorable mentions to read my full reviews.

2012 - Best Animated Feature

The Real Nominees: Brave (Mark Andrews and Brenda Chapman), Frankenweenie (Tim Burton), ParaNorman (Sam Fell and Chris Butler), The Pirates! Band of Misfits (Peter Lord), Wreck-It Ralph (Rich Moore)

My Nominees

Brave

Directed by Mark Andrews and Brenda Chapman

Brave is a beautiful looking film. Beginning with our heroine’s expertly rendered hair, it’s a wonderful mix of photo-realistic scenery and cartoonish people. Nearly every frame has a touch or two that are a treat to lay eyes on.

ParaNorman

Directed by Sam Fell and Chris Butler

The characters on the screen are plenty scared, but their plight is handled with a good deal of levity. And the jokes actually work.

The Pirates! Band of Misfits

Directed by Peter Lord

Verbally, Pirates prefers subtly inserted punchlines to the obvious or crass. All of this comes together in a solid package.

Rise of the Guardians

Directed by Peter Ramsey

It’s possible to see the entire plot as a test of faith and what happens if we don’t have it. No, this doesn't get preachy and it’s not an advertisement for any religion. However, the theme is present. More than any of this, it’s just plain fun to watch.

Wreck-It Ralph

Directed by Rich Moore

There’s more to this movie than being pretty and loud. It eventually becomes a redemption tale. That much is expected. What’s not is the complexity of the redeeming and how many actually go through it.


Honorable Mention:
Ice Age: Continental Drift
Madagascar 3: Europe's Most Wanted


The Real Winner: Brave (Mark Andrews and Brenda Chapman)

And My Winner Is...

Rise of the Guardians

Directed by Peter Ramsey

On the surface, things boil down to that good guys/bad guy stuff. That aspect alone is fun, but there’s more to it than that. It plays on our childhood hopes and fears to create both excitement and dread.

Click here to see all of The Dellies!

Congrats to the Winners!

 

Just finished watching the Oscars. Congrats to all the winners, especially Argo, taking home the honors for Best Picture. You can read my review of it here.

Movies I've reviewed that received at least one nomination this year (alphabetically):

The Avengers

Django Unchained
Flight
Mirror Mirror
Moonrise Kingdom
ParaNorman
Silver Linings Playbook
Snow White and the Huntsman
Ted


In the coming weeks, I should get to a bunch more nominees, particularly from the Best Picture category. Stay tuned!

ParaNorman

Directed by Chris Butler and Sam Fell.

Rated PG, 92 minutes.

Cast:

Kodi Smit-McPhee

Tucker Albrizzi

Anna Kendrick

Casey Affleck

Christopher Mintz-Plasse

Leslie Mann

John Goodman

Jeff Garlin

Bernard Hill

Elaine Stritch

Tempestt Bledsoe

Jodelle Ferland
Ariel Winter

Norman Babcock (Smit-McPhee) is that kid, the one everyone else thinks is weird. They have good reason. After all, he has no problem telling people he talks to the dead. Though no one believes him, he really can. In fact, his most frequent companion is his long passed grandmother (Stritch) who watches TV with him. With no way of proving this, as you might imagine, his living family members are rather disturbed by his behavior. Soon enough, we learn Norman has an uncle, Mr. Prenderghast (Goodman), that has the same ability. When that uncle dies, he warns Norman that it is up to him to stop the curse. Of course, Mr. Prenderghast doesn't tell exactly what the curse is. Matters become rather urgent when zombies start climbing out of the local graveyard. Yes, everyone in town can actually see them. And yes, this is still a kiddie flick.

Like a lot of movies aimed at children, ParaNorman focuses on how an outcast becomes a hero. It just chooses to do so through much more macabre means. It traipses into horror's shallowest waters but never immerses itself. Terrifying the audience is off-limits. The characters on the screen are plenty scared, but their plight is handled with a good deal of levity. And the jokes actually work. Dialogue is often sharp, though it does lapse into the standard Disney Channel schtick of a big sister being mean to her brother on too many occasions.

Even without frights, ParaNorman still manages to create tension. Much of this is due to the fact there is quite a bit of mystery surrounding just what Norman is supposed to do and why. This partially clears up, but even as we near the climax we're not real sure what he's going to do. Even he's not particularly certain. Rest assured, he does "something." It's a bit of a letdown because the last few minutes of our showdown scene get a bit too preachy, spelling out the moral of the story for us. Still, it's very enjoyable to that point.